When I enter a 13th chord like this e:13, it renders with a 9 as well. I
> know a 13 chord officially contains the 9 and 11, and that lilypond by
> convention will omit the 11. But I don't really want to have the 9
> showing. Do I inadvertently have some setting on that is
On 26/02/17 16:04, msk...@ansuz.sooke.bc.ca wrote:
> I've said it clearly enough times already, but I'll say it again: I think
> there should be a feature to print what was typed, in the visual format of
> chord names, without interpreting it as music. No more or less. And this
> is proposed as
On Sun, 26 Feb 2017, Wols Lists wrote:
> The OP complained that when he asked for "C13" he got "C 9 13". Sounds
> to me like now, if he asks for "C13" that's what he'll get, but if he
> asks for "C13 (A13)" he's going to get "C 9 13 (A 9 13)". That's almost
> worse!!!
What do you mean by "now"?
On 26/02/17 14:47, msk...@ansuz.sooke.bc.ca wrote:
> On Sun, 26 Feb 2017, Wols Lists wrote:
>>> I don't know what that refers to. Are you confusing me with someone else?
>>>
>> "I imagine it would make sense for most of its code to derive from the
>> code currently used for lyrics, but that fact
On 26/02/17 14:05, Thomas Morley wrote:
> 2017-02-26 14:34 GMT+01:00 Anthony Youngman :
>>
>>
>> On 26/02/17 11:32, Thomas Morley wrote:
>>>
>>> 2017-02-26 12:12 GMT+01:00 Anthony Youngman :
>
I wrote some code which I submitted to lilypond
On Sun, 26 Feb 2017, Wols Lists wrote:
> > I don't know what that refers to. Are you confusing me with someone else?
> >
> "I imagine it would make sense for most of its code to derive from the
> code currently used for lyrics, but that fact would preferably NOT be
> visible to users."
The
On 26/02/17 14:21, msk...@ansuz.sooke.bc.ca wrote:
> On Sun, 26 Feb 2017, Anthony Youngman wrote:
>> Replying to myself - remember, you said the user shouldn't notice any
>> difference. With my code, if you want to change the capo key, it's a
>
> I don't know what that refers to. Are you
On Sun, 26 Feb 2017, Anthony Youngman wrote:
> Replying to myself - remember, you said the user shouldn't notice any
> difference. With my code, if you want to change the capo key, it's a
I don't know what that refers to. Are you confusing me with someone else?
--
Matthew Skala
On 26/02/17 13:55, Anthony Youngman wrote:
On 26/02/17 13:38, msk...@ansuz.sooke.bc.ca wrote:
On Sun, 26 Feb 2017, Anthony Youngman wrote:
EXCEPT.
This is *exactly* the scenario in which you will want my chord
transposition
code, and that doesn't make sense in a lyrics scenario.
Then they
2017-02-26 14:34 GMT+01:00 Anthony Youngman :
>
>
> On 26/02/17 11:32, Thomas Morley wrote:
>>
>> 2017-02-26 12:12 GMT+01:00 Anthony Youngman :
>>> I wrote some code which I submitted to lilypond to handle guitar capos.
>> Do we have a
On 26/02/17 13:38, msk...@ansuz.sooke.bc.ca wrote:
On Sun, 26 Feb 2017, Anthony Youngman wrote:
EXCEPT.
This is *exactly* the scenario in which you will want my chord transposition
code, and that doesn't make sense in a lyrics scenario.
Then they can use the existing code.
In which case,
On Sun, 26 Feb 2017, Anthony Youngman wrote:
> EXCEPT.
>
> This is *exactly* the scenario in which you will want my chord transposition
> code, and that doesn't make sense in a lyrics scenario.
Then they can use the existing code.
--
Matthew Skala
msk...@ansuz.sooke.bc.ca People
On 26/02/17 11:32, Thomas Morley wrote:
2017-02-26 12:12 GMT+01:00 Anthony Youngman :
On 26/02/17 10:52, Thomas Morley wrote:
If the chordNameFunction (ignatzek-chord-names) does not do what we
want, we should improve it, but not drop a plethora of
On 26/02/17 12:24, msk...@ansuz.sooke.bc.ca wrote:
On Sun, 26 Feb 2017, Thomas Morley wrote:
If the chordNameFunction (ignatzek-chord-names) does not do what we
want, we should improve it, but not drop a plethora of
lily-functionality.
I'm not proposing to "drop a plethora of
On Sun, 26 Feb 2017, Thomas Morley wrote:
> If the chordNameFunction (ignatzek-chord-names) does not do what we
> want, we should improve it, but not drop a plethora of
> lily-functionality.
I'm not proposing to "drop a plethora of lily-functionality" but only to
provide something that will be
2017-02-26 12:12 GMT+01:00 Anthony Youngman :
> On 26/02/17 10:52, Thomas Morley wrote:
>> If the chordNameFunction (ignatzek-chord-names) does not do what we
>> want, we should improve it, but not drop a plethora of
>> lily-functionality.
>>
>> And yes,
On 26/02/17 10:52, Thomas Morley wrote:
2017-02-26 2:16 GMT+01:00 :
On Sun, 26 Feb 2017, David Kastrup wrote:
To me it would seem that the default mode of operation should be for
them to have matched rules where feasible, in order to have least
element of surprise.
2017-02-26 2:16 GMT+01:00 :
> On Sun, 26 Feb 2017, David Kastrup wrote:
>> To me it would seem that the default mode of operation should be for
>> them to have matched rules where feasible, in order to have least
>> element of surprise.
>
> I agree, but A. it may not be
msk...@ansuz.sooke.bc.ca writes:
> On Sun, 26 Feb 2017, David Kastrup wrote:
>> To me it would seem that the default mode of operation should be for
>> them to have matched rules where feasible, in order to have least
>> element of surprise.
>
> I agree, but A. it may not be feasible in some
2017-02-26 1:53 GMT+01:00 David Kastrup :
> Thomas Morley writes:
>
>> Well,
>> the printed output of
>>
>> m =
>> \chordmode {
>>
>> c:11.13
>> %% unnecessarily verbose:
>> c:1.3.5.7.9.11.13
>> }
>>
>> mII =
>>
On Sun, 26 Feb 2017, David Kastrup wrote:
> To me it would seem that the default mode of operation should be for
> them to have matched rules where feasible, in order to have least
> element of surprise.
I agree, but A. it may not be feasible in some important cases, and
B. even matched rules
msk...@ansuz.sooke.bc.ca writes:
> On Sun, 26 Feb 2017, Wols Lists wrote:
>> I'm guessing lily is taking *in* his request for "C 13", converting it
>> into the chord, and then converting that chord *back* into what it
>> thinks is called "C 9 13". With the result that lily's output does *not*
>>
Thomas Morley writes:
> Well,
> the printed output of
>
> m =
> \chordmode {
>
> c:11.13
> %% unnecessarily verbose:
> c:1.3.5.7.9.11.13
> }
>
> mII =
> \chordmode {
>
> c:13
> %%
On Sun, 26 Feb 2017, Wols Lists wrote:
> I'm guessing lily is taking *in* his request for "C 13", converting it
> into the chord, and then converting that chord *back* into what it
> thinks is called "C 9 13". With the result that lily's output does *not*
> match the user's input. Frustrating!
On 25/02/17 23:47, Thomas Morley wrote:
> Obviously it's _me_ not understanding the issue.
As a complete outsider, I read it extremely simply ...
The OP asked lilypond to print the chord name as "C 13". Lilypond
ignored him and printed the name as "C 9 13".
Everybody seems to have got fixated
On Sat, 25 Feb 2017, Rob Torop wrote:
> 13 chord would be rendered as C13 in Ignatzek notation. My question is - is
> there a way for me to omit the "9" in the chord name? My experience is
There's no "9" in the chord name "C13", so what are you really asking?
Do you want to enter a chord name
2017-02-26 0:38 GMT+01:00 David Kastrup <d...@gnu.org>:
> Thomas Morley <thomasmorle...@gmail.com> writes:
>
>> 2017-02-25 23:08 GMT+01:00 David Kastrup <d...@gnu.org>:
>>> Rob Torop <rob.to...@gmail.com> writes:
>>>
>>>> Whe
2017-02-26 0:20 GMT+01:00 Noeck :
> Hi Harm,
>
> Am 25.02.2017 um 23:47 schrieb Thomas Morley:
>> So no bug, but a design decision.
>>
>> To have the 11th included, one needs to explicitely state it:
>>
>> \chords { e:11.13 }
>>
>> If this is not done, the printing as E⁹ ¹¹
Thomas Morley <thomasmorle...@gmail.com> writes:
> 2017-02-25 23:08 GMT+01:00 David Kastrup <d...@gnu.org>:
>> Rob Torop <rob.to...@gmail.com> writes:
>>
>>> When I enter a 13th chord like this e:13, it renders with a 9 as well.
>>>
Hi Harm,
Am 25.02.2017 um 23:47 schrieb Thomas Morley:
> So no bug, but a design decision.
>
> To have the 11th included, one needs to explicitely state it:
>
> \chords { e:11.13 }
>
> If this is not done, the printing as E⁹ ¹¹ is ok, imho.
As far as I understood Rob, the question is not so
op <rob.to...@gmail.com> writes:
> >
> >> When I enter a 13th chord like this e:13, it renders with a 9 as well.
> >> I know a 13 chord officially contains the 9 and 11, and that lilypond
> >> by convention will omit the 11. But I don't really want to have the 9
2017-02-25 23:08 GMT+01:00 David Kastrup <d...@gnu.org>:
> Rob Torop <rob.to...@gmail.com> writes:
>
>> When I enter a 13th chord like this e:13, it renders with a 9 as well.
>> I know a 13 chord officially contains the 9 and 11, and that lilypond
>> by conve
Rob Torop <rob.to...@gmail.com> writes:
> When I enter a 13th chord like this e:13, it renders with a 9 as well.
> I know a 13 chord officially contains the 9 and 11, and that lilypond
> by convention will omit the 11. But I don't really want to have the 9
> showing. Do I
When I enter a 13th chord like this e:13, it renders with a 9 as well. I
know a 13 chord officially contains the 9 and 11, and that lilypond by
convention will omit the 11. But I don't really want to have the 9
showing. Do I inadvertently have some setting on that is giving me this?
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