recall of picture of Heinrich Albert and his chums playing
a rum collection of such guitars. Various websites eg
http://www.harpguitars.netwww.harpguitars.net has many pictures.
MH
Edward Martin [EMAIL PROTECTED] wrote:
Once again, I doubt it very much. The marks are clearly made from playing
a 13
string could support 81cm?
I am amazed.
Anthony
Le 6 fevr. 08 =E0 14:08, Edward Martin a ecrit :
At 01:40 PM 2/6/2008 +0100, Anthony Hind wrote:
Interesting Ed. It is true that is these are just surface
scratches,
they could have been erased.
As you mentioned a long nail, I though they might
' I read the
movement started in the last decade of the 19thC - well before 1907),
perhaps guitar like strung nevertheless?
MH
Edward Martin [EMAIL PROTECTED] wrote:
Good idea, but no, absolutely unlikely. They were documented to be in
storage, and were removed for observation in 1907, when
message, I had wondered whether any such Renaissance traces
might not exist on a Baroque lute that might have kept its Renaissance
sound board.
I imagine it would be difficult to analyse these lutes to see how old the
soundboards are.
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
pitch than f at 415.
Sorry not to close the can of worms, but this sort of detail is not
so easy to come by.
Regards
Anthony
Le 6 févr. 08 à 12:57, Edward Martin a écrit :
Anthony, and all,
I knew I would open up a can of works with these observations.
There are
many, many possibilities. We
them all if it was just, say, a son of the
house having a strum on the old lute he found in the
attic..
MH
Edward Martin [EMAIL PROTECTED] wrote:
Dear ones,
I have an interesting story.
Dan Larson and I just returned from the National Museum of Music, in South
Dakota
the 1680
Cutler-Challen mandolino by Stradivari and a number of other interesting
early mandolins.
http://www.usd.edu/smm/PluckedStrings/Mandolins/StradMandolin/StradMandolin.html
At 08:11 AM 2/6/2008, Edward Martin wrote:
I sent this to the baroque list yesterday, but I re-thought this, and I am
, Anthony Hind wrote:
Ed
What sort of treble string could support 81cm?
I am amazed.
Anthony
Le 6 févr. 08 à 14:08, Edward Martin a écrit :
At 01:40 PM 2/6/2008 +0100, Anthony Hind wrote:
Interesting Ed. It is true that is these are just surface scratches,
they could have been erased
tonal variety that once
must have existed.
Anthony
Edward Martin
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.
Anthony
Le 6 févr. 08 à 14:08, Edward Martin a écrit :
At 01:40 PM 2/6/2008 +0100, Anthony Hind wrote:
Interesting Ed. It is true that is these are just surface scratches,
they could have been erased.
As you mentioned a long nail, I though they might be thin but deep.
However, it would
The third volume has now been released on Naxos, and it is available ( I
just received my copy in today's post). The number is 8.570449I have
not yet heard it, but if it is up to the standards of volumes 1 and 2, it
will be fantastic.
ed
Edward Martin
2817 East 2nd Street
Duluth
that active, it has worked.
Edward Martin
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not think that Lislevand plays left handed, or are you referring to
the player in the movie? It does not appear anything like Lislevand. Is
there not a law, or rather a contract issue with non-actors (i.e.,
musicians) acting in movies?
ed
Edward Martin
2817 East 2nd Street
Duluth
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Edward Martin
2817 East 2nd Street
Duluth
recording above, certainly it is very probably the type
of stringing he is using).
Correct.
ed
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Edward Martin
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as Renaissance
tuning, the treble strings must come down further:
g d a f c g f e d c - Renaissance
eb c g eb c g f e d c (Bb) - 'dm' (actually cm)
Edward Martin
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closer to what was used in the baroque period. They
did not play thumb under, or thumb in, for baroque lutes.
Cordially,
ed
I know Toyohiko Satoh has the same setup, but what is the reason for this
approach? Just to use the RH on the bridge like the paintings?
Regards.
Edward Martin
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12:05 PM
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voice
Oh, no. Is it repeatable?
ed
At 02:16 AM 12/31/2007 +0900, Ed Durbrow wrote:
That is hilarious.
Did you hear the one where the string walks into a bar?
On Dec 16, 2007, at 8:17 AM, Edward Martin wrote:
I thought I would share a laugh with everyone. I sent a special
kind of a
lute
a double shot of rye and a beer-
bartender shakes his head and says, Frayed knot.
Oh, no. Is it repeatable?
ed
At 02:16 AM 12/31/2007 +0900, Ed Durbrow wrote:
That is hilarious.
On Dec 16, 2007, at 8:17 AM, Edward Martin wrote:
I thought I would share a laugh with everyone
, which proved very strong.
I had never heard of this string, called La Follia. I searched for
them on the Web, but found nothing.
Do you know these strings, and are they particularly durable?
Regards
Anthony
Le 27 déc. 07 à 00:13, Edward Martin a écrit :
Dear Stephen,
Thanks for both of your
Edward Martin
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it on? It is a hilarious that some are so
accustomed to electronic gadgetry, that they do not understand what a
musical string is.
ed
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At 12:17 PM 12/9/2007 -0500, David Rastall wrote:
On Dec 8, 2007, at 1:25 PM, Edward Martin wrote:
I certainly can use a gut treble,
but I must lower the pitch of the treble.
Hi Ed,
I'm not entirely sure what you mean here. On a Baroque lute in 415: do
you mean simply lessening the string
11:59 AM
Edward Martin
2817 East 2nd Street
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Yes, 2 more by Baron in G major, but they are for lute flute, not lute
flauto dolce (recorder).
ed
At 11:47 AM 12/9/2007 -0800, howard posner wrote:
On Dec 9, 2007, at 11:42 AM, Edward Martin wrote:
Yes, there is a concerto for lute recorder in d minor. It is a
fun piece
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Edward Martin
2817 East 2nd Street
Duluth
. So, try your lute at a = 392 -
you might love it!
What do the old sources treatises state? Something like, tune the lute
treble as high as it can go before it breaks. Case in point.
The best,
Ed
At 10:34 AM 12/8/2007 -0500, David Rastall wrote:
On Dec 8, 2007, at 9:37 AM, Edward Martin wrote
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
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(that is, as clear as I think I sound), and it is because of what I explained.
It took a great deal of time in working with gut basses in learning to get
the sound I was after.
Thanks for asking,
ed
At 12:14 PM 12/3/2007 +0100, Stephan Olbertz wrote:
Am 2 Dec 2007 um 16:07 hat Edward Martin
.
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ed
At 10:40 AM 12/2/2007 +0100, Nigel Solomon wrote:
(has anybody ever tried keeping 24 gut strings in tune successfully
for the time needed to play a single Weiss courante?).
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
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and KF for the fingerboard strings.
Edward Martin
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of a Jauch with long thick
gut basses and best current technology trebles is appealing. For
crying out loud, I'm down to only 4 instruments at the moment!
Danny
www.dshoskes.com
www.youtube.com/kidneykutter
On Dec 2, 2007, at 9:41 AM, Edward Martin wrote:
Why not stringing it all in gut?
ed
At 08:36 AM
Chris, Danny, Dan, et al,
Very well stated!! Ditto!! I am surprised at some of the remarks,
although very friendly civil, of disdain for 8 course lutes, as only
Molinaro or Terzi used them. For example, labeling it inappropriate to
play Dowland on an 8 course lute, in that 7 course lutes
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to it.
Rob
www.rmguitar.info
-Original Message-
From: Edward Martin [mailto:[EMAIL PROTECTED]
Sent: 21 November 2007 14:02
To: [EMAIL PROTECTED]; 'BAROQUE-LUTE'
Subject: Re: [BAROQUE-LUTE] Re: new 11c lute - pics
Rob,
You will absolutely love 11 course music, on an 11 course lute
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free
http://o.aolcdn.com/cdn.webmail.aol.com/mailtour/aol/en-us/index.htm?ncid=AOLAOF0002000970AOL
Mail!
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:50 PM
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). Suggestions are welcome.
HP
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Edward
shall seriously think
about putting metal frets on my lute, the baroque lute in particular
which has no meantone fret shifting.
--
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tension. To
me, it feels and sound the best when strung in that manner.
ed
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am thinking of Satoh, who I thought used relatively thin
Pistoys instead of gimped strings.
Anthony
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10/26/2007 +0200, Anthony Hind wrote:
We do have Ed's word though, that mother of pearl is good for gut.
Gerrnot
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PM
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Aha, I see.
ed
At 01:29 PM 10/16/2007 +, Mathias Rösel wrote:
Edward Martin [EMAIL PROTECTED] schrieb:
Nylon?
erm, *clears throat*
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thumb under or thumb over?
Regards,
Craig
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course at g (440) with a string length of
67cm? ( what material?) Roland Hayes
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is pleasant to look at. So, when the bagpipe plays, enjoy the lute.
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- http://LuteSocietyofAmerica.org
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Too bad.
ed
At 08:22 AM 9/4/2007 -0400, EUGENE BRAIG IV wrote:
- Original Message -
From: Edward Martin [EMAIL PROTECTED]
Date: Monday, September 3, 2007 0:16 am
Subject: [LUTE] Re: Harptone
I am in favor of the Kinham case. Yes, they are expensive, but of
high
quality
Stories at Yahoo! Games.
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. However, a very niggling problem was got rid of in
the change over to Venice, which are very well worth trying on the
4th course, in my opinion.
Best regards
Anthony
Le 18 août 07 à 14:35, Edward Martin a écrit :
Hi, Anthopny.
The Pistoy is the most flexible string available. They are made
the vibrating
aspect of the string is from the nut to the bridge, not in effect a shorter
distance.
ed
Venice are possibly even more flexible than Pistoys, and
definitely far less stiff than the Kurschners, which I find
particularly stiff even for a low twist string.
Edward Martin
2817 East
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Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218) 728-1202
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4:53 PM
Edward Martin
2817 East 2nd Street
Duluth
/~wbc/lute-admin/index.html
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2:42 PM
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218) 728-1202
In lieu of the terrible bridge disaster in Minneapolis, Minnesota
yesterday, I am relieved to say that none of the Minnesota lute people were
in the horrific bridge collapse. I am OK, as is Dan Larson, Phil Rukavina,
Tom Walker, and Paul Berget.
ed
Edward Martin
2817 East 2nd Street
Duluth
In lieu of the terrible bridge disaster in Minneapolis, Minnesota
yesterday, I am relieved to say that none of the Minnesota lute people were
in the horrific bridge collapse. I am OK, as is Dan Larson, Phil Rukavina,
Tom Walker, and Paul Berget.
ed
Edward Martin
2817 East 2nd Street
Duluth
- Release Date: 7/31/2007
5:26 PM
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218) 728-1202
Edition.
Version: 7.5.476 / Virus Database: 269.10.23/924 - Release Date: 7/28/2007
3:50 PM
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218) 728-1202
by AVG Free Edition.
Version: 7.5.476 / Virus Database: 269.10.22/921 - Release Date: 7/26/2007
11:16 PM
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218) 728-1202
- Release Date: 7/22/2007
7:02 PM
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218) 728-1202
Date: 7/16/2007
5:42 PM
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6:30 PM
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218) 728
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
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2:21 PM
Edward Martin
2817 East 2nd Street
://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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2:21 PM
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218
, so with that in mind I
guess it's a good idea to keep a more careful watch on our Lute gear!
Bob
No virus found in this incoming message.
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2:21 PM
Edward Martin
2817 East 2nd Street
Duluth
found in this incoming message.
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8:00 PM
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218) 728-1202
? Look no further. It's easy
with Doteasy $0 Web Hosting! Learn more at www.doteasy.com
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1:55 PM
Edward Martin
2817 East 2nd Street
Duluth, Minnesota
It's so easy, a caveman can do it!
At 04:35 PM 7/6/2007 -0700, David Tayler wrote:
I really don't think the lute is particularly difficult :)
dt
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218) 728-1202
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