That's absolutely amazing!!! My sincerest congratulations!
Please let me / us know in advance about the date in Bremen, I'd love to
come!Am 02.04.2019 17:19 schrieb franco pavan :
>
> Dear All,
> In the last months I had the chance to visit a private archive in
> Italy, and I
There are two more pieces for theorbo in GB-NH Fh 3431.c, as far as I
know.
Am 24.03.2019 14:19 schrieb Roland Hayes:
Aside from Goess theorbo ms and Vienna 17706, does anyone know of more
theorbo pieces by this virtuoso, including any modern editions?
Thanks
in advance. r
Get
No, sorry :-( I just know that it exists, from Meyer (2006):
NORTHAMPTON, Northamptonshire Record Office (GB-NH)
FH 3431.c
[2] f. 150 x 115 mm. Origine française ou anglaise. Vers 1660-1680. Une
main. Théorbe à quatorze choeurs (onze
choeurs utilisés) (A d g h e a). Notation française.
1
I know, but carbon will be too thin for this job... I'd love to use Nylgut, but
0,62 is too thick, and they don't produce it in 0,6 in 1,80m length.
Am 01.04.2019 15:39 schrieb Roman Turovsky :
>
> you can get unlimited lenghts of Seaguar carbonfiber.
> RT
>
> On 4/1/2019 7:20 A
Hi folks,
Any ideas, where I can get a nylon string of 1,80-2,00m length? I
already asked Pyramid and Kürschner, both only have short ones. Savarez
I'll contact in some minutes.
And any experiments with line?
All the best from sunny Germany!
Yuval
To get on or off this
In Goess there's also one piece, and two more in F-Pn Vm.7 6265:
"LE MOYNE (Le moine, Lemoinne, Lemoine, Lemoyne)
Allemande, A-ETgoëss Th, 62
Allemande, F-B 279.152, 47
Allemande, F-B 279.152, 284
Allemande, F-B 279.152, 348
Allemande, F-Pn Rés. 1106, 16
Allemande, F-Pn Vm.7 6265, 46
My lute builder, Dieter Schossig, is actually a physicist, and he also
told me about this. It's about the energy that gets lost in the neck,
instead of reinforcing the sound.
Am 23.03.2019 22:29 schrieb John Mardinly:
Some guitar makers have also believed that neck stiffness improves the
Owner of the site is Matthew Jones, you can find him on Facebook, unfortunately
I don't have his email-adress.
But I wrote to him already several times since November without getting any
answer I don't know where he is at the moment. :-(Am 08.03.2019 15:09
schrieb Andreas Schlegel :
>
>
Hello everybody,
what would you say ist the most important literature concerning the
history ofthe theorbo (as an instrument, not concerning music for the
theorbo) in France?
On my list are until now:
Michael Prynne: „James Talbot’s Manuscript, IV: Plucked Strings – the
Lute Family“, The
A good source of information is also the complete edition of Haydn's
works which appears at Henle, Germany. The Thompson songs have a long
introduction with extensive information on the songs.
Am 05.02.2019 20:11 schrieb howard posner:
On Feb 5, 2019, at 12:38 AM, Alain Veylit
wrote:
I
Hello everybody,
in a previous thread (from 2009) I read that some pieces from the Goess
manuscript seem to need a 1RE tuning. In the same thread it was stated
that Campion obviously uses only a 1RE tuning for his "Addition". Maybe
somebody could tell me which pieces exactly from Goess this
Dear Andreas,
This site I know already, and even some of the entries for Germany are
from me ;-)
Trotzdem vielen Dank Dir!
Yuval
Am 08.03.2019 08:55 schrieb Andreas Schlegel:
Dear Yuval
An important ressource is here:
http://www.tiorba.eu/timeline.html
The menue at the right side allows to
That's the best book I know about the song books, unfortunately in German, but
you could try to borrow it somewhere, I'm sure he writes also about the authors
of the poems:
Hahahaha good point!
To add something substantial to the discussion, I'd like to remember you that
also plants exist which were used for thousands of years to polish wood (and
maybe also fingernails), e.g. Equisetum ("Schachtelhalm" in German).Am
07.05.2019 13:31 schrieb jslute :
>
> Dear
Hi everyone,
Which evidence do we have regarding theorboes with 18 or 19 strings / courses?
I know about:
-Kapsperger's 19 course instruments
- Two 18 course instruments by Sellas, one in Paris, the other one in Italy
- Praetorius' obviously wrong tuning instruction for an 18 course instrument.
ago? I would
> > love to see it. Techniques used to polish things from telescope
> > lenses
> > and mirrors to razors would not work well on fingernails. The chamois
> > stropping technique used by Segovia because there was not much better
> >
gt; would
> > love to see it. Techniques used to polish things from telescope
> > lenses
> > and mirrors to razors would not work well on fingernails. The
> chamois
> > stropping technique used by Segovia because there was not much
>
I'm not sure if it was stated earlier, but actually Campion makes his teacher
Maltot (who is, apart from the appearance in Campion's treatise, completely
unknown) responsible for having invented the theorbo with 8 strings/courses on
the fretboard, most possibly resulting from the invention of
No, unfortunately it's not the Pavan from Variety of Lute Lessons :-(Am
29.07.2019 10:36 schrieb Tristan von Neumann :
>
> Moritz, Hessen's Landgrave?
>
>
> Check if there's concordance with the Pavan in A Varietie of Lute Lessons.
>
>
>
>
> On 29.07.19 10:32,
Good morning,
In a manuscript from around 1600 on which I'm currently doing some research
there is a Pavana with a note "M. H. L.". Any ideas which composer / lutenist
this could be?
The manuscript comes from the region of German/Netherland.
Very curious, if anybody has to offer an solution!
heck if there's concordance with the Pavan in A Varietie of Lute Lessons.
>
>
>
>
> On 29.07.19 10:32, Yuval Dvoran wrote:
> > Good morning,
> >
> > In a manuscript from around 1600 on which I'm currently doing some research
> > there is a Pavana with a not
t want to check.
>
>
> On 29.07.19 10:48, Yuval Dvoran wrote:
> > No, unfortunately it's not the Pavan from Variety of Lute Lessons :-(Am
> > 29.07.2019 10:36 schrieb Tristan von Neumann :
> >> Moritz, Hessen's Landgrave?
> >>
> >>
> >> C
y Axel Halle. There is a Ph.D. on the manuscript by Claudia Knispel.
>
>
> Best
>
> Joachim
>
>
> -Original-Nachricht-
> Betreff: [LUTE] Re: M. H. L.
> Datum: 2019-07-29T11:19:51+0200
> Von: "Yuval Dvoran"
> An: "Tristan" , &quo
Hello everybody,
some weeks ago a friend sent me an article by Jean Duron, "L'orchestre
de Marc-Antoine Charpentier", published in "Revue de musicologie" 72/1,
Paris 1986.
There the author writes on p. 40-41: "Le théorbe n’est jamais mentionné
dans les sources chez Charpentier et très
Hello all,
I was offered a Tiorbino, and I'm wondering what one can do with it
(except of playing Bellerofonte-Castaldi): Are there any proofs that it
was used for playing solo instead of a big theorbo or for playing
continuo?
And is there any literature about it apart from the article by
Hello everybody,
I'm looking for a transcription of the Allemande in d-minor for theorbo
by de Visée, Saizenay-ms. pp. 228–9. Does any of you happen to have one?
I'd be very grateful!
All the best for 2020
Yuval
To get on or off this list see list information at
Actually, I really need a transcription, because it's for a non-lutenist
who can't read tablature ;-)
Yuval
Am 07.01.2020 21:39 schrieb Wayne:
Hi Yuval -
Not a transcription, but legible
http://culture.besancon.fr/ark:/48565/a011284026247S0XA9H/1/1
Wayne
On Jan 7, 2020, at 2:48
Dear Guilherme,
it's interesting what Philippe writes about Il Fronimo, it would be nice
to talk with him about all this stuff. I met him some weeks ago, and
he's the only guy I know who isn't lutenist at all and can read all kind
of tablature fluently - quite crazy!
To respond to your
This is really quite an extreme example! But maybe with a different
technique it would be possible e.g. to play the first chord? Sometimes,
I have the impression that they used also Barrés with the second or
third finger, which would (theoretically) make it possible to play the
first chord.
oh, that's great!!! Thank you very much for the work you did!
Am 29.04.2020 14:24 schrieb Martin Shepherd:
Yes, there are several chords which require using a finger (any
finger) to cover two or more courses, and Waissel even gives us
fingerings which involve using the second finger to hold to
Dear all,
first of all I'd like to express my sincerest gratitude towards Wayne
for creating this great forum! Unfortunately I became only a member a
few years ago, but still I enjoyed much of the discussions here! I hope,
that the list will continue also after Wayne's retirement!
The
Maybe it's worth to take a look on some of the literature? There is:
Boetticher: RISM B VII, p. 351-352 (rather useless, but he gives a bunch
of literature which I don't know)
Meyer (ed.): Sources Manuscrites en Tablature III/1, S. 121-125 (he
doesn't give any information on the other theorbo
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