This also fits in nicely with Richard Taruskin's often stated thesis
that early music performance practice today is really a modern
fabrication that seeks to apply 20th (now 21st) century aesthetic
preferences to past music. Indeed, the technically clean, vibrato-less,
metronomic,
Good points and very well said, Chris.
Ned
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
On 19/12/13 8:27 AM, Christopher Wilke wrote:
Richard Taruskin
Josquin's Missa Di Dadi
Funny you should mention these two in the same email. Decades ago I
attended an early music workshop in Miami where Taruskin was one of the
instructors, and his task of the week was to lead us recorder
; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Bream Collection... I just noticed we got so far away from
the [LUTE]-forum
This also fits in nicely with Richard Taruskin's often stated thesis
that early music performance practice today is really a modern
fabrication that seeks to apply 20th
Bruce Haines is a must read regarding this issue (romantic, modern and
the Hip approach).
2013/12/19 Christopher Wilke [1]chriswi...@yahoo.com
This also fits in nicely with Richard Taruskin's often stated
thesis
that early music performance practice today is really
: [LUTE] Re: Bream Collection... I just noticed we got so far away from
the [LUTE]-forum
This also fits in nicely with Richard Taruskin's often stated thesis
that early music performance practice today is really a modern
fabrication that seeks to apply 20th (now 21st) century aesthetic
So your heart belongs to di Dadi (Cole Porter, 1938)
On 12/19/2013 6:22 AM, Geoff Gaherty wrote:
On 19/12/13 8:27 AM, Christopher Wilke wrote:
Richard Taruskin
Josquin's Missa Di Dadi
Funny you should mention these two in the same email. Decades ago I
attended an early music workshop in
OUCH!
On 12/19/13 11:25 AM, Dan Winheld dwinh...@lmi.net wrote:
So your heart belongs to di Dadi (Cole Porter, 1938)
On 12/19/2013 6:22 AM, Geoff Gaherty wrote:
On 19/12/13 8:27 AM, Christopher Wilke wrote:
Richard Taruskin
Josquin's Missa Di Dadi
Funny you should mention these two in
So what are we left with? Personal judgements on what is and what is not
interesting music.
Or good music, or correct music, or aurally thought music. Harnoncourt wrote it
some 40 years ago: HIP is not about doing music as it was done centuries ago
but about making lively music for today's
The Segovia film is nice in its own way, it was probably interesting for at
least a part of the audience at the time it was recorded,
sounds completely outdated and boring for most people today,
and may be rediscovered in the future for some reason we would never even think
of.
Is it somehow
On 19 Dec, 2013, at 1:22 AM, erne...@aquila.mus.br erne...@aquila.mus.br
wrote:
And the arab / turkish / syrian lutes in use nowadays?
And so it goes...
i'd say the Arab lute is far more relevant to this list than Segovia is.
τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ
Hi,
The Segovia film is nice in its own way, it was probably interesting for at
least a part of the audience at the time it was recorded,
sounds completely outdated and boring for most people today,
It's fine with me if you don't find it interesting. It's just a personal taste
(for many
Segovia was not incompetent, he was simply unmusical. He wasn't alone in
that, among the stars of his day. Pablo Casals also comes to mind, and
not a few violinists.
RT
On 12/18/2013 2:10 PM, Jarosław Lipski wrote:
Hi,
The Segovia film is nice in its own way, it was probably interesting
Hi Roman,
Segovia was not incompetent, he was simply unmusical. He wasn't alone in
that, among the stars of his day. Pablo Casals also comes to mind, and not a
few violinists.
RT
Hmmm… we enter a very subjective territory here. Someone called unmusical for
one may seem epitome of
In the latest ad from ArkivMusic i noticed advertised the Complete RCA Album
Collection of Julian Bream. Cost is $99.99 and it includes 40 CDs and 2 DVDs,
for anyone interested.
Ned
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I'm not a guitarist, but I am a cellist. I do wonder what is meant here about
both Segovia and Casals being unmusical, though perhaps this lute forum has
wandered far enough afield already.
Ned
To get on or off this list see list information at
Is it just me, or is there not something ironic about a serious minded 21st century
LUTE-list member finding a great 20th century musical icon (think of him what one will
otherwise) outdated?
No doubt Mel Neusidler found papa Hans outdated. Maybe Downland thought he was
outdated. Nicolas
Subject: [LUTE] Re: Bream Collection... I just noticed we got so far away from
the [LUTE]-forum
Is it just me, or is there not something ironic about a serious minded 21st
century LUTE-list member finding a great 20th century musical icon (think of
him what one will otherwise) outdated?
No doubt
On Dec 18, 2013, at 1:47 PM, Dan Winheld dwinh...@lmi.net wrote:
Is it just me, or is there not something ironic about a serious minded 21st
century LUTE-list member finding a great 20th century musical icon (think of
him what one will otherwise) outdated?
Not at all. Implicit in the
Wiadomość napisana przez howard posner w dniu 18 gru 2013, o godz. 23:10:
On Dec 18, 2013, at 1:47 PM, Dan Winheld dwinh...@lmi.net wrote:
Is it just me, or is there not something ironic about a serious minded 21st
century LUTE-list member finding a great 20th century musical icon (think
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