Re: A contribution (was Re: snippet to properly align dynamics with expressive text)

On Mon, 2017-07-10 at 09:06 +0200, Jacques Menu Muzhic wrote: > Hello Richard, > > Just for the record: I’m using LilyDev 4, in which LilyPond builds > seamlessly. The work to have it running in your virtual machines > environment Unfortunately my Debian Stable installation won't install the

Re: A contribution (was Re: snippet to properly align dynamics with expressive text)

Hello Richard, Just for the record: I’m using LilyDev 4, in which LilyPond builds seamlessly. The work to have it running in your virtual machines environment is not that great. JM > Le 10 juil. 2017 à 08:44, Urs Liska a écrit : > > > > Am 08.07.2017 um 16:58 schrieb

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 10/07/17 18:35, Simon Albrecht wrote: > On 10.07.2017 15:41, Wols Lists wrote: >> On 09/07/17 21:20, Simon Albrecht wrote: >>> On 09.07.2017 21:21, Wols Lists wrote: Maybe, but placing all related marks one after the other is just as semantically correct as placing them one on top of

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 10.07.2017 15:41, Wols Lists wrote: On 09/07/17 21:20, Simon Albrecht wrote: On 09.07.2017 21:21, Wols Lists wrote: Maybe, but placing all related marks one after the other is just as semantically correct as placing them one on top of the other ... That’s nonsense, and it is for the same

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 10/07/17 14:58, Karlin High wrote: > On 7/10/2017 8:41 AM, Wols Lists wrote: >> given that they typically go up to a rehearsal mark somewhere near S or P, >> and I've known AA and beyond > > This sounds like over 26 rehearsal marks. And elsewhere this thread says > the audience's ideal paper

Re: ChordMarkup context

Hi Matthew (et al.), > My guess is that since chord names are most often used at all for things > like popular songs, which are relatively short and may not contain a whole > lot of other difficult engraving, this won't be prohibitive in practice. Unfortunately, that won't help me in many of my

Re: Music fonts in local directory

> If your software is able to determine the lilypond installation directory it > could create the appropriate symlinks. Is there a Lilypond command for that? I'm using OS system commands to call Lilypond from inside my software so I could get that information if that's the case. > Apart from

Re: Music fonts in local directory

> Its relative path is "../share/lilypond/current/fonts/otf" > Linux package maintainers may organize things differently, though. So it sounds like, for now, at least, if I want to do this I would be better off providing installation instructions for the fonts for the various platforms (OSX,

How to make this postscript spanner to work with L bound-details?

vibratospanner.ly I want to be able to lengthen/shorten this spanner so that I can avoid potential collisions. The left padding works perfectly but the end of the spanner doesn't respond to any kind of padding. It's too

Re:Place text next to rehearsal mark, or with left edge over barline if there is none

> >>> Since you want the tempo to appear over beat 2, you could try placing > >>> the tempo there, rather than at the downbeat. > >>> > >>> Your desired solution is non-semantic, so it's coding will reflect > that. > >>> > >> Maybe, but placing all related marks one after the other is just as > >>

Re: Music fonts in local directory

Am 10.07.2017 um 23:34 schrieb David Bellows: >> Its relative path is "../share/lilypond/current/fonts/otf" >> Linux package maintainers may organize things differently, though. > So it sounds like, for now, at least, if I want to do this I would be > better off providing installation

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

Hi Wol (et al.), > No. I just view a markup block as exactly that - a block. The problem is, given enough horizontal offset, eventually the reader can't tell what's part of the original block and what's a new chunk [based over a new moment]. Vertical stacking doesn't have that potential

Re: Music fonts in local directory

[CCing back to the list] Am 10.07.2017 um 22:02 schrieb David Bellows: >> If your software is able to determine the lilypond installation directory it >> could create the appropriate symlinks. > Is there a Lilypond command for that? No. > I'm using OS system commands to > call Lilypond from

Re: Can't use edition engraver to place \time and \tempo

After some research, it seems edition engraver only _pretends_ to insert arbitrary objects - it actually only supports a select few types of objects. Not including \tempo and \time. \time can be worked around rather easily (see snippet below), but for \tempo, it seems I'd have to modify the

Re: Broken (?) snippets in openlilylib/snippets

Am 08.07.2017 um 20:21 schrieb Paul: > > On 07/08/2017 02:03 PM, Paul wrote: > >> This fixes the snippet on LilyPond 2.19.41 (The most recent I have >> installed.) > > Just installed LilyPond 2.19.63 and my fixed vertical spacing snippet > works fine with it. > > I realized that you (Urs) may

Re: Can't use edition engraver to place \time and \tempo

Hi there, yes the edition-engraver does not able to insert time and tempo. I decided not to include \time, because it would mess with the timing and therefore with addressing elements in time. \tempo is just not implemented (yet). So if you can provide a reasonable pull request I will be

align-lyrics-on-vowels Re: Broken (?) snippets in openlilylib/snippets

I should have looked somewhat more closely at the output: Am 06.07.2017 um 18:17 schrieb Urs Liska: > * notation-snippets/align-lyrics-on-vowels > (warning: ignored infinite X-offset) fails with the following message: lilypond:

Re: Can't use edition engraver to place \time and \tempo

I didn't notice any timing problems with \time. Of course, if you use it to add a time signature somewhere weird it gets broken, but that happens with inserting random time signatures in the source as well. If used responsibly, it works fine. My \tempo patch seems to work (needs some more

Re: Broken (?) snippets in openlilylib/snippets

Am 06.07.2017 um 20:37 schrieb Graham King: > On Thu, 2017-07-06 at 18:17 +0200, Urs Liska wrote: >> Hi all, >> >> I'm wrapping up a number of things in openLilyLib, and I came across >> snippets where the example files don't compile (with LilyPond 2.19.60). >> Please go through this list and if

Re: Broken (?) snippets in openlilylib/snippets

On Mon, 2017-07-10 at 14:02 +0200, Urs Liska wrote: > > Am 06.07.2017 um 20:37 schrieb Graham King: > > On Thu, 2017-07-06 at 18:17 +0200, Urs Liska wrote: > >> Hi all, > >> > >> I'm wrapping up a number of things in openLilyLib, and I came across > >> snippets where the example files don't

Re: A contribution (was Re: snippet to properly align dynamics with expressive text)

Am 08.07.2017 um 16:58 schrieb Simon Albrecht: > On 08.07.2017 15:49, Richard Shann wrote: >> I was intrigued by this, as I have a patch to the figured bass formatter >> that has been hanging around because the route to making contributions >> that I knew about involved a virtual machine which I

Re: A contribution (was Re: snippet to properly align dynamics with expressive text)

On Mon, 2017-07-10 at 08:44 +0200, Urs Liska wrote: > > Am 08.07.2017 um 16:58 schrieb Simon Albrecht: > > On 08.07.2017 15:49, Richard Shann wrote: > >> I was intrigued by this, as I have a patch to the figured bass formatter > >> that has been hanging around because the route to making

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 09/07/17 21:20, Simon Albrecht wrote: > On 09.07.2017 21:21, Wols Lists wrote: >> On 09/07/17 20:06, Flaming Hakama by Elaine wrote: >>> > How can I move the texts to be next to the rehearsal mark >>> (without >>> manual adjustments)? >>> >>> Well, you are asking for a manual change

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 10/07/17 14:28, Karlin High wrote: > On 7/9/2017 2:16 PM, Wols Lists wrote: >> But out in the park, it was hard to stop the music blowing everywhere > That DOES sound like a problem. I've read of people using electronic > displays such as tablets or e-readers for displaying sheet music. >

Re: Can't use edition engraver to place \time and \tempo

thank you for your messages! Am 10.07.2017 um 14:33 schrieb caag...@gmail.com: I didn't notice any timing problems with \time. Of course, if you use it to add a time signature somewhere weird it gets broken, but that happens with inserting random time signatures in the source as well. If used

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

E-ink displays are supposed to be just like normal paper, aren't they? On 07/10/2017 03:43 PM, Wols Lists wrote: On 10/07/17 14:28, Karlin High wrote: On 7/9/2017 2:16 PM, Wols Lists wrote: But out in the park, it was hard to stop the music blowing everywhere That DOES sound like a