to solve the problem:
Shouldn't we have that be the default?
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-engraver scenario, but it might
make some sense trying to at least make both engravers use the same kind
of tie-breaking in comparable situations.
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will not be able to do
so.
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Thomas Morley thomasmorle...@googlemail.com writes:
2012/11/29 David Kastrup d...@gnu.org:
Noeck noeck.marb...@gmx.de writes:
Am 28.11.2012 21:42, schrieb Eluze:
try
{ c'' d''-4 \parenthesize -4 e'' a c''-4 }
Eluze
Why does that work at all? I would have excpected that the (4
on and with music easier and more enjoyable is quite a powerful
reason of its own.
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that is bad for PATH?
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of tricks you can
teach LilyPond require knowledge of LilyPond's rather than Scheme's
darker corners.
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just need the first 1 and
all the other strings will be of the same length automatically.
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Graham Percival gra...@percival-music.ca writes:
On Wed, Dec 12, 2012 at 08:47:27PM +0100, Hans Aberg wrote:
On 12 Dec 2012, at 16:32, David Kastrup wrote:
Stupid question: why would one create executable shims to something like
DIR/LilyPond.app/Contents/Resources/bin/* in ~/bin
Eric Pancer epan...@gmail.com writes:
On Wed, Dec 12, 2012 at 2:14 PM, David Kastrup d...@gnu.org wrote:
The libexec route appears to cater for all of that. We should use bin
just for executables supposed to be entry points of LilyPond.
Please, no!
From man 1 hier
Eric Pancer epan...@gmail.com writes:
On Wed, Dec 12, 2012 at 2:25 PM, David Kastrup d...@gnu.org wrote:
Which is pretty much what we are talking about. I was not talking about
/libexec but libexec, like the LilyPond executables are not in /bin but
some bin (well, actually out/bin
(car pes) 'pitch))
into
(pnew (ly:music-property (list-ref pitches i) 'pitch))
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Eric Pancer epan...@gmail.com writes:
On Wed, Dec 12, 2012 at 3:02 PM, David Kastrup d...@gnu.org wrote:
Eric Pancer epan...@gmail.com writes:
On Wed, Dec 12, 2012 at 2:25 PM, David Kastrup d...@gnu.org wrote:
Which is pretty much what we are talking about. I was not talking about
/libexec
, so it made sense
getting this right first.
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David Kastrup d...@gnu.org writes:
Eric papa.e...@free.fr writes:
Hi Lilypond helpers,
The following snippet :
http://lsr.dsi.unimi.it/LSR/Snippet?id=346
does not work any longer.
The error occurs In procedure car in expression (car pes):
/home/eric/musique/lilypond/test.ly:49:49
.
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as $xxx creates a copy.
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what you want is extraNatural = ##t as shown here. I moved the
first disis to check if it is shown even in a different octave.
\version 2.16.0
{
#(set-accidental-style 'modern) % accidentals in different octaves
I'd rather use
\accidentalStyle modern
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..
Ah, no, I see. You did add it, but not in the right place.
Good thing it is no longer needed in current versions.
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one lyric per bar, then you should just need the first 1 and
all the other strings will be of the same length automatically.
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Where do I have to put this part of code?
I tried several places, but the score doesn''t compile, stating: syntax
error, unexpected STRING \new Lyrics
Staff.keepAliveInterfaces = #'()
showStaff = \unset Staff.keepAliveInterfaces
So it would seem that we need something like an inHades property that,
if set, let's the Harakiri_engraver remove everything that would
properly be alive.
Ok, inHades is likely too cute. How about reverseHarakiri instead?
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enough leverage for implementing this kind of thing?
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{
\violinIPart
\layout {
}
}
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Signature, Key — at the very beginning)
The word line is in quotes, because I have a piano score, with two staffs,
obviously, and I am referring to the TWO staffs as one line
URL:http://lilypond.org/doc/v2.16/Documentation/notation/one_002dline-page-breaking
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Bric b...@flight.us writes:
On December 16, 2012 at 7:11 AM David Kastrup d...@gnu.org wrote:
Bric b...@flight.us writes:
Hi, all
Is there a way to have lilypond output to a very long, skinny PNG
image with a
one-line score?
In other words, no wrapping or line breaking — bar
material over
and over again. And it is extremely impolite if you are actually just
making a point related to a single sentence to let the reader sift
through a whole time-reversed conversation in order to figure out what
you are presumably talking about.
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/guitarTwinkle.ly:17:9: error: GUILE
signaled an error for the expression beginning here
#
(define fonts
Is there a simple answer for why the extra lines allow it to work?
The scale factor for make-pango-font-tree is not optional, you can't
just remove it without writing 1 instead.
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is a reserved word, so it can't really
be replaced by anything else.
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an http download link
over an inline image in reasonably standard format does not strike me
like much of a security advantage.
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, and the dreaded
Queen of the Night coloratura soprano aria Der Hölle Rache kocht in
meinem Herzen reaches up to F6.
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are confusing this with its big brother C4.
C6 is the C in the third space of treble clef. etc..
That's C5. C6 is already high soprano turf.
Perhaps we are better off with Helmholtz notation after all.
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\bookOutputName
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graces with spacer rests (like s8)
to have the same length, if necessary, adding just \grace { s8. }. It
is a problem documented in the manual, and is one of the earliest
standing issues in the bug tracker, the infamous issue 34
URL:http://code.google.com/p/lilypond/issues/detail?id=34.
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it automatically), that
may help at times.
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such things. It interferes with their
pitch sense.
I think the Carmina Burana has some piece for a bass or baritone
falsettist and it is written in $#!! bass clef, with oodles of ledger
lines. No idea how anybody is going to figure out just where in the
scale he is currently singing.
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like
\markup \pattern #60 #X #1 \draw-line #'(0.5 . 0)
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simple. Who knew that I was about to walk into a
minefield? Wow...
I will see what I can do with the \grace { s8 } idea you suggested. So
far that idea is not playing nicely with the bagpipe.ly file.
Example?
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.
They are in voices generated by ... \\ ... . However, in your
case, those voices are _empty_ since you write \new Voice inside of them
(getting you _another_ Voice), so you should not have been using \\ in
the first plcae.
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easy for me to find either.
So how could this have been made easier?
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-printed one only about the half (or two-thirds?).
Not sure about the reasoning.
To keep the visual weight right of the stem would be my guess. When in
doubt, take a look at how hand-engraved scores by traditional publishers
do it.
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of squeeze grace material in before the
time starts properly mechanism already, with grace-fixup chains and
stuff. Prepending _another_ such mechanism because the existing
mechanism fails to work reliably seems like a step towards making it
much harder to actually fix things.
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in such a short time frame) is patching it
up. And that's really going to turn a buggy complex mess into a more
complex buggy mess.
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and pia means devout in Italian
which is not really a dynamic instruction.
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Richard Shann richard.sh...@virgin.net writes:
On Sat, 2012-12-22 at 00:58 +0100, David Kastrup wrote:
For getting a copy with individual location data, you
indeed need to write $(make-dynamic-script
I replaced # with $ and this worked perfectly - I can now drag the
pia. indication about
)
(cons (make-music 'TextSpanEvent 'span-direction START)
(ly:music-property b 'articulations)))
mus))
?
This should have a better hit/miss ratio.
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Nick Payne nick.pa...@internode.on.net writes:
On 24/12/12 10:42, David Kastrup wrote:
This should have a better hit/miss ratio.
Yes, that does fix the problem with the spanner terminating at the
wrong place. However, there is still the problem with nesting of
braces where one uses \barreX
-details.left-broken.text = ##f
\once\override TextSpanner.bound-details.right-broken.text = ##f
\unset minimumFret
\unset restrainOpenStrings
#})
minimumFret doesn't work here.
Possibly TabStaff.minimumFret to avoid opening a non-tab Staff?
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Colin Hall colingh...@gmail.com writes:
David Kastrup dak at gnu.org writes:
Richard Shann richard.shann at virgin.net writes:
On Sat, 2012-12-22 at 00:58 +0100, David Kastrup wrote:
I guess this $ notation is documented somewhere - searching around
yesterday evening I came across
--is there something similar
to that?
Something like:
Capo 3: DBm ...
FDm ...
Interesting suggestion. But there's also midi to take into account.
Anything that \transposition can't do?
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Romel Anthony S. Bismonte math_wizar...@hotmail.com writes:
David Kastrup dak at gnu.org writes:
Johan Vromans jvromans at squirrel.nl writes:
Romel Anthony S. Bismonte math_wizard44 at hotmail.com writes:
I have two chord lines above my music line, and I was wondering how I
can
(string-symbol ...))
Not particularly fond of this kind of interface, though.
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expressive mark, but hard to apply to a percussive
instrument like the piano. unless it is something like a Pohlmann piano
with a swell pedal.
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David Kastrup d...@gnu.org writes:
Shane Brandes sh...@grayskies.net writes:
The other question is purely musical. I have been working on a second
half 18th or early 19th century piece (prior to 1822) and keep running
across the dynamic marking pf. I was wondering if anyone else has
seen
for
details.
Several commands now accept symbol lists (conveniently entered as
dot-separated words) for various kinds of arguments. These include
‘\accidentalStyle’, ‘\alterBroken’, ‘\footnote’, ‘\hide’, ‘\omit’,
‘\overrideProperty’, ‘\shape’, and ‘\tweak’.
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v2.14.2
I find that
convert-ly --from=2.14.2 --to=2.16.0 -e jazzchords-include.ily
does not have a problem converting the problematic construct.
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Thomas Morley thomasmorle...@googlemail.com writes:
2012/12/30 David Kastrup d...@gnu.org:
Richard Shann richard.sh...@virgin.net writes:
I too am very interested in adding links to objects, but when I paste
your example into lilypond version 2.16.0 I get syntax errors - is it
specific
this direction field
gets _referenced_ eventually, updown is finally called.
[...]
\startTextSpan
#}
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way.
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.
Isn't there a too missing at the end of that sentence?
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.
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of chords.
You either need to place your footnote _inside_ of the chord, _or_ you
need to use a time-based footnote in which case you can place it before
the chord, or even in parallel music in the same voice.
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Federico Bruni fedel...@gmail.com writes:
Il 02/01/2013 09:52, David Kastrup ha scritto:
Federico Brunifedel...@gmail.com writes:
It took me some time to understand the following:
\version 2.17.10
\relative c'' {
\footnote #'(2 . 4) Footnote 1d-32 % it's not printed because
Federico Bruni fedel...@gmail.com writes:
Il 02/01/2013 10:33, David Kastrup ha scritto:
In the light of the above example working just fine, could you explain
how one should have written the NR so that you would have been able to
achieve what you wanted?
A simple warning saying
text text text text text text text text text text text
text text text text text text text text text text text text
}
}
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LilyPond the impression that it should
ignore your system distance specifications in order to make the material
reach bottom always given varying material (and in particular varying
last lines).
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lilypond
on
average.
Most EPS processors nowadays understand HiRes bounding boxes where
dimensions are specified as fractional values. Maybe we should take a
look at whether we can produce one of those in the output.
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to somewhat saner values.
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position in your first proposal.
Blacklisting that kind of code without dependable behavior was the
explicit intent of
Issue 3012: Patch: Flag an error for isolated post-events occuring in music
lists
URL:http://code.google.com/p/lilypond/issues/detail?id=3012
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Eluze elu...@gmail.com writes:
Pierre Perol-Schneider wrote
Just in case : if \version 2.16.1 you should use :
thanks, I always forget - should we make a request for a
backward-converter!?
What do we want done before releasing 2.18?
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) and the problem will go away.
Now arbitrary precision is also limited, but it is more likely that
your program will grind to a halt by resource starvation (and you'll
rethink your approach) than that you are going to reach that point. And
even if you do, Guile will throw an (albeit obscure) error.
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.
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Trevor Daniels t.dani...@treda.co.uk writes:
David Kastrup wrote Friday, January 04, 2013 8:21 AM
Oscar Dub oscar...@gmail.com writes:
From a user perspective, I thought it might be nice for the compiler
to send out some kind of error or warning message. Currently there's
no sign
here, I don't see that a useful answer can
be given.
All the best
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EmilLask laske...@gmail.com writes:
Thanks
Here it is my midi file
It exactly corresponds to the ties you use in your input. Can you point
out _any_ note which you consider wrong?
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. Nothing else.
There is exactly _one_ chord.
Please open the Midi file in some sequencer with a visual display of
actual events.
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in a score.
Those would have appeared in 2.15.42. Can somebody check whether we get
different behaviors between 2.15.42 and 2.15.41?
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EmilLask laske...@gmail.com writes:
Yes it's true.
If I comment out ChordName the midi file is correct.
Then?
Is it a bug?
URL:http://code.google.com/p/lilypond/issues/detail?id=3082
Workaround:
\midi { \context { \Voice \name ChordNameVoice } }
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for the two tracks in measure 2, and since they look
superficially identical, I apparently looked at the non-affected Midi
track first.
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)
\startTrillSpan
d'
c'2\stopTrillSpan }
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on
placements, not notes
URL:http://code.google.com/p/lilypond/issues/detail?id=3083
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this, Phil, and thanks to those who ran tests.
BTW, should the backported patches be marked fixed_2_16_2 on the issue
tracker, as David did for 2_16_x before?
I should think so.
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.
beginPrallSpan =
\tweak bound-details.left.text
\markup { \fontsize #-5 { \musicglyph #accidentals.leftparen } }
\tweak bound-details.left.stencil-offset #'(0.02 . -0.65)
\startTrillSpan
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message also is that he is not going to
release 2.17.10 for about a week, the time it takes until a proposed
patch that is not self-evidently the best and correct approach will take
to make it through reviews, countdown, and pushing.
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attention to detail to the overrides.
So you likely contributed more time on this than I did.
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you tried looking into the Extending LilyPond manual?
URL:http://lilypond.org/doc/v2.16/Documentation/extending/markup-functions
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syntax within Scheme), and #text} will complain because the
Scheme reader considers text} a single variable name which it can't
find anywhere.
Of course, this again requires at least 2.17.7:
commit a30c13f4658f03cb30820a27b42ddb4aea941380
Author: David Kastrup d...@gnu.org
Date: Mon Nov 5 23:13:07
the tweaking of subproperties.
Alas,
commit c35b698a7cb24bc0bd2f724c23e4c6fc455bdf75
Author: David Kastrup d...@gnu.org
Date: Sat Nov 24 21:04:21 2012 +0100
Issue 2997/2: Let \tweak deal with nested properties
was just entered in LilyPond in version 2.17.8. All the tweak/override
folderol
create sequential music.
What other meaning do you see?
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likely, http://;). Similarly with link rather
than #link.
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Olivier Biot olivier.b...@gmail.com writes:
On Sun, Jan 6, 2013 at 12:28 AM, David Kastrup d...@gnu.org wrote:
Olivier Biot olivier.b...@gmail.com writes:
Is this double meaning of curly braces documented somewhere? I did
not come across it in the online manuals so far.
What double life
expression (it does not take a music argument), so for combining
multiple \override commands, you need to wrap them in { ... } or
... .
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Shane Brandes sh...@grayskies.net writes:
Inline image 1
So, being very pleased with the result can someone turn this into a
snippet for the LSR.
Doesn't it start too far to the right?
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.
Wouldn't those be pretty much exactly the same as the URW++ clones of
Century Schoolbook, except for supporting a larger character set?
And quite possibly more weights, so that might address one perceived
shortcoming.
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don't like Adobe
Reader on my system, it takes much too much space. I use evince. But I
do like that Minion Pro font, and now I can use it!
Depends on what you use it for. It might make sense to check whether
the licensing allows for that.
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probability
the entire Polish font team will be present as well as some of the
decision makers for their funding.
As should be obvious from the pictures, this conference might provide a
few more worthwhile subjects for evangelizing LilyPond.
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leftovers of that kind
responsible here, a fresh user account should not show these symptoms.
If this is indeed so, it at least narrows down the search somewhat.
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screen.
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://frescobaldi.org/links#distros. Ubuntu has a lousy track
record of fixing things when something involving the compilation of the
package goes wrong and the package is not of first-tier interest.
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David Kastrup
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.
Click it.
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David Kastrup
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have expected to work
rather than one which is going to fail no matter what?
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David Kastrup
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