Swan neck baroque lute by
Anatoli Gundilowicz string length 69/95 nice action
warm
tone works well with all sorts of stringing, good for
works
by Weiss and Bach as well as for French repertoire. The
Body
is nice to hold not too deep.
Pictures can be seen here (9 photos)
I imagine it would work particularly well as a lute duet...
Helen
On 20 August 2014 05:38, Edward C. Yong [1]edward.y...@gmail.com
wrote:
I, for one, would love an arrangement for 7-course or archlute!
Edward Chrysogonus Yong
[2]edward.y...@gmail.com
On 19 Aug, 2014, at
By popular demand -
an archlute version:
http://polyhymnion.org/swv/music/bach5arc.pdf
Enjoy.
Amities,
RT
On 8/20/2014 12:38 AM, Edward C. Yong wrote:
I, for one, would love an arrangement for 7-course or archlute!
Edward Chrysogonus Yong
edward.y...@gmail.com
On 19 Aug, 2014, at 11:24
How about aA 7-courseA version from someone?A ThatA would be popular!
Helen
On Wednesday, 20 August 2014, [1]r.turov...@gmail.com
[2]r.turov...@gmail.com wrote:
By popular demand -
an archlute version:
[3]http://polyhymnion.org/swv/music/bach5arc.pdf
Enjoy.
It would be too far out of character for the instrument, especially for
those with unequal fretting.
RT
On 8/20/2014 8:38 AM, Helen Atkinson wrote:
How about a 7-course version from someone? That would be popular!
Helen
On Wednesday, 20 August 2014,
On 08/20/2014 02:42 PM, r.turov...@gmail.com wrote:
But those people can easily change their 7 course fretting into
well-tempered, not? ;-)
(someone asked me once to tune my theorbo into 'Valotti' for
Monteverdi... Ehh, didn't work very well..)
Taco
It would be too far out of
Just for one piece, how many hours with a calculator, and shifting them
frets back and forth, loosening them?
That would redefine masochism.
RT
On 8/20/2014 8:55 AM, Taco Walstra wrote:
On 08/20/2014 02:42 PM, r.turov...@gmail.com wrote:
But those people can easily change their 7 course
The archlute version is, for most intents purposes, your 7 (pref. low
D) course version. Just play with your low octave bass notes; there
are not so many of them as to constitute a linear, melodically
independent bass line that would be degraded by octave transpositions.
Having said that, I
On Aug 20, 2014, at 11:48 AM, Dan Winheld dwinh...@lmi.net wrote:
Having said that, I must agree with Roman- out of character for the
instrument, at least for performance.
Given that it’s an oboe solo that Bach arranged for harpsichord, probably for
didactic purposes, I’m not sure it makes
What is the extent and nature of the historical
liturature which is playable on an 8-course
Renassiance lute, but not on a 7-course?
In other words, is a 7-course instrument a
workable subsitute for an 8-course?
This assumes the 7-course lutenist is willing
to retune his 7th course between
As far as I know, relatively few pieces were written for an 8-c lute. (Sorry, I
know there are some but forget who specified exactly 8-courses) Many pieces
were written for a 7-c where the lowest note was either an F or a D starting
with Adriaenssen and the Siena ms. in the 1580's and
just for myself, when i'm playing my 7-course at home for no audience, i've
been known to tune the two strings of the 7th course to F and D. yes, that's
not a unison, i know, and then i'm careful to hit only one string of the course
when i need to, making for a sort of cheat 8-course…
i wonder
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