How do I go about changing the email address I have registered with the Lute
List?
Thanks in advance,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists_tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
To get on or off this list see list information
:
Change to a different web host!
My site, www.heartistry.com, is now hosted on Pair Networks:
www.pair.com
I have never had a problem with this since.
All the best,
Tom
Tom Draughon
Heartistry Music
www.heartistry.com
715-682-9362
On 13.04.2015 07:36, gary wrote:
Some servers block emails from
I've been lurking on this list for a while.. time to contribute!
Soundboard transducer type pickups could be an option, i.e. Fishman:
[1]http://www.fishman.com/products/filter/type:pickups
The link you gave would seem to be a simple type of soundboard pickup
or contact microphone
the bridge?
(i.e. Violin family, Arch-top Guitar ... )
I have found that, on my steel-string guitars with bridge pins,
(i.e. Martin D18 etc.) a higher saddle (thus more downbearing?)
creates a similar result. (It also throws off intonation!)
Thanks again for these great explanations!
Tom
Thanks Bruno! So far, yours is the only response.
I hope to hear some more also : )
Tom
Date sent: Sat, 26 Jul 2014 18:57:28 -0300
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
From: Bruno Correia bruno.l...@gmail.com
Subject
done in violin research?
Looking forward to your responses,
Thanks,
Tom Draughon
Heartistry Music
http://www.heartistry.com
Date sent: Sat, 26 Jul 2014 15:27:26 +0200
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
From: Anthony Hind agno3ph
Whodathunkit?!!
Tom Draughon
Heartistry Music
http://www.heartistry.com
Sent from my iPhone
715-682-9362
On Feb 18, 2014, at 10:40 PM, Franz Mechsner franz.mechs...@gmx.de wrote:
Maybe of (some) interest...:-)
[1]http://www.youtube.com/watch?v=Br3SunLc8zU
Hieronymus Bosch's Ass Music
Wow! Somehow, I feel a lot better now!
Tom
Tom Draughon
Heartistry Music
http://www.heartistry.com
Sent from my iPhone
715-682-9362
On Feb 9, 2014, at 9:44 PM, Christopher Wilke chriswi...@yahoo.com wrote:
I hate, hate, hate, hate, hate changing frets with an abhorrence that defies
all
' knowledge and experience.
All the best,
Tom
Date sent: Fri, 13 Dec 2013 15:10:03 +
From: Braig, Eugene brai...@osu.edu
However, once again, Mace offers this advice in acknowledging the
antecedent: strike . . . your strings
With Viagra he may have had more!
Tom Draughon
Heartistry Music
http://www.heartistry.com
Sent from my iPhone
715-682-9362
On Dec 10, 2013, at 7:36 PM, Bruno Correia bruno.l...@gmail.com wrote:
Well, with our lifestyle they wouldn't have produced any lute music at
all. With a big screen
.
Looking forward to the next installment of your article.
Thanks again,
Tom
http://www.heartistry.com/artists_tom.html
Part 2: noise.
Rest assured dear reader, that I have done my Maths. You will find
many opinions on sample rates, and presumably for all the rest of
these posts
.. just in case there is any interest, my just a tiny little modest
try in http://www.youtube.com/watch?v=xFN2nc9B0lcfeature=youtu.be
best, Arto
Well ... obviously not HIP ... but i like it anyway!
How about Renard-like Lady?
T
Tom Draughon
Heartistry Music
early, and
All the best,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists_tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
To get on or off this list see list information at
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From: Mayes, Joseph ma...@rowan.edu
Subject:RE: [LUTE] Re: Capo use on early instruments
Well...as long as you used authentic 16th Century hair-ties
I just went with my gut feeling ... :)
Tom
Lutelist Subject: [LUTE] Re
From: Christopher Wilke chriswi...@yahoo.com
Subject:[LUTE] Re: Capo use on early instruments
Tom,
Nice thinking. On a recording, I doubt few, if any people would
notice that you capo-ized. Just to keep your early music street
cred, be sure to make
of a tone.
I've tried lowering the fundamental by a few cents, but it doesn't seem
to help until the the two strings of a course are out of tune when
open.
Help!!! (please)
--
Sincerely,
Tom
--
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KFG132 - 8 course lute 7th F
NNG88 - 8 course lute 8th octave d
KFG160 - 8 course lute 8th D
As you can see, the srings are either New Nylgut and KFG
--
Sincerely,
Tom
--
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David,
I forgot to mention the lute is 63 cm. Thanks for your suggestions. I
have had Chris at [1]catlines.com help calculate the tensions, but as
I've only had a lute for 3 months, the tension is a bit of a mystery at
this time.
--
Sincerely,
Tom
--
References
1
as well.
All the best,
Tom
From: Dan Winheld dwinh...@lmi.net
Subject:[LUTE] Re: Capo use on early instruments
Another good point- the only lute for which I built my own capo (pain
in the butt piece of fussy work) was a 72 cm SL Division bass lute
that worked very
Thanks Ernesto,
I think you just organized it!
At least, it's a good start.
I'll see what I can do with these ideas soon,
but won't have any time 'til next week.
I'll re-visit it then.
Thanks again,
Tom
I agree to the out-reach being needed.
Would someone organize the thread-suggested
The lute world needs to reach out to the non-traditional audience.
Thanks Stephen. I agree.
Tom
[Stephen]
There is an interesting book by Phyllis Tickle entitled The Great
Emergence. It deals with modern Christianity and how it is evolving.
I think her main theme applies to the lute
the faintest idea
how to make a good pie, and the pie makers
probably don't want them to bother trying to
make a pie correctly.
Still, it benefits the pie makers to have these
people buying and consuming their pies.
Tom
Tom,
I am by no means opposed to the idea of reaching out to other
Kirsch as ensemble partners.
Wonderful music!
Tom
If we want more audience we need to be inclusive and not exclusive. A
number of comments on this thread appear exclusive; almost a parody of
the attitude that has been attributed to main stream classical
musicians
-Stories-Civil/dp/B000V6MF4C
http://bruceburnside.com/civil-war.html
Tom
OK - I'll agree that a lot of folks who get into SCA and go to
Renaissance Festivals have a very non-HIP viewpoint on what it's all
about. For them it's basically play-acting, in the same way as those
who attend Civil War Re
at SCA and Ren Faires
solely
as a group of potential music buyers. Why not encourage the interest
and
point it in the right direction?
Tom
On 8/11/2013 11:08 AM, Geoff Gaherty wrote:
On 11/08/13 9:41 AM, Ron Fletcher wrote:
My main point is that true historical re
that you will not
compromise.
Use that as a negotiation point. If they won't pay what you feel
you're
worth, it's their loss. Play for nothing and be treated like nothing.
Play for a king's sum, and get treated like a king.
Tom
by the instruments, and
it will leave a good lasting impression. I was able to get Jacques Ogg
and members of Lyra Baroque into our elementary school. How cool is
that!
Tom
I must extend my sincerest thanks to ye olde SCA. I once went to a
Renaissance Faire with a fellow modern musician
, If they had
ultimate respect for what you do, would you not want to see them
as an audience member at your next concert?
BTW - don't ALL of us have slightly warped views of reality?
(Except for me, of course ... )
Tom
My sentiment exactly.
RT
On 8/8/2013 6:12 PM, Braig, Eugene wrote
I hope nobody thinks I was trashing Brahms. On the contrary,
I have great respect for his music. My point was that there are
people who are so focused on one genre of music that they seem
to disdain all others. I am definitely not one of those people.
Thanks,
Tom
Date sent
://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Nancy Carlin
Administrator THE LUTE SOCIETY OF AMERICA
http://LuteSocietyofAmerica.org
PO Box 6499
Concord, CA 94524
USA
925 / 686-5800
www.groundsanddivisions.info
www.nancycarlinassociates.com
Tom Draughon
Heartistry Music
http
lots of
people calling you because they think you'll play for free.
Tom
On Wed, 7 Aug 2013 11:23:07 +, Ron Andrico wrote
Briefly, playing for free
(or worse, paying to play) doesn't really do any lasting good. It
only makes the potential audience think that your music should be
free
performers (that happens to play a lot of Brahms)
consistently draws well and is - a duo!
Absurd, and one reason that I stepped down from that board.
How can the early music community begin to change these perceptions?
Tom Draughon
Heartistry Music
www.heartistry.com
Chris
From: Bruno Correia bruno.l...@gmail.com
Subject: [LUTE] Re: general public Lute awareness
Dear Tom,
I play mostly solo and in duo, that's not just because I like it
but above all for financial reasons. Sure, a big ensemble
;)
In short - It's ALL good!
Thanks,
Tom
Duke Ellington
is reputed to have said: There are only two kinds of music; good
music and bad music. Playing early music on recorders and later
music on the cello, I feel fortunate to have playing access to both
Dufay and Dvorak
the contact-mic idea is one possible solution. I have also been
using Samson Airline Micro wireless mics for voice, and I love them!
If I could figure out a way to mount one unobtrusively on the Gui-lute
I would go with that. VERY natural sound!
Tom
Heartistry Music
http://www.heartistry.com
Happy New Year ALL !!
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
To get on or off this list see list information at
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in advance for modernizing the spelling.
In table format - 2 printable 11 x 17s
Since I can't do an attachment for the list, just email me if you want a copy.
Tom
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That short fret recalls me of an African instrument, the Malagasy
Kabosy. See here:
http://www.boutique.laterit.fr/img/p/69-279-thickbox.jpg
I think have seen this sort of fret arrangement also on Tamburitza.
Tom
Paolo Busato lute-maker
www.busatolutes.com
e-mail
- but ... leave one out maybe ... ? )
Thanks in advance,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
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a nail. I don't get a bright
honky
sound on classical, but I never liked that anyway.BTW, I believe Tarrega
didn't use nails.
Bets of luck,
Tom
Dear Christopher,
(and dear lute wisdom),
I just see that you are playing and teaching the guitar as well as
the lute. How do you
suggestions for composers and / or specific
pieces
that would fit well with 3 recorders, etc. and lute? Dowland's
Lachrimae,
perhaps?
(I know that's 5 parts - but ... leave one out maybe ... ? ) Thanks
in advance, Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com
That title isn't quite PC these days, is it ... ?
Tom
.. well, more Balcarres ... the piece is beautiful. Could of course be
played more cleanly. Just in case somebody is interested:
http://www.youtube.com/watch?v=fVnkBa1hdQcfeature=youtu.be
http://vimeo.com/48826023
Best
AM, Martyn Hodgson wrote:
The neck and peghead of the theorbo is in two seperate pieces and
are, indeed, glued together at the join.
MH
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Tom Draughon
Heartistry
affected by industrialization at a much earlier date.
This is the theory, at least.
Thanks again,
Tom
Here's the other one from Appalachia by Sharp. Some other interesting
folksong collections. - Original Message - From:
nore...@ur.rochester.edu To: arthurjn...@verizon.net Sent
it.
I think that between folk musicology and Renaissance musicology,
there may
be much valuable information to be gleaned from each other on both
sides.
Thanks,
Tom
Dear list:
True, it's difficult to date folk music. But one would be wise to
consult
it is all but gone now, the oral tradition was still very much alive in rural
areas into the 20th century, and many source singers were recorded by
Barbeau, Sharp and others as early as 1916 on Edison cylinders.
I'll be happy to share some bibliographies if anybody is interested.
Tom
Herbert
Thanks C! Exactly why my contracts read, Payment will be made
immediately prior to performance.
Tom
Thought the lute listers might enjoy this glimpse into the life of
working musicians in 1790's Virginia. No Lutes involved, just some
unpaid loot. C.Etter
http://www.virginiamemory.com
in Chicago in the 1920s, and the current copyright law is allowing
them to do it with impunity.
There DOES need to be a class-action lawsuit! How can I help?
Tom
They're really fishing. Our first flagged video was for an
unaccompanied 5th century Gallican Chant, with a text written
From: Adam Olsen arol...@gmail.com
They probably want to air on
the safe side and expect you to dispute it, because it's much less
of a problem to go that route rather than ending up with a lawsuit.
Yes - a lawsuit from ASCAP ...
Tom
On Jul 4, 2012 4:39 PM, Ron
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--
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
independent of CD Baby, iTunes, etc. if they
want to.
Tom
The main CDBaby website seems to have disappeared, though the music
download page seems to work.
Martin
On 28/06/2012 00:45, Ed Durbrow edurb...@sea.plala.or.jp wrote:
I think I see. So the buyer goes to CDBaby
to their CDs, I think
the writing is on the wall. Will my grandchildren stare in wonder at
them like I did 78s?
Still, the big question in MY mind is, what will THEY be listening to?
Thanks all,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
for
tuning.
Tom
I have to say, I'm always amused by these discussions that broadly
outline the imprint of theoretical measurements on the phenomenon
of sound. If we look at all the factors, including thickness and
stiffness of string material, variability in trueness of dimension
about how an entire generation demographic
between 20 and 40 years of age views buying (or NOT buying) recorded music.
And she's working for National Public Radio!!
Thanks again,
Tom
This may seem off-topic it isn't really. We have a blog post
discussing a crisis in the viability
can say after this, that I probably won't buy another Tascam product.
Good luck with all the rest, and all the best,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
I am using the ZOOM H4n , together
Absolutely lovely!
Tom
Dear all,
I am new on the list and instead of introduction I am sending you a
link to the short video from the concert in Toronto with Toronto
Continuo Collective. My solo was just a small part of a concert.
Both courantes (by Saman and Ballard
If it really was a dance it seems strange that the tunes would be in
different time signatures. It would be very difficult to dance a structured
dance to common time if the dance was designed for 3/4 and vice versa.
I'm interested to know what the rhythm is supposed to be.
Thanks,
Tom
playing
of songs from John Dowland's First Booke of Ayres (and the second)
with good results. It is a very different tactile feeling to come at the
strings
vertically, then brush sideways, but the results speak for themselves.
Thanks again!
Tom
Tom Draughon
Heartistry Music
http
,
Tom
I use InDesign a lot and one of the problems with bringing any pdf
into it is that what you see on the screen is quite fuzzy. It
always prints out beautifully, but it's sometimes hard to add
things on top of the pdf because of the lack of resultion. I have
done the imports
other graphics format
in Fronimo ?
Thanks,
Tom
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the doors off your phone's mic.
A big part of the sound problem could be preamp / converter in your android.
Tom
Is there a good app for recording yourself on Android? I tried a few
apps, but the sound came out very distorted and blown out. I know the
phone's microphone is better than
Arto, I think you do a fantastic job of driving a zamboni !
( ... http://www.zamboni.com/ )
Really very nice music and very nicely played. Thanks,
Tom
Dear lutenists,
just in case our List will come alive again:
I re-recorded some Zamboni when warming up my 10-course Vieil Accord
with the world.
And anything done to place the word Lute in front of a wider audience is going
to be good for lutes and lutenists.
I'll look forward to future responses.
Tom
However, there is at least a fair amount of reference to primary
source material (the manuscripts themselves). It's
A very interesting article. I can't wait to see the responses from the rest
of the list! I am reminded that Walther Gerwig did an arrangement of Bach's
Cello Suite No.1 in G major, BWV1007. Very nice and beautifully played -
in Renaissance tuning!
Tom
An interesting post:
[1]http
$119.95 from the following:
http://www.biblio.com/details.php?dcx=79067124aid=bkfndr
Tom
Dear List,
I just discovered what it seems a very interesting book:
Victor Coehlo (ed.), Music and Science in the Age of Galileo,
Kluwer Academic Publishers 1992 Preview here:
[1]http
what's happening now.
Tom
We have contributed our Saturday quotes, this week placing the lute
song in its noble context. [1]http://wp.me/p15OyV-ni Ron Donna
--
References
1. http://wp.me/p15OyV-ni
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http
The connection would be Saturday Quotes.
Excuse me, Tom.
Since my vision isn't what it used to be and these glasses are a bit
smeared at the moment, would you kindly point out the lute content of
your post? I seem to be having a hard time spotting it.
On 4/21/2012 10:18 AM, t
VERY nice on all levels!
Tom D
Hello, I'm happy to present my new vihuela, made by Didier Jarny...
Rosewood and maple back and sides, maple neck and head, snakewood
fretboard.
Probably not an historical model (but iconographical inspiration), we
choose, with Didier the woods
? Or is
there one?
I'll look forward to all of your opinions.
Tom Draughon
http://www.heartistrymusic.com/artists/tom.html
From: David Tayler vidan...@sbcglobal.net
The dynamic range of digital exceeds the background noise in your
room. For example, if your DR is 110 dB, and your
From: Braig, Eugene brai...@osu.edu
Subject:[LUTE] Re: All about micing...redux
I'm assuming it's still pronounced 'mike' but maybe it's 'mick'?
Perhaps we should be talking about 'micking'?
I think Jagger has a copyright on that term ...
T
To get
are much higher quality than
many others. I pity young people who are trying to sift through it all (am
I sounding OLD, or what?). How can one develop a filter for what is good
art, or music, or film, or TV, when there is so much junk to wade through?
Tom
To get on or off this list see list
and other early music, and see how cool it really is. It's amazing what one
can find
on YouTube. But there's even another component: unless you're an audiophile,
why
buy music when you can hear and watch it on YouTube for free? We live in a
very
strange world!
All the best,
Tom
CDs
that the song was traditional. For a very interesting thread on
this topic see http://mudcat.org/thread.cfm?threadid=12983
Thanks,
Tom
JJNiles didn't take credit where he should have, as I recall.
For authoring folk material.
RT
- Original Message -
From: t
interesting thread on this topic see
http://mudcat.org/thread.cfm?threadid=12983 Thanks,
Tom
JJNiles didn't take credit where he should have, as I recall.
For authoring folk material.
RT
- Original Message -
From: t...@heartistrymusic.com
To: Ron Andrico praelu
We offer a video of Donna singing an Irish ballad that may or may
not be old. [1]http://wp.me/p15OyV-lK RD
Beautiful!
Published by Boosey Hawkes, 1909. Irish Country Songs
Collected in Donegal by poet Padraic Colum and Herbert Hughes
Tom Draughon
Heartistry
. Both are great, and both deserve a place in the
repertoire, but the folk
process is more alive in Don's playing and my catching it, and there's stuff
in there that just
cannot be written on paper.
Tom D
Thanks, Tom and Mark. Forgive the off-topic nature of this but we
actually saw
they lived if you want to
understand the music.
True, but it's so tiresome having to drop acid every time I listen to
Hendrix. --
I only had to do it once ...
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Tom Draughon
Heartistry
,
very cool.
Tom D
Yes- I got the news from one of my lute students yesterday. I heard
a sample sound bite on the radio on the way home from work today,
somewhat strange sounding- reedy, webby, a touch ethereal
otherworldly in a nice way. How the hell did they harvest and
process it? About
) from person to person
enable some musicians to play faster than others,
or (alternatively) whether fast playing results exclusively
from practice and technique.
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Tom Draughon
Heartistry
sample I can't tell if it's the violin that's responsible for the overall
sound and tone, or the string(s). Still, very cool.
Tom D
Yes- I got the news from one of my lute students yesterday. I heard a
sample sound bite on the radio on the way home from work today,
somewhat strange sounding
hate this modern slang?)
Thanks everybody!
Best to all, and keep playing,
Ditto!
Tom
Chris.
On Sat, Feb 25, 2012 at 6:33 PM, Sean Smith [1]lutesm...@mac.com
wrote:
Hi Tom,
I don't see any replies to your question --Have you driven a
Ford discussion
Are these available anywhere in Fronimo or PDF?
Thanks,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
--
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Absolutely beautiful!
What a wonderful way to begin my day. Thanks David!
Tom
Yet another Kapsberger video :)
enjoy
http://youtu.be/CpQw0UH-YV4
dt
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Tom Draughon
Heartistry Music
) these.
Are there
others, perhaps by different names/titles?
Thanks and regards,
Leonard Williams
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-- End of Forwarded Message
Tom Draughon
Heartistry Music
http
, while the person next to him was having a religeous
experience.
If you like Karajan's Brandenburgs buy them, listen to them, love
them,
bask in their lush soundscapes, and to e11 with the critics!
ENJOY Music!
Tom
On Feb 5, 2012, at 8:29 AM, Ron Andrico wrote
?
Looking forward to your responses.
Thanks,
Tom
I don't know about the scholarship, but from personal experience, I
can say that in a small room a lute can produce enough sound for a
few people to dance. Especially if you aren't competing with
post-industrial white noise from
larger?
And were all the parts for a song printed on one sheet of paper?
What was the original format?
Thanks,
Tom
Tom Draughon
Heartistry Music
http://www.heartistry.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
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Thanks Sean,
Mine measures 19cm (7.5) by 13.5cm (5 3/8) actual print on the page.
Roughly 75% + of your edition. Fine for sitting in a chair and perusing.
And the price was very reasonable.
Thanks again,
Tom
Tom,
I just looked at my old Scolar Press facsimile and measured the height
-
bearing. Not only are the strings higher tension, they are also
longer. Vuillaume was
one of the first makers to start effecting these alterations for
players like Pagannini.
Interesting thread. Thanks again,
Tom
Thank you all for your responses, and your detailed
of this effect.
Anthony, if you ever decide you'd like to part with your 433 fork I'd be
interested in having it.
Then maybe I, too, can be in harmony with the universe! (Or close to it?)
Tom
Dear luthenists
A friend gave me an amusing tuning fork, which is clearly of
some age
Fleece Navidad!
I love it!
Thanks David,
Tom
All right then, spirit of the season, or season of the spirit, never
seem to get that one right. Here's what I have my pupils play this
year: lots of strings involved, steel as well as gut, and with a bit
of patience you will even see even
Christmas tunes arranged
for guitar.
Hope you like these:
[1]http://youtu.be/pGUP-Moim9c
[2]http://youtu.be/SB6wWLNjH-Q
Compliments of the season!
Tom
Tom Draughon
Heartistry Music
http://www.heartistry.com/artists/tom.html
714 9th Avenue West
Ashland, WI
beyond the means of normal
musicians,
this is very welcome.
Thanks again!
Tom Draughon
Heartistry Music
http://www.heartistry.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
Tom
Date sent: Sun, 18 Dec 2011 16:55:39 -0500
To: Lute List
on Appalachian
collection.
Is there a comprehensive work on ancient French ballads and songs
from
continental Europe? Title and author(s)? And are there such works for
other
European languages also?
Many thanks in advance!
Tom
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by memory,
and would have known from experience how to strum to facilitate the dance.
Like Ron Andrico said in his post - it ain't rocket science. It's a matter of
really
knowing the dance and what fits musically.
Hope this helps,
Tom Draughon
How would a strummer strum chords to these tunes
brothers - Rogert, Over and
Out (the black sheep of the family).
Tom
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David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
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Tres bon!!
Very cool! Those pieces lie well on the uke.
And are those your paintings in the background?
Thanks Valérie!
Tom
P.S. I can easily envision those tunes being played on a medieval
great pipe or a musette, or even scottish pipes. 6 notes and dorian
melody - perfectly suited
to harpsichord because it could play a
range of dynamics). But I do think that, IF he had access to one AND IF
he decided to write for it, he would have have exploited a Bechstein's tonal
capabilities unlike anybody else.
Tom
--- On Tue, 12/7/11, David van Ooijen davidvanooi...@gmail.com
strumming Beatles and Cat Stevens songs for 9 years, and
my older brother came home from college with the LP and a brotherly,
Let's see you do that. OMG! My jaw dropped. I'm still trying to play
like that - trying ...
BTW, is it synchronicity ?
Tom
Hey Tom,
its so strange that you should
Hi Nancy,
Thanks for the email. I'd love a copy of the interview.
I should also talk with you about formally joining LSA : )
Tom
I am also a big Renbourn fan and agree that he has great
technique.Those early records of his were a big inspiration years ago.
We published a nice interview
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