On 11/15/2014 09:31 AM, David van Ooijen wrote:
Hi david, I checked it a very long time ago and didn't find it suitable
for lute tablature. their primary goal is the guitar player. For an
instrument with more than 6 strings there will be a problem with the
notation. And of course it's only
On 08/20/2014 02:42 PM, r.turov...@gmail.com wrote:
But those people can easily change their 7 course fretting into
well-tempered, not? ;-)
(someone asked me once to tune my theorbo into 'Valotti' for
Monteverdi... Ehh, didn't work very well..)
Taco
It would be too far out of
On 03/05/2014 10:20 PM, Bruno Fournier wrote:
I don't see a backback case for a theorbo however. Would be fun to enter
a train without thinking... :-D
taco
-- Forwarded message --
From: Bruno Fournier br...@estavel.org
Date: 2014-03-05 16:05 GMT-05:00
Subject: Re: [LUTE] Re:
On 03/03/2014 11:15 PM, David van Ooijen wrote:
and again a very welcome addition to the modern lute repertoire!
Taco
To those interested
There's a 'new' composer for lute: Louis Bispo. He made a website where
you can download his scores and read a little about his background:
On 02/20/2014 01:59 PM, Anthony Hart wrote:
Hi, much depends on the type of strings you use. The 8-6 configuration
will give you a low F on the fingerboard but in plain gut it's not a
nice sound. However, it gives the possibility to tune quickly between
movements or pieces, when playing
On 02/03/2014 05:56 PM, Markus Lutz wrote:
Hi, are these the sonatas nr 47 etc. as published in the super expensive
baerenreiter edition part II of the dresden music? Or is this a part
which is published in the first baerenreiter edition? Didn't compare it
yet, but from a quick view it seemed
On 10/03/2013 01:23 AM, Dan Winheld wrote:
mmm. Astor Piazzolla?? Can you give more information on what kind of
piece you play?
To anyone out here in California's beautiful San Francisco Bay Area
(or eager to book a quick flight);
One hour lute performance in Berkeley, CA, at 4 pm on
On 08/12/2012 11:01 PM, A. J. Ness wrote:
dear arthur,
Not even the bwv995 has been added, so I don't expect much from such a
research for other lute works yet.
Interesting is if you look at the trauerode score (198) aria is that it
indicates liuti at the start of score, i.e. plural. Would
On 08/04/2012 11:38 PM, Bernd Haegemann wrote:
Thanks for the link. Very interesting source and also quality music!
Also contains baroque lute music by what I presume is Weiss (Veiss) at
the end.
cheers
Taco
Am 04.08.2012 22:07, schrieb Mathias Rösel:
foreigners. There are two mss. from
On 07/23/2012 05:04 PM, Anton Höger wrote:
Ok,
I wrote that IMSLP always check the uploads and need at least one day. Because
I often make a transcription for guitar too, it seems that IMSLP cannot handle
with the same file name.
But sorry if you feel that my more hundreds of Intavolations
of the past often made, could be of more interest for
many players perhaps. I would certainly have more interest in such
transcriptions!
best regards
Taco Walstra
hi,
I have uploaded a new lute Duet (Ad Quartam)
Gibbons, Orlando - A French Ayre
Enjoy
Anton
link:
http://imslp.org/wiki
Does anybody have a copy of the Dresden manuscript book part II edited
by barenreiter? Which works are exactly in this edition? I suppose the
incomplete duets, and a few suites, but any exact data?
Anybody information about status of band 15 singulaere Werke in anderen
Quellen? It looks that bd
On 01/31/2012 07:09 PM, Bruno Fournier wrote:
My wife is a luthier and always uses wet heat. Alcohol will damage the
varnish and repairing the varnish is a lot of extra work, especially
with violins and celli. (Although after the opening and closing of the
instruments a varnish repair is also
On 11/17/2011 05:32 PM, Daniel Winheld wrote:
I have used .42 beef gut for the best trebles- for durability strength- from Toro,
obtained through Universale- I got them directly from the Viola da Gamba builder Marco
Ternovec of Belgium when he came to the Berkeley Early Music Festival
On 11/16/2011 11:26 AM, R. Mattes wrote:
Yes, I had exactly the same question.
Apart from this: is gut not used in many medical situations to string
people together after cutting by a surgeon for example, or is this
perhaps done these days with other materials (nylgut? ;-) )
Taco
On Wed, 16
On 11/16/2011 01:08 PM, William Samson wrote:
So - I wonder how many people have actually contracted mad cow disease,
scrapie, CJD or other related problems? Of them, I wonder how many
caught it from the production processes for musical strings? That's my
first question. My
On 11/16/2011 01:41 PM, Edward Martin wrote:
Dan is in the UK at the moment, but I am unaware of any stoppage of
gut string making from his shop. He has 4 employees making gut
strings, and one is my daughter. I am aware of no lay-off plans.
Dan does use beef gut for trebles, simply because
On 10/19/2011 12:38 PM, Rob MacKillop wrote:
Good question, Dennis. Interestingly, as Bach was running out of space,
the last 19 bars of the Allegro movement are written in a more concise
organ tablature. That would be an odd thing to hand to a lute player to
play from!
On 08/10/2011 07:54 PM, David van Ooijen wrote:
Hi, I've the same type of SS theorbo, but in a 7+7 setup. Indeed it's a
bit of searching for the right (5), 6 and 7th gutstringtype/diameter
with the relative short 76 cm. I'm using only a loaded gut on the G
(7th). This string behaves rather
On 08/11/2011 09:30 AM, Martyn Hodgson wrote:
Playing close to the bridge is a story in itself. It's not proved that
it was common practice on theorbo. It's logical however, but playing
with nails was perhaps also used, or both.
What you call historical practice... only lower the first
On 07/29/2011 01:01 AM, Hector wrote:
Dear all,
A quick question. Any experience with the New Nylgut NNG and NGE as basses on a
85cm theorbo?
I'm just thinking of stinging the short neck all with Nylgut. Currently I have
Nylgut in the
a-e-b-g and d (from the top), and I just wonder if
On 07/08/2011 12:41 PM, wi...@cs.helsinki.fi wrote:
Arto,
This a terrific gift! Very nice that you make this available at no cost
to the lute community. Thanks a lot.
Taco
Dear baroque lutenists,
when there has been some major changes in my life, I thought it is
perhaps time for an inventory
On 03/10/2011 04:20 AM, Herbert Ward wrote:
In playing my 13-course, the strap is constantly on the verge
of slipping backwards off my left shoulder. To a lesser extent
this happens with my Renaissance lute also. Any suggeestions
besides safety-pinning the strap to my shirt?
To get on or
On 01/09/2011 07:38 PM, Bernd Haegemann wrote:
I would vote for 'right hand'. Accenti muti could mean some muting to
prevent everlasting bass strings, although only modern nylon wound
strings suffer from this problem and gut strings not.
taco
writes:
La Tiorba poi, co le sue piene, e dolci
On 01/11/2011 02:48 PM, Giuliano Lucini wrote:
Yeah that sounds more logical. la mano sinistra would have been more
clear, unless you are left-handed.
taco
I'd vote instead for left hand.
To me 'Mano di sotto' is used to say 'Mano sotto lo strumento', that is
hand below the instrument. And
If you open the examples directory, you would have found a file with the
name kapsberger.abc which is theorbo piece with the continuo line too.
It has all the diapasons in the abc code.
I hosted for many years a page with lots of abc lute music including the
postscript files, but my employer at
On 11/01/2010 04:44 PM, Sam Chapman wrote:
Hi, perhaps a more interesting book is delair's treatise of 1690:
accompaniment on theorbo and harpsichord. I have a pdf of the english
version which is not longer available. Grenerin and fleury contain
several mistakes.
Taco
Dear Shaun,
On 08/20/2010 02:54 AM, David Tayler wrote:
Ditch the Poulton :)
There are lots of youtube videos now where you can see many different
styles of playing.
dt
At 01:18 PM 8/18/2010, you wrote:
very true. And a very good example to start is:
http://www.youtube.com/watch?v=Dhgkubo6YqI
(The series
On 08/14/2010 01:19 AM, dem...@suffolk.lib.ny.us wrote:
Salary: $1,200/ week.
not too shabby; cost of living shouldnt be too horendous. West coast of
FL (Clearwater) looked ok couple of years ago when I was there on
business.
But you have to play in a large mickey mouse suit which is not
Dear all,
A few weeks ago I happened to be in Antiqua in Quatemala. They have a
tiny museum containing old manuscrips and books which were printed in
16th and 17th century in quatemala. Among the books shown there were 4
books containing music and one manuscript where the description
On 04/26/2010 11:00 PM, Mathias Rösel wrote:
Quite a nice overview you've given Mathias, thanks!
Perhaps a few additional points. Your statement that
One may safely argue that the D minor tuning was in Gaultier's
use as early as 1595.
is a bit bold. Normally one assumes that Francisque is the
On 04/12/2010 06:45 PM, wikla wrote:
On Mon, 12 Apr 2010 13:20:38 +0200, Taco Walstrawals...@science.uva.nl
wrote:
The cheaper way is buying a bottle of good scotch single malt. You will
understand all the details after 2 glasses.
That sounds also a good idea! :-)
Anyhow, I already
On Fri, 2010-04-09 at 23:58 +0300, wikla wrote:
Dear baroque gang,
I have been trying to get into the Scottish, perhaps Celtic? - anyhow
mostly more than less pentatonic - pieces in the Balcarres ms. It is
difficult! Very! When I thought I got a tiny understanding to one example,
The New
On Mon, 2010-01-18 at 14:54 +, Martin Shepherd wrote:
Thanks Martin en daniel for the interesting reply!
My feeling is that playing technique could have been a reason. What
I understand from several players is that a double second on a baroque
lute doesn't work very well, although perhaps a
Does anybody know when the single second course came into use on
baroque
lutes? During a relative short period several new, transitional tunings
came into use before everybody settled on Dm tuning on 10 course lutes.
But did these lutes have a single 2nd course? If a typical baroque
technique was
On Mon, 2009-10-19 at 11:17 +0200, David van Ooijen wrote:
Look what the cat brought in this morning!
David - was recently harassed by repeated phone calls from Africa by a
Nigerian spammer asking for my banking details ... Mayor bother, the
guy didn't stop caling me for days.
Invent a
On Fri, 2009-09-11 at 02:45 +, Suzanne and Wayne wrote:
I could play when I was a beginner and easy music was hard to
find (that was before so much stuff was on line.) But now
I write music for myself and others for the sheer joy of
creative expression. Any other living women composers
On Wed, 2009-08-26 at 16:51 +0200, Matteo Turri wrote:
Thanks! That's the second wonderful link in one week! Not just dowland
and campion facsimiles but also wilson, rosseter etc. etc. Very nice. \
Unfortunately you can only create a pdf of one page and not the whole
book.
Taco
A great resource
On Thu, 2009-08-27 at 09:59 +0200, Matteo Turri wrote:
Taco,
you can download the whole documents in pdf.
At the moment I cannot access EEBO form my office. I will do it later
from home and explain you the steps.
M.
Ah, I figured it out: you select the document and in the marked list
On Wed, 2009-07-29 at 12:06 +0200, David van Ooijen wrote:
On Wed, Jul 29, 2009 at 11:42 AM, Markus Lutzmar...@gmlutz.de wrote:
I would very much appreciate to be able to include incipits also.
.
Probably the best would be to have them in abctab2ps, as this format is very
agreed and
On Fri, 2009-05-15 at 09:40 +0100, Narada wrote:
So, If I understand well: you order a lute and after a week there is a
box delivered containing your lute. You open the box and you can start
playing on a white plastic lute (or a paper or wax model).
You will pay to them not me. Its not
Dear lutenetters,
I just got an email from the dutch lute society where they mention that
at last the Thysius manuscript will become available. Members of the NLV
can pre-order the book for €70,-- (+ postage), members of other lute
societies will pay €80,-- and normal price is €90,--. The book is
On Wednesday 25 February 2009, Ron Fletcher rattled on the keyboard:
During my days of historical re-enactments, we were warned of the dangers
of lead poisoning. Most of us used pewter tankards and plates. It was a
big no-no to polish them as this exposed more lead into the food and drink.
On Wednesday 18 February 2009, Wayne Cripps rattled on the keyboard:
I send this kind of people an html email where I'm very interested in the
purchase or selling of an instrument. There is also a nice question where I
ask their opinion and they have to look at a nice website. In fact it's a
O
All these programs do not run easily on windows, but it's possible to
install even on windows or apple OS a virtual pc with linux where you can
run this.
This is not true.
In the past installing Lilypond on a Windows system was a nightmare but now
it is very easy
Denemo, NoteEdit,
On Monday 02 February 2009, Anthony Hind rattled on the keyboard:
The LP's (it is a 2-record set) were done years ago, before people were
recording in gut.
ed
...
Yes, I forgot that gut stringing, came in around the 80s, while thumb-
in (which Terry used) was reintroduced (under the
On Friday 23 January 2009, Anthony Hind rattled on the keyboard:
Oups sorry, that is a gallicism, (although it is ambiguous in French,
now you make me think about it). I have not completely acquired
French, and I have already lost much of my English, soon to be in an
interlingual no-man's land
On Monday 05 January 2009, Luca Manassero rattled on the keyboard:
Hi,
in case you'll travel to Vienna in a VERY near future, do NOT miss the
Resonanzen festival (17-27 January) and especially the attached Early
Music instruments makers exhibition (17-18 January) at the Konzerthaus.
Further
Anybody familiar with visiting the Nationalbibliothek in Vienna? I will travel
to vienna in january and planning to visit the library, but don't know how
easy/difficult it is to make copies of manuscripts from microfiches etc.
Any other pointers wrt vienna and lutes are welcome. I know there is
On Sunday 23 November 2008, Anthony Hind rattled on the keyboard:
I agree that Kathedrale are very nice and not too over bright, but
Nick Baldock can't take visa or paypal payment.
From France bank transfers cost a minimum of 16 euro, and the forms
that have to be filled in are never
On Wednesday 19 November 2008, Stephen Arndt rattled on the keyboard:
On music not only evoking feelings but also forming the character of the
listener, see also (prior to Quintilian) Plato, Republic, 376d-403c,
particularly 398c-403c. Music, however, at least in the Latin tradition,
was part
On Tuesday 18 November 2008, Roman Turovsky rattled on the keyboard:
#4 has the Chaconne.
http://www.lysator.liu.se/~tuben/scores/schunfid/4unafid.pdf
RT
There is a beautiful recording by Romanesca with Nigel North on Theorbo and
excellent gypsy interpretation on violin by andrew manze.
On Monday 10 November 2008, Bruno Correia rattled on the keyboard:
A question about Kabsberger:
Which would be the most apropriate instrument to play his lute works
(Intavolatura de lauto, 1611): a ten course lute or an archlute?
A ten course lute. Piccinini and the start of
On Tuesday 21 October 2008, Arthur Ness rattled on the keyboard:
AJN Isn't the publisher of Dieter's edition defunct? That is,
Gitarre + Laute Verlagsgesellschaft?
Hi arthur,
There happens to be something called musicologne Ltd which links to
http://www.gitarre-und-laute.de. Website
On Friday 26 September 2008 17:16, Arthur Ness rattled on the keyboard:
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Paul Pleijsier [EMAIL PROTECTED]; Arthur Ness
[EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Friday, September 26, 2008 10:26 AM
On Thursday 18 September 2008 17:34, [EMAIL PROTECTED] rattled on the
keyboard:
Greetings to everyone,
I've only joined this list a week or so ago and finally have worked up the
nerve to ask a few questions as a potential beginner.
I play classical guitar at an intermediate level, although
On Sunday 07 September 2008 19:01, Herbert Ward rattled on the keyboard:
Here is a freeware Windows game which will exercise your
ear and fretboard navigation (Renaissance lute
tuning).
It has various settings to make it challenging.
Screenshot: https://ttt.ph.utexas.edu/ligScreenshot.jpg
On Thursday 04 September 2008 15:32, Jim Abraham rattled on the keyboard:
PGRpdiBkaXI9Imx0ciI+VGhhbmtzIGZvciBhbGwgdGhlIHJlY29tbWVuZGF0aW9ucy4gTm9
3IEkg
Yes that's also a very interesting book on history of the lute although the
language is a bit of a problem.
Taco
To get on or off this
On Wednesday 20 August 2008 19:33, Herbert Ward rattled on the keyboard:
In the past, I made several assumptions about the
volume of a lute as it is plucked.
However, after making real measurements with
a microphone, computer, and sound-card, they
appear possibly false.
Measurements are
On Thursday 21 August 2008 11:13, [EMAIL PROTECTED] rattled on the keyboard:
I just read an interview with Ritchie Blackmore, in German...
He says:
Meine Leidenschaft war immer die Renaissance-Musik.
Nur wusste das niemand. Wenn wir nach den Purple-Gigs
ins Hotel kamen, habe ich mir nur
Does anybody have an address where to order lute pegs in Europe?
Taco
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear all,
If anybody interested in acquiring a quality archlute, have a look at waynes
page: http://www.cs.dartmouth.edu/~wbc/lute/forsale.html which lists my
archlute. The instrument built by stephen barber/sandy harris has no
wearmarks whatsoever and is topquality (especially beautiful wood
On Wednesday 28 May 2008 06:04, Bruno Correia rattled on the keyboard:
I'd like to ask everybody about the role of the lute when playing with a
singer. Which are the aspects we should focus when doing the acompanniment?
As the lute is a very soft instrument with little or no dynamics at all,
On Wednesday 02 April 2008 21:53, Christopher Stetson rattled on the keyboard:
Here are links for the Dover editions:
http://store.doverpublications.com/048629935x.html
http://store.doverpublications.com/0486422445.html
Jeffrey Noonan [EMAIL PROTECTED] 4/2/2008 1:12 pm
Take care with these
On Wednesday 02 April 2008 08:23, Omer katzir rattled on the keyboard:
Does any one know where i can buy/download Dowland's books? The
versions on the net are written for 8 or more course while I'm playing
7 like our not so dear Mr. Dowland.
Need it for a project.
Thank you all and have a
On Friday 22 February 2008 11:36, LGS-Europe rattled on the keyboard:
MH wrote a free publicity leaflet for Stephen Sandi's website, but forgot
to add a link. Here it is for those of you that are left in the dark about
the couple and their great (and smaller) instruments:
On Thursday 14 February 2008 17:48, Jelma van Amersfoort rattled on the
keyboard:
I just thought of two other pieces:
1 - Songs of Sundrie Kindes, tenor and lute, 12', originally from
Oxford University Press but now on sale from Allegro Music
(www.allegro.co.uk). I rather like the music by
On Friday 01 February 2008 09:38, Rob rattled on the keyboard:
There are many problems related to these lists and rejected emails. I
received an email from Wayne yesterday saying I was top of the list of
people rejecting my emails - over half of the list members don't see my
mails. That might
On Friday 01 February 2008 13:26, Roman Turovsky rattled on the keyboard:
It has NOTHING to do with Outlook. Don't waste your time.
I've noticed that McAphee antispam sf didn't do much good, and Norton did
little better. All of them were passing spam, and dumping legit mail into
the spam
On Friday 25 January 2008 07:52, [EMAIL PROTECTED] rattled on the keyboard:
Roman Turovsky wrote:
http://fr.youtube.com/watch?v=rVWvfnGpF-Y
Very good and activating provocation, Roman. You really made the list
talk about important and interesting matters. Well done and thanks for
that!
On Friday 25 January 2008 14:47, Stewart McCoy rattled on the keyboard:
Dear All,
I have been told, I hope reliably, that, if, at the time of Dowland, you
wanted to attack an army of soldiers armed with muskets, you would first
send a small group of soldiers ahead to draw their fire. Before
On Saturday 19 January 2008 11:19, Anthony Hind rattled on the keyboard:
Dear Lutists
The new-old loaded strings are finally here !
http://www.aquilacorde.com/catalogo8.htm
Through new technology, Skype, mail, and the Web, these last months I
have been following the exciting final
On Tuesday 18 December 2007 05:22, David Rastall rattled on the keyboard:
Hi david,
I think you refer to the austrian edition Musik alter Meister, Akademische
Druck und Verlag Graz, 2 präludien und fünf Partien für Laute with staff and
tab. Don't know if it's still available.
Taco
Dear Wisdom,
On Tuesday 18 December 2007 13:30, Roman Turovsky rattled on the keyboard:
This has nothing to do with your Microsoft Entourage. It is a VERY NICE
setting that prevents our innermost unflattering opinions escaping into the
list. The italophone lutelist works the same way, for the same reasons,
On Monday 17 December 2007 13:56, Martin Eastwell rattled on the keyboard:
Hi,
I asked Wayne to change the mail headers because that's the reason why this
happens. A reply on an email should primarily be directed to the list where
it originates instead of the person who sent the email.
This can
On Monday 17 December 2007 11:23, LGS-Europe rattled on the keyboard:
Rob
What a work, especially when you could also spend your time playing your
new lute...
Just some thoughts:
- Alfabetto is not always in agreement with the suggested harmony (or even
figures when printed) in bass and
On Monday 10 December 2007 00:50, sterling price rattled on the keyboard:
Hey this reminds me that I heard a similar story a few years ago about Lord
Herbert of Cherbury's lute book being published soon. Anyone know the story
on that? Sterling
and I've an email from minkoff about saizenay:
As
On Friday 07 December 2007 12:01, LGS-Europe rattled on the keyboard:
Ivo and Lynda write that a regional instrument was invented from the
1660 instead of the theorbo: the arciliuto romana in g (without re-
entrant tuning) with a string length on the petit jeu of 71-73 cm
(a'= around 380-386
On Sunday 02 December 2007 18:33, Daniel Winheld rattled on the keyboard:
One thing I haven't seen anyone address re the swanneck- fingered
accidentals on courses 9 - 11. How are you folks dealing with these
situations? Up an octave, or eliminate those pieces from your
repertoire? Dan
I have
On Wednesday 28 November 2007 18:32, Omer katzir rattled on the keyboard:
And for three days (27-29.12) i'm going to be alone in brussels.
Any one knows about good lute concerts there in those dates?
damn... I'm going to miss my precious Francesca.
And if i mentioned her name... any one
On Sunday 25 November 2007 21:58, Mathias Rösel rattled on the keyboard:
Dear Collected Wisdom,
on their CD with duets by de Visee and Corbetta (Naxos), Eric Bellocq
and Massimo Moscardo have recorded two suites by de Visee, totalling 12
movements. Only three of those twelve contreparties can
On Monday 26 November 2007 11:34, Mathias Rösel rattled on the keyboard:
There is at least that print by Simone Molinaro, Venice 1599 (facsimile
available from S.P.E.S.), if memory serves. It is a large collection of
pieces, entirely written for the 8c lute.
A few pieces require a 9 course
On Monday 26 November 2007 12:30, Steven Amazeen rattled on the keyboard:
Hello all,
Is the Barber/Harris site http://www.lutesandguitars.co.uk/ offline?
I have tried for several days, however I keep getting a network error
message.
Thanks,
Steve
To get on or off this list see list
On Sunday 18 November 2007 01:54, Thomas Tallant wrote:
I've been asked to accompany a soprano next fall on a short program of
music for lute and voice. I'd like to present about 15 or 20 minutes of
music for soprano and Baroque lute, but since I'm new to the Baroque
instrument, I don't
On Thursday 15 November 2007 15:48, Arne Keller rattled on the keyboard:
In 1591, Fynes Moryson visited Magdeburg. He wrote:
In the Church
that lies neere the market place, there is a Font of great
worth, and a Lute painted with great Art:
What would the name of the church be? And
On Sunday 04 November 2007 23:10, Edward Martin rattled on the keyboard:
Thanks for pointing this out, Art. As you know, I happen to live in Duluth
(Minnesota, not Georgia), as does Dan Larson.
As I am a lutenist who does happen to have recordings, it bothers me when
my recordings are copied
On Monday 05 November 2007 16:20, Ed Durbrow rattled on the keyboard:
Any recommendations for Xmas music for violin/ viola da gamba and Ren
lute/B. guit? Gig coming up in a department store in December that
calls for a few Christmas tunes.
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
Dear all,
just a new work on the lute historical stringings:
http://www.aquilacorde.com/lutes.htm
Maybe it help to open some new excange of ideas...
Ciao
Mimmo
Interesting article and I'm very much interested in the new production of the
loaded gut strings even after yesterdays
On Wednesday 10 October 2007 14:34, Anthony Hind rattled on the keyboard:
Also, it doesn't appear to work for MAC, or am I wrong there?
Anthony
No, it's intended for people still using this stupid microsoft outlook which
has not the capabilities of a modern client application which combines
On Tuesday 18 September 2007 21:00, henk rattled on the keyboard:
I agree with Arto: lute playing could not have been so quiet in the 16th
and 17th centuries...let alone in the baroque area. I like Sterling's humor
very much, because he could be right..?
But could anyone refer to my original
On Sunday 19 August 2007 16:30, Thomas Tallant rattled on the keyboard:
It's known that Buffardin (the traverso virtuoso) and S.L. Weiss
concertized together numerous times. Do we know what music they might have
performed? Can anyone point me to sources of music for Baroque lute and
On Wednesday 25 July 2007 13:49, Stephan Olbertz rattled on the keyboard:
Dear Taco,
in the german version Wolfgang tells us that the instrument has been sold
to Japan. And if you click the pictures you get larger ones that IMO
clearly show plain gut strings.
Regards,
Stephan
Ah, I
On Tuesday 24 July 2007 10:09, LGS-Europe rattled on the keyboard:
Albrechtsberger's work requires an instrument in D. (low D required from
6th course).
As far as I know from my hands-on experience, he wrote for d' as well as e'
tuning. The concierto in F-major (1770) is for 8-course
On Tuesday 24 July 2007 11:39, LGS-Europe rattled on the keyboard:
PS: Italian for jew's harp is scacciapensieri, beautiful word.
which means drives away the thoughts , so not only beautiful also
better.
AKA blows your brain out. Try it, and soon you're suffering from
hypervenitilation.
On Thursday 19 July 2007 09:28, Eric Crouch rattled on the keyboard:
Can anyone explain the meaning of the title 'Solus cum Sola' and the
next piece in Poulton 'Solus sine Sola'?
Eric Crouch
Hi, the easy answer is 'the mail and the female alone' as the meaning of the
first, but that doesn't
On Monday 16 July 2007 16:32, Charles Browne rattled on the keyboard:
Dear all
has anyone made any zero volume spacer files in MP3 format that they would
be willing to share? I am trying to put some pauses in a continuous loop
playlist that has no means of separating items on the list, apart
On Tuesday 22 May 2007 07:46, you wrote:
Speaking about Kapsberger: Does anybody have an electronic version of the
pieces of Libro 3? The book came in possession of some american library
several years ago after been missing for many years.
Taco
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On Friday 13 April 2007 07:15, Omer katzir wrote:
i mean theory from the medieval and earlier to the end of the
romantic period
i have enough books for modern and jazz music, but im looking for the
good old stuff
books in english or in hebrew.
thank you all!
Donington - the
On Sunday 01 April 2007 11:38, you wrote:
Dear List,
I think on the painting there is a real lute played by the beautiful lady.
I think the reason for the strange stringing is that the sattle and the
distance between the strings was changed to fit the smaller fingers of a
young lady.
do you
On Tuesday 27 March 2007 18:41, you wrote:
Hi,
There is a mirror site here:
http://www.xs4all.nl/~paulduif/luth-librairie/
taco
Thanks for responding, David and Markus.
I have been printing out and playing through the suites in the London
Manuscript one by one, and I am still not able to
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