__
De : alexander voka...@verizon.net
A : Anthony Hind agno3ph...@yahoo.com; lute@cs.dartmouth.edu
lute@cs.dartmouth.edu
Envoye le : Vendredi 9 mars 2012 19h19
Objet : Re: Why strings out of spider's thread ( blind objective?)
Well
Dear Martin and all
I think your refreshing position is not far from that of many
writing to this list. However, this (perhaps fortunately) does not
always lead to the same string choices.
Many messages I have received have told me that lutenists are first and
foremost
Alexander, Thanks for these links. I would agree that the detailed
mechanics of spider's silk is beyond most of us on this list (beginning
with myself), but I am wondering whether the reported elasticity of
some spider's web silk, might make it better for creating Meanes and
bass
to finally notice all the lute players there. If we really want THEM to
notice US...
alexander r.
On Fri, 09 Mar 2012 14:00:24 + (GMT)
Anthony Hind [1]agno3ph...@yahoo.com wrote:
Alexander, Thanks for these links. I would agree that the detailed
mechanics of spider's silk
, nasty web mess and
abandoned the project.
Dan
On Mar 6, 2012, at 12:41 PM, Anthony Hind wrote:
Violin strings out of spider's thread:
[1]http://www.bbc.co.uk/news/science-environment-17232058
Anthony
--
To get on or off
The sometimes enormous strength of spider silk results not from its'
composition, but rather from the spacial arrangement of the filaments,
supported by the smart bends and nicks with a judicial dab of glue here
and there, both on a micro and macro level. and this is where the
The following 11C lute is for sale in Paris:
[15.2.2012]
After Johan Christian Hoffman, Leipzig 1730 (Brussels
Museum). Description : Table : Spruce from the Dolomites / Resonance
case : Curly maple / Marquetry : Pear tree and Amboyna burl. Half
binding in ebony and maple.
Following a problem for reading a symbol, here goes,
The following 11C lute is for sale in Paris:
[15.2.2012]
After Johan Christian Hoffman, Leipzig 1730 (Brussels
Museum). Description : Table : Spruce from the Dolomites / Resonance
case : Curly maple / Marquetry : Pear tree and
with my
messages to the the French luth list (at least I don't think there
are).
If you have any suggestions, I would be gald to use them.
Regards
Anthony
__
De : b...@symbol4.de b...@symbol4.de
A : Anthony Hind
__
De : Edward Martin e...@gamutstrings.com
A : Anthony Hind agno3ph...@yahoo.com
Envoye le : Jeudi 16 fevrier 2012 15h37
Objet : Re: [LUTE] Re: Announcement of lute for sale
That is an astonishing, gorgeous lute. Who built it, and why
directly to Miguel.
Regards
Anthony
__
De : Edward Martin e...@gamutstrings.com
A : Anthony Hind agno3ph...@yahoo.com
Envoye le : Jeudi 16 fevrier 2012 15h37
Objet : Re: [LUTE] Re: Announcement of lute for sale
Sunday, the 12th of February
%
Dear Lutenists
%
I have just received an experimental synthetic loaded string from Mimmo Peruffo
of Aquila. Here are photos permitting you to compare the aspect of the new
string with that of a loaded Venice, and also a
previous generation HT loaded:
Here is the
A phoentician’s musings :
%
One point of view (even present in the OED) based on data in the
literature, rather than the surviving music, has it that the music labelled as
“dumps ” could be closely associated with the mood “down in the dumps ”, (the
“dumps” OED, a fit of melancholy
The cold spell in Paris has brought low humidity (26%), and the peg-box
decoration on my baroque lute has come loose.
I have to admit that I am worrying about the inner bracing. I have of course
turned on a humidifier, but I don't know how long it will take to make any
difference.
Anthony
According to David v. O there is a Tablature for baroque lute: dance tunes.
Written by Kaempfer.
http://home.planet.nl/~ooije006/david/writings/kaempfer_f.html
but I will leave David to comment on that.
http://home.planet.nl/~ooije006/david/writings/kaempfer_f.html
Of course that is puritan
wrote:
From: William Samson [2][4]willsam...@yahoo.co.uk
Subject: [LUTE] Re: Tempered fretting - take your pick - OOPS!
To: Anthony Hind [3][5]agno3ph...@yahoo.com
Cc: [4][6]lute@cs.dartmouth.edu [5][7]lute@cs.dartmouth.edu
Date: Sunday, 22 January
__
De : William Samson willsam...@yahoo.co.uk
A : Anthony Hind agno3ph...@yahoo.com
Cc : lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Envoye le : Dimanche 22 janvier 2012 19h18
Objet : Re: Re : [LUTE] Re: Tempered fretting - take your pick - OOPS
' nedma...@aol.com; 'alexander' voka...@verizon.net
Cc : 'Anthony Hind' agno3ph...@yahoo.com; 'Ed Durbrow'
edurb...@sea.plala.or.jp; lute@cs.dartmouth.edu
Envoye le : Samedi 21 janvier 2012 3h10
Objet : RE: [LUTE] Re: String hairs
Ok. I get it. I do like the sound of gut
Dear William and All,
I just thought it might be worth resuming for William, the situation in
relation to strong gut trebles, as appeared in discussions, here, and
elsewhere, over the last few years, even though this goes a little beyond the
practical concerns of which William has spoken,
I was just thinking that if beef can sound leaner and brighter (or clearer),
while sheep might sound warmer and fuller, it sounds as though beef gut is
situated somewhere in between sheep gut and some synthetics, where synthetics
might be felst as colder and more transistor-like, while sheep
).
Regards
Anthony
- Mail original -
De : Martyn Hodgson hodgsonmar...@yahoo.co.uk
À : William Samson willsam...@yahoo.co.uk; Anthony Hind agno3ph...@yahoo.com
Cc : lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Envoyé le : Vendredi 20 janvier 2012 17h05
Objet : [LUTE] Gut trebles
How do you apply it Ed? Do you take it completely off the lute, or
apply with extreme care and a match stick, or similar?
Regards
Anthony
PS I suppose it should be really minimal, application to the whole
string might give an interestingly stiff string?
William, I have also been suffering recently from this problem, more
than previously.
I had dropped the pitch from 407 to 392Hz but while encreasing the
diameter from 44 to 46 (70cm lute).
This should result in a very slight drop in tension, but the fraying
has been more
I agree with Chris, it is surprising that with their interest in
timbre-structures Schoenberg and followers apparently made no remarks on such
a major timbre change as that caused by moving from gut to metal strings;
although, Klangfarbenmelodie seems to have been a technique for fracturing
Of Anthony Hind
Sent: 07 January 2012 13:59
To: [3]t...@heartistrymusic.com; [4]e...@gamutstrings.com;
[5]howardpos...@ca.rr.com
Cc: [6]lute@cs.dartmouth.edu
Subject: [LUTE] Re: tuning fork at 433Hz?
Thank you all for your responses, and your detailed explanations,
Tom
.
--- En date de : Ven 6.1.12, t...@heartistrymusic.com
t...@heartistrymusic.com a ecrit :
De: t...@heartistrymusic.com t...@heartistrymusic.com
Objet: Re: [LUTE] tuning fork at 433Hz?
A: lute@cs.dartmouth.edu, Anthony Hind agno3ph...@yahoo.com
Date: Vendredi 6 janvier 2012
Dear luthenists
A friend gave me an amusing tuning fork, which is clearly of
some age.
I am not (here) in a position to be able to load a photo of it, but it
fits into a tight wooden case, and at the end of this there is a hollow
metal peg. I quickly realized that if you
The very best lute strings to you all for 2012
Very best wishes
Anthony
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To get on or off this list see list information at
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Dear lutenists
Following the Italian government's acceptance of the main points of our
petition, a meeting took place in Brussels at the EU level. After a long and
technically difficult discussion the follwing results were achieved, as
described here in a message from the petition
Anthony
--- En date de : Mer 21.12.11, Martyn Hodgson
hodgsonmar...@yahoo.co.uk a A(c)crit :
De: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Objet: [LUTE] Re: [LUTE] Gut string petition reaches the EU Level
AEUR: lute@cs.dartmouth.edu, Anthony Hind agno3ph...@yahoo.com
Cc
David
I sympathise as suffering myself from capsulitis (computer
induced?); and the effect is far worse using my 70cm lute, in
particular when the piece demands that LH stay on the lower frets. I
try to adop a position which minimizes the extension of the left arm,
but I
My 70 cm Warwick works well at 392Hz. While going from 407Hz to 392Hz,
I wanted to raise the tension of the basses slightly, so I just shifted
them along one increment (C1 to D2 etc). However, I changed most of the
mid and top strings.
The basses were two years old, but still seem
For accompanying singers, also, the answer, unfortunately, is to have a number
of different sized lutes.
Anthony
- Mail original -
De : William Samson willsam...@yahoo.co.uk
À : Anthony Hind agno3ph...@yahoo.com; sterling price spiffys84...@yahoo.com
Cc : baroque-lute@cs.dartmouth.edu
- Mail original -
De : Martyn Hodgson hodgsonmar...@yahoo.co.uk
À : William Samson willsam...@yahoo.co.uk; baroque-lute@cs.dartmouth.edu
baroque-lute@cs.dartmouth.edu; Anthony Hind agno3ph...@yahoo.com
Cc :
Envoyé le : Mardi 29 Novembre 2011 12h58
Objet : [BAROQUE-LUTE] Re: A=392
Dear
Dear lutenists
Our petition to the EU and EU governments has had an intitial
success in relation to the Italian government, which has swiftly taken
note of the petitions just demands, now allowing the import of raw gut
from some European and non European countries, as well
-mail.
As far as I understand what Mimmo published today on his website, the
positive reaction came from the Italian regulator, not from any EU
body.
Luca
Anthony Hind on 29/11/11 15.04 wrote:
Martyn, my our was inclusive of all those who signed, not of course
just our c
Dear Lutenists
Knowing that some of you use KF Harp strings on your theorbos, some
might also like to try gut harps stings.
Indeed, yesterday, I was astonished to discover the existence of another small?
gut string maker (well much in the way Columbus discovered the Americas, as the
Martin
Might octaves have occasionally been played independently of
basses (for these cases), as appears to have happened with Baroque
musicians. I imagine, probably not because of the tonal break it would
have created, and perhaps, because Baroque musicians may have used
thumb ETO,
the fingers are closer to the bridge and the thumb further away (not
that this effects your analysis).
Best wishes
Anthony
__
De : Martin Eastwell eastwe...@mac.com
A : Anthony Hind agno3ph...@yahoo.com
William, all things being equal better harmonicity can either be
achieved by a denser thinner string, or by a more flexible one. Carbon
is relatively dense, and that is why many are using a Savarez 4th and
5th. On the other hand, as I said in a recent message, Aquilla is
working on
Matthias, I am not quite sure why we may infer the following:
I understand the author as saying that a) he himself has an octave
string
with his 5th course, as opposed to b) Dentice and followers (Italians
in
general?) who have unisons for the 5th course. One may infer that
thickness, if the 5th course
doesn't need an octave, then why would the 4th course would need one?
Miles
On 2011-11-25, at 8:04 AM, Anthony Hind wrote:
Matthias, I am not quite sure why we may infer the following:
I understand the author as saying that a) he himself has an octave
__
De : Bruno Fournier br...@estavel.org
A : Anthony Hind agno3ph...@yahoo.com
Cc : Miles Dempster miles.demps...@gmail.com; lute@cs.dartmouth.edu
lute@cs.dartmouth.edu
Envoye le : Vendredi 25 Novembre 2011 15h12
Objet : [LUTE] Re: Le Roy Dentice
Dear Orphenica and other sceptical members of this list.
I am afraid I am unable to give you detailed legal
interpretations of the EU BSE regulations, but I will try to answer a
few of your questions, and set out why I personally signed the
petition. reasons which seem
Here is a beginning for you (if you can follow the legal jargon):
There are several laws causing the crisis. One of these laws can be
found here:
in English:
[1]http://eur-lex.europa.eu/LexUriServ/LexUriServ.do?uri=OJ%3AL%3A2004%
3A162%3A0062%3A0064%3AEN%3APDF
Anthony
think the concern may be in becoming too over excited about an issue
which may be a non-problem. Has anyone approached Toro or
Keurschner to find out if they anticipate supply difficulties?
regards
Martyn
--- On Mon, 21/11/11, Anthony Hind agno3ph...@yahoo.com wrote:
From
Anthony
De : Edward Martin [2]e...@gamutstrings.com
A : Anthony Hind [3]agno3ph...@yahoo.com
Cc : [4]lute@cs.dartmouth.edu [5]lute@cs.dartmouth.edu
Envoye le : Samedi 19 Novembre 2011 19h07
Objet : [LUTE] Re: Gut Strings
Dear Anthony,
Thank you
A : Anthony Hind agno3ph...@yahoo.com
Envoye le : Vendredi 18 Novembre 2011 18h08
Objet : Re: [LUTE] Re: Gut Strings
I play lute music on a classical guitar. I've never
played an instrument that was strung with gut. It's
difficult to imagine how the strings are made. In what form
Dear Ed
There are so few gut string makers that the loss of any one of
them is a tragedy.
Having lost Sofracob, one of the oldest European gut makers, we are now
losing Mimmo,
whose research imput is second to none.
It is not just his strings, but also that deep research
Simon,
Kuerchner and Kathedrale were definitely still making strings; the
other big European producer is Toro (making, I believe strings for a
number of different string sellers, Baroco, Universale, and possibly La
Foillia; although Guy Corquoz of La Follia may have begun
It may not be just the EU laws, but are you sure that just any sausage
skin can be used for gut?
Why is it that Dan has to source beef gut from the EU, when there must
be US Beef-gut, more or less on his doorstep?
No, I think it is necessary to treat the gut in some way at the
I remember that foot and mouth in the UK at one time almost stopped
most sheep gut production; and so it follows that issues with BSE could
also effect beef gut production. Indeed, it seems that Eu vetinary
surgeons, have already intervened to ban some beef gut production
Dear Lutenists
It does seem that Aquila has decided to stop gut string
production, which is catastrophic for those of us who use loaded guts.
There appears to have been but one remaining legal European source for
gut, and EU laws are making even this problematic, and are
valve-like sounds of the
gut basses with the wooden flute, and the silver-blue colder
transistor-like sound of the guitar wirewounds with the metal lute.
__
De : Daniel Winheld dwinh...@comcast.net
A : Anthony Hind
Dear Daniel and Ernesto
As I told the list a while back, after making a stiffer new
Nylgut, Mimmo (in his rare spare time) is working on a more flexible
(slightly elastic) version for thicker strings. There is already
excellent feedback for some prototypes. These would be
Dear lutenists
The following lute belonging to JP Gasq is for sale:
For sale : 13c Baroque lute by JP Gasq 1979 sold with custom-made case,
68 cm string length
Nice sound, new ropes in New Nylgut.
Shipping from Versailles, France
Dear Arto and all,
I can confirm that the sound was indeed superb. Benjamin's unique
expressive vocal style was given force by his playing in standing postion, and
idealy helped by his excellent guts stringing with loaded Venice basses and
most
of the Meanes and Trebles, I believe, by
Dear Arto
The question might be what the characteristics are that you are
looking
for
in an 11-course baroque lute, and for what part of the 11c repertoire, and what
type of stringing you are hoping to use (particularly for the basses), low
tension:high tension, pure gut or
, Anthony Hind agno3ph...@yahoo.com wrote:
From: Anthony Hind agno3ph...@yahoo.com
Subject: [BAROQUE-LUTE] Re: Top luthiers of 11-courser?
To: baroque-lute@cs.dartmouth.edu
Date: Tuesday, 31 May, 2011, 14:04
Dear Arto
The question might be what
music'.
regards
Martyn
--- On Tue, 31/5/11, Anthony Hind agno3ph...@yahoo.com wrote:
From: Anthony Hind agno3ph...@yahoo.com
Subject: [BAROQUE-LUTE] Re: Top luthiers of 11-courser?
To: baroque-lute@cs.dartmouth.edu
Date: Tuesday, 31 May, 2011, 14:04
Dear Arto
Dear lutenists
There are two new YouTube films in French (made in 2001) around a
master class at Aixe by Hoppy (Hoppy speaks French), here:
[1]http://www.youtube.com/watch?v=4Cxj1P_FNi8
[2]http://www.youtube.com/watch?v=bjMXVv1jWvQ
Regards
Anthony
--
References
Dear Bruno
Thanks for reminding me, I try to use Renaissance wax fairly
regularly; it does seem to protect my Baroque lute. I did not treat my
Renaissance lute at the outset, and it is quite marked by my little
finger (due to acidity, no doubt).
Of course the difference
won’t necessarily put half of six-course lute in a Weiss second half.
I will try the oxidized linseed oil.
Regards
Anthony
For
De : Martyn Hodgson hodgsonmar...@yahoo.co.uk
À : Anthony Hind agno3ph...@yahoo.com
Envoyé le : Jeu 24 mars 2011, 14h 48min 48s
I hitch my shirt backwards a few inches before lowering
the strap onto my shoulder. This removes slack from
the front of the shirt, and makes the final arrangement
tighter and more satisfactory. Herbert Ward
Yes, you are right, the clothes worn may also be considered as part of the
strap
by Paolini.
Regards
Anthony
__
De : Martyn Hodgson hodgsonmar...@yahoo.co.uk
A : Anthony Hind agno3ph...@yahoo.com
Cc : lute@cs.dartmouth.edu
Envoye le : Ven 11 mars 2011, 15h 15min 11s
Objet : [LUTE] Ribbons
A : lute@cs.dartmouth.edu; Anthony Hind agno3ph...@yahoo.com
Envoye le : Lun 14 mars 2011, 16h 10min 13s
Objet : Re: [LUTE] Re: Ribbons to hold (baroque) lutes WAS Re: Strap
slips off left shoulder.
Dear Anthony,
I sent you the Hollar engraving copy direct so you should have
You may well be correct about this particular painting, but I believe robinson
is quite clear on that topic.
Anthony
- Message d'origine
De : Edward Mast nedma...@aol.com
À : Anthony Hind agno3ph...@yahoo.com
Cc : lute@cs.dartmouth.edu
Envoyé le : Lun 14 mars 2011, 17h 01min 09s
On my Baroque lute, I attach both ends to the lute bowl, although the
button at the front end occasionally pops out!
I am using a red suede leather terminated guitar strap, but as the
strap tends to slip off the shoulder, I have sown rubber undercarpet
material to the underside of
the same
extent. If you really want a buzzing effect, the obvious way to do it is to
thread something between the strings just in front of the bridge.
Has anyone else tried it?
Best wishes,
Martin
On 09/02/2011 13:31, Anthony Hind wrote:
I find interesting your idea (which I recognize
really want a buzzing effect, the obvious way to do it is to
thread something between the strings just in front of the bridge.
Has anyone else tried it?
Best wishes,
Martin
On 09/02/2011 13:31, Anthony Hind wrote:
I find interesting your idea (which I recognize is just a passing
century WAS of equal size:
the likely repertoire might not be so virtuosic as to demand the finest
set (lowest 'action') to the lute (as Dowland and later required).
Martyn
--- On Tue, 8/2/11, Anthony Hind agno3ph...@yahoo.com wrote:
From: Anthony Hind agno3ph...@yahoo.com
Very interesting Val, details pointing to this being a lute owned by the
ambassador, and probably played by him, so probably also in playing condition;
although we can't be sure that the painting gives the exact details.
Regards
Anthony
- Message d'origine
De : Sauvage Valéry
of the bridge.
rgds
Martyn
--- On Tue, 8/2/11, Anthony Hind[1]agno3ph...@yahoo.com wrote:
From: Anthony Hind[2]agno3ph...@yahoo.com
Subject: Tr : Re : [LUTE] [off list] Google Art project
To: Ed Durbrow[3]edurb...@sea.plala.or.jp, Martyn
Val, I suppose this is the painting you are referring to.
http://tinyurl.com/67aeck3
We do see that the pegs look the same, but the painting of the lute is much
less
detailed.
Anthony
- Message d'origine
De : Sauvage Valéry sauvag...@orange.fr
À : lute@cs.dartmouth.edu
Envoyé
David
Should I understand that for the moment it is not programmable? How about
the diapason, is that variable?
Do the sweetened tunings include those that may interest us, 6th comma, etc?
Perhaps, you have not looked into this?
I temporarily mislaid my ST-122 strobe tuner and have had to
Dear Ed, Martyn, and All,
As you lecture on this painting, and until now, I have only given it an
admirative, but casual look, may I formulate a few questions about the
significance of the stringing and the fretting, about which you may be able to
enlighten me?
The fretting appears to
volgende geschreven:
Anthony,
the lute denotes FAMILIAL HARMONY, and the broken string denotes that that
familial harmony
was disrupted by a death.
And the fretting is equally tempered, just like it was (and should be) in
real
life.
RT
- Original Message - From: Anthony Hind
r.turov...@verizon.net
À : Ed Durbrow edurb...@sea.plala.or.jp; Martyn Hodgson
hodgsonmar...@yahoo.co.uk; Anthony Hind agno3ph...@yahoo.com
Cc : lute@cs.dartmouth.edu
Envoyé le : Mar 8 février 2011, 15h 43min 36s
Objet : Re: [LUTE] Re: [off list] Google Art project
Anthony,
the lute denotes
; but there are many other
possible explanations, I have to admit.
Anthony
On 8 February 2011 15:35, Anthony Hind agno3ph...@yahoo.com wrote:
Dear Ed, Martyn, and All,
As you lecture on this painting, and until now, I have only given it an
Read
John North
The Ambassadors' Secret - Holbein
harmony
was disrupted by a death.
And the fretting is equally tempered, just like it was (and should be) in
real
life.
RT
- Original Message - From: Anthony Hind agno3ph...@yahoo.com
To: Ed Durbrow edurb...@sea.plala.or.jp; Martyn Hodgson
hodgsonmar...@yahoo.co.uk
Cc: lute
if the tension is
fairly low then static friction can hold the strings in a higher (or
lowever) position if required. Do some tests yourself and see how easy
or hard it is to make a string leave from the top of the bridge.
rgds
Martyn
--- On Tue, 8/2/11, Anthony Hind agno3ph
Dear Martin and All
I agree with all said, here. Although moving back and forth from a 70cm
Baroque lute to a 60cm Renaissance lute is rather different; nevertheless, some
of the impressions are those described, here: when coming back to this 60cm
Renaissance lute, I find the space
Yes, I agree with you, Thomas; Martin is achieving a depth of sound,
here, with his all gut stringing at 67cm and this particular model,
which it could be rare to hear with a 60cm lute.
Best
Anthony
__
De :
Dear Lutenists
You probably all know by now, that Mimmo Peruffo of Aquila has acquired
an
extrudor which has allowed him to develop his new NNG compound much closer to
his own strong, fairly stiff, gut treble strings, which are themselves based on
his understanding and research into how
Now that it's summer I am also experiencing huge peg turning issues (as per
Anthony Hind's note of last year). Claudia
Hello Claudia,
It only happens to me when I moved between Paris (which is usually
rather dry), and Normandy (which is very humid), on returning back to Paris.
On the
--
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Just a trial to see how paragraphs come out
Now one more
AH
To get on or off this list see list information at
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Just a trial to see how paragraphs come out
Now one more
AH
To get on or off this list see list information at
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stutter as things swing into
motion.
$
Regards
Anthony
__
De : gonzornumpl...@roadrunner.com gonzornumpl...@roadrunner.com
A : Anthony Hind agno3ph...@yahoo.com; dwinh...@comcast.net
Cc : lute@cs.dartmouth.edu
__
De : gonzornumpl...@roadrunner.com gonzornumpl...@roadrunner.com
A : Anthony Hind agno3ph...@yahoo.com; dwinh...@comcast.net
Cc : lute@cs.dartmouth.edu
Envoye le : Lun 20 decembre 2010, 3h 31min 16s
Objet : Re: [LUTE] Re: New
Mimmo sent me this photo of the first 10kg of his new NNG stock.
[1]http://tinyurl.com/2fbro7h
He hopes to do 100Kg today!
Regards
Anthony
--
References
1. http://tinyurl.com/2fbro7h
To get on or off this list see list information at
of the course, than that of the single string, which imports most; and
that will give me a chance to see if this hypothesis/hunch is right.
Thanks again,
Anthony
__
De : Daniel Winheld dwinh...@comcast.net
A : Anthony Hind
that bunch might be yellow.
Fortunately none of us will need such a beast.
Anthony
__
De : Martin Shepherd mar...@luteshop.co.uk
A : Anthony Hind agno3ph...@yahoo.com
Envoye le : Lun 20 decembre 2010, 17h 01min 06s
.
$
__
De : Edward Martin e...@gamutstrings.com
A : Anthony Hind agno3ph...@yahoo.com; Daniel Winheld
dwinh...@comcast.net; e...@gamutstrings.com
Cc : lute@cs.dartmouth.edu
Envoye le : Lun 20 decembre 2010, 23h 42min 17s
Objet : Re: [LUTE] Re: New
Dear Anton
A month back, Mimmo told me he would be too busy over the
December period to be able to help me with loaded strings.
I understand that all MP's stock of New Nylgut was sold at the
Greenwich festival, most of it to Bridgewood and Nietzert. At the same
time, I
Dear luthenists
Since I believe many gut users will be tempted to use the New NG
for Chanterelles on their lutes, I decided to test them that way,
while keeping all my other strings in gut : my trebles in pure Aquila
gut, my Meanes as Venices, and my bases loaded with mostly
Dear luthenists
Since I believe many gut users will be tempted to use the New NG
for Chanterelles on their lutes, I decided to test them that way,
while keeping all my other strings in gut : my trebles in pure Aquila
gut, my Meanes as Venices, and my bases loaded with mostly
Dear Dan
I am glad this may be a help, but I see you have far more
experience of nylon strings than I have, so you may not come to quite
the same conclusions as I did.
$
I wonder whether the Adario string was titanium T2 nylon with purple
haze? If so it might have
on one or more theorbo
basses about halfway along the string. By pushing the string with
your
thumb you can check which bass it's resting on as well.
On 12/12/2010 08:59, Anthony Hind wrote:
Or you could just use the different colours as place markers.
When
I
Dear Theo
Just recently on the French Lute list, Carlos Gonzales, president of the Sp
anish Vihuela society, and lutemaker, has sopoken highly of these strings vihuel
a (President Carlos Gonzales)spoke about this;
See the thread here,
$
Re: [Le_luth] Cordes vihuela - demande `a
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