2013/5/10 Alberto Simões al...@alfarrabio.di.uminho.pt:
On 10/05/13 14:29, Janek Warchoł wrote:
Hi,
2013/5/10 Alberto Simões al...@alfarrabio.di.uminho.pt:
On 10/05/13 14:17, Urs Liska wrote:
Am 10.05.2013 15:15, schrieb Alberto Simões:
The snippet in
2013/5/10 Jean-Charles Malahieude lily...@orange.fr:
Hi all,
I need, for an examination paper, to add a ballooning over two consecutive
notes. So far, so good I can play with the slopes, but how can I adapt the
engraver to include the accidental (in other words emphasize the C-sharp,
not
2013/5/11 Peter Toye lilyp...@ptoye.com:
I'm trying to position whole-bar rests onto the bottom line of the staff to
keep them out of the way of the cues, and can't get it to work.
I'm still a newbie, and have found out about the \rest command, but this
gives me two problems:
1) it doesn't
2013/5/11 Peter Toye lilyp...@ptoye.com:
Thomas,
Sorry - here it is.
RestText= {e2\rest}
OboePart= {
\time 2/4
{
\relative c'
{
\repeat unfold 9 {\RestText }|
}
\new CueVoice
\relative c''
{
\stemUp
r4 r8.
2013/5/11 Peter Toye lilyp...@ptoye.com:
David,
Thanks. But \omit isn't in the documentation (at least, a search in the PDF
fails to find it). How does one find out how to use it please?
Best regards,
Peter
Well, that's the reason why I asked you (in the other thread) to
include the
2013/5/11 g...@sdf.org:
Is it possible, with LilyPond, to have something like the \hfill effect in
TeX, that is, fill the rest of the staff with blank space?
If I type:
{ a b c d \break a b c d \bar |. }
the layout is ugly because the notes are spread over the whole staff. I
know that:
2013/5/11 g...@sdf.org:
Thank you, Thomas!
Not sure I understood correct.
Though, how about:
\version 2.16.2
Alas, I use 2.14.2...
spaceRight =
#(define-music-function (parser location space)(number?)
(let* ((amount (+ space 0.5))
(space-right `(extra-space .
2013/5/11 g...@sdf.org:
Thanks a lot, this seems to work indeed! Actually I was dreaming of
something like \hfill\break in TeX, so that I could either do
notes \bar |. \hfill \break
or
notes \hfill \bar |. \break
for example, but your solution is already very good.
Well, you could do
2013/5/12 Richard Shann richard.sh...@virgin.net:
With the page pointed to by \RemoveEmptyStaves I arrived at
\layout { \context { Staff \RemoveEmptyStaves } }
then I discovered that my recollection was correct - I had already been
here some years ago, when I arrived at this
\layout {
2013/5/12 Xavier Noria f...@hashref.com:
Not sure what happen with the image.
Maybe the image was too large.
Posting images, I always try to make them as small as possible, using
the -dpreview option, or some graphical software (GIMP etc).
If possible, no screenshots.
Cheers,
Harm
2013/5/15 Peter Toye lilyp...@ptoye.com:
I found the cres--cen--do conversation - it seems that there's a general
need for a new form of text spanner which can spread out the text.
I'm not a Lilypond programmer, and don't really want to become one. What's
the best way of suggesting this as a
anonymity,
+1000
Thomas Morley is a fake.
Harm is a nick.
There are a few people on the list, knowing my real name, since I met
them offline.
-Harm
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2013/5/15 David Kastrup d...@gnu.org:
Vaylor Trucks vay...@gmail.com writes:
According to the LSR, the \scale markup is used to create fretboard
scale diagrams (see http://lsr.dsi.unimi.it/LSR/Item?id=790).
Uh, no? This LSR _defines_ the \scale markup to create those diagrams.
_After_
2013/5/15 SoundsFromSound soundsfromso...@gmail.com:
This is perfect for what I need. Thank you. One question though: what would
be the easiest way to center this span (so the dashes line up in the
center of the words, rather than along the bottom of the letters)?
Translate the
2013/5/16 luis jure l...@internet.com.uy:
dear list,
the output of the following code is shown in the first attached image:
\version 2.17.17
\score {
\new Voice \with {
\remove Forbid_line_break_engraver
\override Beam.breakable = ##t
}
\relative c'' {
2013/5/17 luis jure l...@internet.com.uy:
on 2013-05-17 at 00:40 Thomas Morley wrote:
Meanwhile you may want to use the function below.
Comments in code, if something isn't clear, shout.
brilliant, as always...
Rereading the code I'm not convinced about my brilliance:
Please delete `Score
To the author of LSR-snippet 878: Customizing individual staff lines
(currently not approved)
http://lsr.dsi.unimi.it/LSR/Item?id=878
Hope you're on this list.
I had a look at your file and noticed a small gap when the normal
staff is restored. Visible with high zoom.
What do you think about the
2013/5/26 Phil Burfitt phil.burf...@talktalk.net:
Am I doing something wrong here? I can't get musical symbols to show with
polphony.
\version 2.17.8
upper = \relative c' { c4 d e f }
lower = \relative c { c4 d e f }
\score {
\new TabStaff {
\tabFullNotation
\upper
2013/5/23 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@gmail.com writes:
To the author of LSR-snippet 878: Customizing individual staff lines
(currently not approved)
http://lsr.dsi.unimi.it/LSR/Item?id=878
Hope you're on this list.
I had a look at your file and noticed a small
2013/5/27 Phil Holmes em...@philholmes.net:
- Original Message - From: Thomas Morley
thomasmorle...@gmail.com
To: David Kastrup d...@gnu.org
Cc: lilypond-user@gnu.org; Phil Holmes em...@philholmes.net
Sent: Sunday, May 26, 2013 10:30 PM
Subject: Re: LSR-snippet 878: Customizing
, for now I'll not approve it.
2013/5/27 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@gmail.com writes:
(BTW, the same concerns could be said about
http://lsr.dsi.unimi.it/LSR/Item?id=700
Author: Neil Puttock)
Which is obviously the template that snippet 878 was created from
2013/5/28 Hanns Holger Rutz cont...@sciss.de:
hi,
how can I enforce superscriptions to be vertically aligned? e.g.
r32^\markup { \raise #10 \italic { Cell }} c'32^\markup { \raise #10 \italic
{ Cell }}
the `raise` doesn't seem to have any effect, the two words Cell appear
right above
2013/5/30 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi all,
Can anyone explain why this snippet (from Beethoven Op. 10 No. 3) is failing
in two different ways?
\version 2.17.19
\language english
piano_notes_upper = \relative d' {
d fs d'4 r r \crossStaff { r8 d d,8 } | % 16
2013/5/30 Thomas Morley thomasmorle...@gmail.com:
Refering to my own edition of Beethoven's Sonatas the code below seems
to print what you want.
\version 2.17.19
\language english
piano_notes_upper = \relative d' {
d fs d'4 r r r8 d8 | % 16
r8 cs r b r a r cs | % 17
2013/5/30 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi Thomas,
Scaling durations will avoid a second voice:
Just out of curiosity, how does that affect playback/MIDI?
Since the visuals are indistinguishable in the one- and two-voice versions,
would it be better practice to keep it
2013/5/31 Jean-Charles Malahieude lily...@orange.fr:
Hi all,
When the final bar of a score contains a single note in one staff (or
voice) and the other a full bar rest, is there an easy way to
automatically center them both and obtain something more pleasant than what
is produced by default?
2013/5/31 Phil Holmes m...@philholmes.net:
Yes - it looks like a bug to me. I also have LilyPond crashing, but have
only tried the windows version so far. What operating system are you using?
--
Phil Holmes
- Original Message -
From: 胡海鹏 - Hu Haipeng
To: Phil Holmes
Cc:
2013/6/2 Jean-Charles Malahieude lily...@orange.fr:
Le 31/05/2013 22:02, Thomas Morley disait :
maybe of interest for you:
http://lilypond.1069038.n5.nabble.com/center-NoteColumn-td34436.html
Attaching the most recent version of the code, your example included.
Many thanks to David
2013/6/2 Jean-Charles Malahieude lily...@orange.fr:
Le 02/06/2013 14:14, Thomas Morley disait :
2013/6/2 Jean-Charles Malahieude lily...@orange.fr:
Le 31/05/2013 22:02, Thomas Morley disait :
maybe of interest for you:
http://lilypond.1069038.n5.nabble.com/center-NoteColumn-td34436.html
2013/6/2 Jean-Charles Malahieude lily...@orange.fr:
Only nitpicking, as you can notice, is that it is the right side of the
digits (9, 5 and 6) that get aligned on the center of the note and not the
full box.
True, though regard the output of the following code:
\paper {
2013/6/5 Keith OHara k-ohara5...@oco.net:
Konstatin Heuer konstantin.heuer at neophon.eu writes:
Is it possible to get the same result like with
\remove System_start_delimiter_engraver
between some Staffs only?
So as to synchronize several GrandStaffs, that are not meant to be one
score.
2013/6/5 Stjepan Horvat zvanste...@gmail.com:
is there a way to split duration of long notes when chaning time signature:
\time 4/4
c1
to
\time 2/4
c2 ~ c2
i'm intrested in the output?
http://lilypond.1069038.n5.nabble.com/completion-heads-engraver-within-a-bar-td146640.html#a146648
?
2013/6/8 Federico Bruni fedel...@gmail.com:
2013/6/8 Federico Bruni fedel...@gmail.com
I think I'll add an example in the LSR (specific for flatpicking guitar)
I can log in to the LSR but I cannot add a snippet.
The LSR interface is not really user-friendly, I'd much prefer git :)
Find
2013/6/8 Phil Holmes m...@philholmes.net:
- Original Message - From: Phil Holmes em...@philholmes.net
To: LilyPond User Group lilypond-user@gnu.org
Sent: Saturday, June 08, 2013 12:29 PM
Subject: Making space for markup with cross-staff beams
As something of an exercise, I'm
2013/6/8 Thomas Morley thomasmorle...@gmail.com:
If I have more time I take a look.
Hi Federico,
there's one point not clear to me:
What does \arrUp mean regarding the strike-direction?
As an example I use a chord (see attached png)
Striking a chord
1.) from the lowest pitch up to the topmost
2013/6/10 Richard Shann richard.sh...@virgin.net:
I've just been digging around in the docs and lsr for typesetting two
time signatures right next to each other 3/4 6/8
I can see the stuff for putting one in brackets, but not for printing
both next to each other.
Anyone know where this is (I
2013/6/11 Urs Liska u...@openlilylib.org:
Am 11.06.2013 15:11, schrieb Janek Warchoł:
2013/6/11 Urs Liska u...@openlilylib.org:
Don't feel dumb - i don't know how to get along with scheme either ;)
(yet)
After all, I'm still wondering what benefits Scheme offers.
I find it extremely
2013/6/12 David Kastrup d...@gnu.org:
Evian julio.casa...@me.com writes:
2 years ago I was provided with the following code. The idea
was to change de colour when having an accidental. This in the
new version is not working.
Can anybody help?
coloraccidentals = #(define-music-function
2013/6/10 Federico Bruni fedel...@gmail.com:
Hi Harm
thanks for reviewing the snippet
Approved as
http://lsr.dsi.unimi.it/LSR/Item?id=879
2013/6/9 Thomas Morley thomasmorle...@gmail.com
2013/6/8 Thomas Morley thomasmorle...@gmail.com:
If I have more time I take a look.
Hi Federico
2013/6/13 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@gmail.com writes:
I tried it different:
(Note the version, it doesn't work with 2.16.2)
\version 2.17.20
coloraccidentals =
\override NoteHead #'color =
#(lambda (grob)
(let* ((acc (ly:grob-object grob 'accidental
2013/6/13 Rachael Thomas Carlson rachael.thomas.carl...@gmail.com:
On Thu, 2013-06-13 at 00:48 +0200, David Kastrup wrote:
Thomas Morley thomasmorle...@gmail.com writes:
Well, in classical Guitar-scores the strike-direction is _always_
related to the pitches.
What does that mean?
Even
2013/6/13 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hello,
Any help making the snippet below work as expected (i.e., the ties wait for
the chord, which is cross-staff) would be appreciated!
Thanks,
Kieren.
___
\\version 2.17
\language english
\layout {
2013/6/13 st...@linuxsuite.org:
Howdy!
I have a Table of Contents. The TOC is the first file and
has the
first page number. All the rest of the pieces are correctly inserted into
the TOC. I have a Preface that appears before the TOC, has a roman numeral
like page numbering
2013/6/13 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hello all!
I would like to explicitly indicate piano pedalling (using brackets) in the
first measure of my score, and then put a sim. (or similar ;) right after
the /\ (i.e., up+down) marking on the downbeat of the second measure.
2013/6/13 Nathan when.possi...@gmail.com:
When I turn on \override Beam.positions = #beam::align-with-broken-parts, I
get strangely extended or shrunk stems.
\version 2.17.20
\new Staff \transpose c c' {
\override Beam.breakable = ##t
\override Beam.positions =
2013/6/14 Kieren MacMillan kieren_macmil...@sympatico.ca
Hi Harm,
it's not completely clear to me what you want to achieve.
I want this:
1. Best Option = adjust the stencil of the bracket so that \sustainOff
would print the entire grouping /\_ sim.
Please look at the output from the
Hi Paul,
I can't reproduce/compile your example.
What is \DB ??
Please post a compilable code.
-Harm
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2013/6/15 Paul Malcolm paul.malc...@anu.edu.au:
Sorry Harm, its an alias to a down bow, just delete it.
Paul
On 15/06/13, Thomas Morley thomasmorle...@gmail.com wrote:
Hi Paul,
I can't reproduce/compile your example.
What is \DB ??
Please post a compilable code.
-Harm
Hi Paul
2013/6/14 Thomas Morley thomasmorle...@gmail.com
2013/6/14 Kieren MacMillan kieren_macmil...@sympatico.ca
Hi Harm,
it's not completely clear to me what you want to achieve.
I want this:
1. Best Option = adjust the stencil of the bracket so that \sustainOff
would print the entire
2013/6/16 Paul Malcolm paul.malc...@anu.edu.au:
Dear David thanks for your link.
I did try that but I could not figure out how to turn it on and off,
that is, it seemed a condition that is for the entire score only.
I wanted triangles and squares only in certain parts of the score.
Ive
2013/6/21 Nick Payne nick.pa...@internode.on.net:
On 21/06/13 12:30, Marc Mouries wrote:
Hi Lilyponders,
I am typesetting a score with an ossia using the snippet:
http://lsr.dsi.unimi.it/LSR/Snippet?id=125
In version 2.16, this snippet print a spanBar joining the ossia and the
main staff.
2013/6/21 Thomas Morley thomasmorle...@gmail.com:
2013/6/21 Nick Payne nick.pa...@internode.on.net:
On 21/06/13 12:30, Marc Mouries wrote:
Hi Lilyponders,
I am typesetting a score with an ossia using the snippet:
http://lsr.dsi.unimi.it/LSR/Snippet?id=125
In version 2.16, this snippet
2013/6/23 DW jdmusictuit...@gmail.com:
I am trying to typset a choral piece with half bar-lines in different places
in different voices.
The two approaches I have seen is to use polymetric notation or possibly
subverting the /breathe command to get the desired effect.
I have been trying to
2013/6/23 DW jdmusictuit...@gmail.com:
[...]
If I am looking for a way to separate a notehead from its stem, how would I
go about finding this information?
_
First step, according to the advice here is the manual index. But which
manual do I choose?
2013/6/23 DW jdmusictuit...@gmail.com:
While we are on the topic of general improvements. One way I have found that
makes editing a lot easier is to export snippets to .jpg and then using
picture editors for larger scale alignments.
One problem with this approach is, that we've several blind
2013/6/24 Mark Polesky markpole...@yahoo.com
[...]
1) How do I get the right vertical edges of the volta
spanners to print when I've overridden the bar type at those
moments? They only seem to print when there's a repeat bar
in the staff.
Hi,
use #(allow-volta-hook ||)
2) Is there a
2013/6/25 Peter Crighton petecrigh...@googlemail.com:
[...]
So, this is good for now, but I still have to figure out if this is the
ideal way to indicate whammy bar use. How have others handled such a
scenario?
Sorry, to be of not more help.
I'm a classical and flamenco guitarist.
I really
2013/6/26 Rachael Thomas Carlson rachael.thomas.carl...@gmail.com:
Hello everyone:
I am wondering how one might create a slur with the \markup command. I am
trying to create, in tabulature, two pull-offs that occur simultaneously in
the same voice.
\version 2.16.2
\new TabStaff {
c'
2013/6/26 Nick Payne nick.pa...@internode.on.net:
On 27/06/13 00:02, Jan Nieuwenhuizen wrote:
Janek Warchoł writes:
More explanation: \finger doesn't mean insert a fingering here.
Rather, it means use that funny time-signature-like
2013/6/27 Rachael Thomas Carlson rachael.thomas.carl...@gmail.com:
On 06/26/2013 05:08 PM, Thomas Morley wrote:
\version 2.16.2
\new TabStaff {
\tabFullNotation
\set doubleSlurs = ##t
c' e8\2\4( b d\2\4)
}
Hello Harm:
Thank you for the quick reply.
I think
2013/6/27 Rachael Thomas rachael.thomas.carl...@gmail.com:
[...]
Hello Harm:
This is wonderful work. Thank you so much. One thing, and this certainly
shows my newbiness here, how to I manipulate where the bottom slur is
placed? I see that we have, within the code, the ability to change the
2013/6/27 Rachael Thomas rachael.thomas.carl...@gmail.com:
I think I found the correct syntax. Thank you for your help!
\new TabVoice {
\tabFullNotation
\stemDown
c' e d a,8\2\4\5\6\repeatTie-\withMusicProperty #'spanner-id #g \tweak
#'extra-offset #'(0 . -2.5) (( b
2013/7/1 Andrew Bernard andrew.bern...@gmail.com:
To make clearer what I am asking in relation to manually drawing barlines,
attached is a snippet mocked up in inkscape of what I need to do.
[I am wanting to use version 2.17.20 for the work.]
Andrew
Hi Andrew,
the first time you posted
2013/7/1 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com:
Here's something simpler :
[...]
Hi Andrew,
below you'll find my own approach. Though not wide tested.
There are only a few comments in code, I'm too tired to write or explain more.
If something isn't clear, please shout.
Thanks
2013/7/3 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi all,
I want to redefine the way certain Script grobs are padded, independently —
e.g., I might want
staccato.padding = #0.5
tenuto.padding = #0.6
fermata.padding = #1.1
etc.
Is there an elegant way of doing
Hi,
for some custom-function I need to know how to calculate the 'kern of
a BarLine from a given stencil-x-extent, so that their visual
length/amont is equal.
As a test-case I constructed a draw-line-markup, which should fit
between the two lines of \bar ||
\version 2.17.21
\paper {
Forgot to answer all. So here again:
Hi Pierre,
many thanks for testing
2013/7/4 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com:
2013/7/3 Thomas Morley thomasmorle...@gmail.com
Hi,
Hi Harm,
As you can see
a line with x-length 1 leads to a 'kern of 9.7
a line with x-length
2013/7/3 Thomas Morley thomasmorle...@gmail.com:
2013/7/3 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi all,
I want to redefine the way certain Script grobs are padded, independently —
e.g., I might want
staccato.padding = #0.5
tenuto.padding = #0.6
fermata.padding
Hi Pierre,
thanks again for your work.
I'll work on it the upcoming weekend.
2013/7/5 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com:
2013/7/5 David Kastrup d...@gnu.org
I have my doubts. The exponential evaluates to
0.13 * Staffsize ** (ln(0.13)/ln(20))
Sorry for that, i'm
2013/7/5 John Kliewe kli...@yahoo.com:
Hi,
I am trying to create a measure like the attached, from Chopin's Nocturne
#3.
[...]
Any advice?
Use:
\mergeDifferentlyHeadedOn
Further explanations in the NR.
Cheers,
Harm
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2013/7/6 Rachael Thomas Carlson rachael.thomas.carl...@gmail.com:
Hello:
I am attempting to change the TabNoteHead through what the
documentation calls 'Modifying stencils' (chp. 5.5.3). I can't seem to
get the stencil override to work. I have been able to change the
TabNoteHead through
2013/7/6 Rachael Thomas Carlson r...@sleeplimited.org:
[...]
Harm:
Wow!
You are amazing! Thank you so much. The second possibility is going
to work very well. Also, thank you for the comments as well. I really like
LIlypond but as I am the only person in my area, that I know of, that
2013/7/6 Rachael Thomas Carlson rachael.thomas.carl...@gmail.com:
[...]
Quick question: could you direct me to a resource that could tell me
about this information and these functions?
Well, I can't answer quick or short.
There is no special or single resource for these functions. I wrote
2013/7/9 Karol Majewski karo...@wp.pl:
Hi
Quite some time ago David Nalesnik wrote this amazing function:
http://lsr.dsi.unimi.it/LSR/Snippet?id=646
The problem is that when I apply it to a staff with
{
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
}
... the
2013/7/9 David Nalesnik david.nales...@gmail.com:
Too much clutter on this computer.
I know _exactly_ what your're talking about.
:D
-Harm
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2013/7/9 Eric Pancer epan...@gmail.com:
I'm working on the following file but having some issues where
formatting tricks don't seem to be working. A couple of questions:
1. How can I increase the veritical space between the systems ? The
\paper configuration of markup-system-spacing
2013/7/6 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com:
2013/7/5 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com
kern =x-length*1,4*EXP(-(LN(0,14)/LN(20)*LN(Staff-Size)))
Dear Harm, dear David,
Here's a simplified version of the kernel.
It's exactly the same fuction :
2013/7/10 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@gmail.com writes:
2013/7/6 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com:
2013/7/5 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com
kern =x-length*1,4*EXP(-(LN(0,14)/LN(20)*LN(Staff-Size)))
So far as I can
2013/7/10 Urs Liska u...@openlilylib.org:
Is there an easy way to automatically repeat the time signature at the
beginning of each system?
It should also work for ones with manual timesignaturefractions.
TIA
Urs
--
Diese Nachricht wurde von meinem Android-Mobiltelefon mit K-9 Mail
2013/7/10 Eric Pancer epan...@gmail.com:
Thank you very much, your suggestions helped the situation. I have two
more issues.
On Tue, Jul 9, 2013 at 5:04 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
2013/7/9 Eric Pancer epan...@gmail.com:
I'm working on the following file but having
Hi Derek,
2013/7/10 Derek cu...@shmerek.com:
I have tried to make a tiny example here but just shortening my file to ten
bars. I don't know if it is still too big though.
It is by far too big!!
And please fix all the log-warnings, before posting.
Or in case you don't know how, ask habout them.
2013/7/11 Urs Liska u...@openlilylib.org:
Hi,
I've made quite some progress in generating a complete set of rhythmical
building blocks. I think it will make for a pair of post on our blog that
_really_ show that Lily is infinitely superior to any wysiwyg tool at least
in this respect.
2013/7/11 Urs Liska u...@openlilylib.org:
Am 11.07.2013 23:19, schrieb Thomas Morley:
[...]
Please use 2.16-syntax, if you declare \version 2.16.2 in
building-blocks-start.ly
or change the version.
Hm, actually I thought about that.
I never used 2.16 so it would mean an artificial effort
2013/7/11 Urs Liska u...@openlilylib.org:
Am 11.07.2013 23:19, schrieb Thomas Morley:
[...]
Investigating futher ...
Looking forward to it :-)
Urs
Hi Urs,
I was annoyed by the loads of warnings for beamed half notes.
Therefore I wrote some code to avoid that:
\version 2.16.2
#(define
2013/7/12 Urs Liska u...@openlilylib.org:
Am 12.07.2013 03:10, schrieb Thomas Morley:
Hi Urs,
I was annoyed by the loads of warnings for beamed half notes.
I was annoyed too, but unfortunately I'm still way from being able to fix
that myself.
Therefore I wrote some code to avoid
2013/7/12 jboogie jbj...@lavabit.com:
Hi, I'm very new to lilypond and trying to hack my way to a
score for a small brazilian percussion ensemble. Actually the visive
output is fine for now, there's just one piece of code I don't
understand.
To achieve a staff with two lines for an agogo
2013/7/13 jboogie jbj...@lavabit.com:
On Fri, 12 Jul 2013 21:23:09 +0200
Thomas Morley thomasmorle...@gmail.com wrote:
Btw, from your code (\override Staff.BarLine #'bar-size = #3) I think
you're using 2.12.3.
Why?
I'm using 2.16.2, that example was simply copy pasted from the docs
Well
2013/7/13 Urs Liska u...@openlilylib.org:
Hi all, the Schemers in particular,
[...]
Well, this schemer is tired.
Perhaps another day.
Currently i've not even tried to understand the pattern.
Cheers,
Harm
___
lilypond-user mailing list
2013/7/13 Karol Majewski karo...@wp.pl:
OK, so now I'm playing with \set Score.repeatCommands = #'(start-repeat). The
big question is: how can I apply repeat sign only to one staff inside
PianoStaff. \set Staff.repeatCommands = #'(start-repeat) does not work.
Hi Karol,
how about
\version
2013/7/13 Phil Holmes m...@philholmes.net:
- Original Message - From: ivan.k.kuznet...@gmail.com
To: lilypond-user@gnu.org
Sent: Saturday, July 13, 2013 9:16 PM
Subject: Why do these chords not line up vertically?
In this example, why does the lowest voice not line
up vertically
2013/7/14 Karol Majewski karo...@wp.pl:
Yes, I tried that before. The point is that I don't want move these
engravers, because it messes up the score (no bar numbers, some bar lines
missing). Need some other way to insert those repeat signs. I can always put
them in \markup { \score } and
2013/7/16 Phil Holmes m...@philholmes.net:
- Original Message - From: Werner LEMBERG w...@gnu.org
To: lilypond-user@gnu.org
Sent: Tuesday, July 16, 2013 7:34 AM
Subject: LSR preview broken?
I've just added a snippet to the LSR (`Percent repeat counters for
piano music'), but I'm
2013/7/16 Werner LEMBERG w...@gnu.org:
Your snippet compiles fine with 2.14.2 (tested).
Thanks.
There are some problems in the LSR concerning cropped images.
Hmm, I don't think this affects my snippet.
Maybe simply approving it solves the issue :-)
No. Already tested.
Werner
2013/7/16 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi David,
Try starting from
Thanks — that's very helpful!
Here's what I have from there:
\version 2.17
#(define-markup-command (ellipse layout props text) (markup?)
#:properties ((thickness 0.2) (x-padding 0.1) (y-padding
2013/7/16 Thomas Morley thomasmorle...@gmail.com:
2013/7/16 Werner LEMBERG w...@gnu.org:
Your snippet compiles fine with 2.14.2 (tested).
Thanks.
There are some problems in the LSR concerning cropped images.
Hmm, I don't think this affects my snippet.
Maybe simply approving it solves
2013/7/17 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@gmail.com writes:
below my own approach.
I defined two formatters for BarNumber,
1) using my version of \ellipse (though, it's nearly the same as David's).
2) using \oval
So we are missing markup commands. I am not really
2013/7/17 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com:
some improvement here :
%%%
#(define (adjust-kern x-lngth)
(*(* 19.50 (- 1.01 (exp (* -0.035 staff-size x-lngth))
%%%
Pierre
Hi Pierre,
thanks a lot for all your work you've put on this!!!
Though,
Hi,
2013/7/19 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com:
2013/7/19 Andrew Bernard andrew.bern...@gmail.com
Greetings List,
Hi Andrew,
How would one get lilypond to place all noteheads on the right of their
stems regardless of whether they are up or down?
See :
2013/7/19 Thomas Morley thomasmorle...@gmail.com:
2013/7/19 Andrew Bernard andrew.bern...@gmail.com
How would one get lilypond to place all noteheads on the right of their
stems regardless of whether they are up or down?
[...]
Ah, sorry.
You wanted them right, not left:
\version 2.16.2
2013/7/17 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi Harm,
sometime ago David Nalesnik and I were working on it.
Originally, it was 2.14.2-code but still works with 2.17.21.
Sorry I never responded to this — it's amazing!
This, IMHO, should be part of the default distro.
Many
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