: Thursday, April 07, 2005 5:54 AM
Subject: Re: Weiss on guitar (was: Willams Concert)
Yes, it is supposed to be, but it seems we have become sidetracked
talking
about guitars John Williams.
Let's change the subject. 2 weeks ago, in Minnesota, we were treated to
a
concert by Nigel North
PROTECTED]; 'LUTE-LIST'
lute@cs.dartmouth.edu
Sent: Tuesday, April 12, 2005 8:08 AM
Subject: Re: Willams Concert
I have yet to open any of your cheesy products,
I'm not about to start now.
Michael Thames
www.ThamesClassicalGuitars.com
Just because I like logic: how do you know
[EMAIL PROTECTED]
To: G.R. Crona [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Thursday, April 07, 2005 5:54 AM
Subject: Re: Weiss on guitar (was: Willams Concert)
Yes, it is supposed to be, but it seems we have become sidetracked talking
about guitars John Williams.
Let's change
]; LUTE-LIST
lute@cs.dartmouth.edu
Sent: Saturday, April 09, 2005 6:50 AM
Subject: Re: Weiss on guitar (was: Willams Concert)
We all have failing that we must rise above
JM
On 4/7/05 9:35 PM, Roman Turovsky [EMAIL PROTECTED] wrote:
Lynda Sayce never played guitar. Ditto yours truly.
RT
www.ThamesClassicalGuitars.com
MT - Original Message -
MT From: G.R. Crona [EMAIL PROTECTED]
MT To: lute@cs.dartmouth.edu
MT Sent: Thursday, April 07, 2005 11:51 AM
MT Subject: Re: Weiss on guitar (was: Willams Concert)
MT
MT
MT Two: lute music relies mostly on first positions, whereas the guitar
MT not only
Michael, there are other suites that show a totally different picture.
Take e.g. the suite in f minor. Most music is playing in the high positions ...
The point might be to try to understand what's the reason for often using the
lower positions.
I think, that the main reason might be the use
Michael Thames mailto:[EMAIL PROTECTED] schrieb:
Does lute music mostly rely on first positions??
Come on
In Weiss this is true, but maybe not Bach, or other transcriptions.
Try Gallot
Cheers,
Mathias
--
To get on or off this list see list information at
(was: Willams Concert)
Michael, there are other suites that show a totally different picture.
Take e.g. the suite in f minor. Most music is playing in the high
positions ...
The point might be to try to understand what's the reason for often using
the lower positions.
I think, that the main reason
Hi all!
Baron explains a bit about this. One of the advantages of the lute over
other instruments is that you have the same tone on different positions on
the fretboard. Every position produces a slightly different tone. A good
composer made use of that differences to produce a certain sound
Hi all,
I think Thomas's point is more true of the guitar than the lute. Here is
why I think this: it is difficult to hit the high frets on a double
string course and have it sound in tune. In fact this took me quite a
few years to achieve. On octaved courses this is even more difficult,
and
MT From: [EMAIL PROTECTED]
EM MT To: lute@cs.dartmouth.edu
EM MT Sent: Wednesday, April 06, 2005 1:10 AM
EM MT Subject: Weiss on guitar (was: Willams Concert)
EM MT
EM MT
EM MT
EM MT
EM MT
EM MT
EM MT
EM MT Better not! I don't think Weiss works well on a guitar. It's too
EM idiomatic
EM MT
I've always been a heretic in lute-matters, but am quite happy playing Weiss
on a guitar tuned to D-minor while octavating the basses. Perfectly viable.
Also, the 11 string guitar is by no means a new invention. The swedish
guitarbuilder Bolin was making his Altguitars already in the 60's.
Yes, it is supposed to be, but it seems we have become sidetracked talking
about guitars John Williams.
Let's change the subject. 2 weeks ago, in Minnesota, we were treated to a
concert by Nigel North. It was an astonishing performance, all English
music. I can say that there were no weak
: Re: Willams Concert
I am saving your manly second-hand opinion for the relevant section of
http://polyhymnion.org/swv/comments.html
where it would certainly add to your well-deserved reputation of a
culturally sensitive individual.
RT
Just a non Eurocentric kind of guy, I am.
I hope
[EMAIL PROTECTED]
Sent: Thursday, April 07, 2005 8:19 AM
Subject: Re: Willams Concert
I have no problem eating cheese, only listening to it.
Michael Thames
But you listen to JWilliams, don't you?
RT
We have a saying in the old country... An intelligent man can
never win a debate
5:54 AM
Subject: Re: Weiss on guitar (was: Willams Concert)
Yes, it is supposed to be, but it seems we have become sidetracked talking
about guitars John Williams.
Let's change the subject. 2 weeks ago, in Minnesota, we were treated to a
concert by Nigel North. It was an astonishing
I have two remarks on the Baroque lute to guitar transcriptions:
-One big problem is the sound of the basses on the guitar that are
relatively dull when compared to the lute. This is aggravated by the
fact that lute music naturally makes of the richness of its bass
register. So is it a good
exactly my point! Thanks for that, Alain!
Thomas
Am Donnerstag, 7. April 2005 19:30 schrieb Alain Veylit:
I have two remarks on the Baroque lute to guitar transcriptions:
-One big problem is the sound of the basses on the guitar that are
relatively dull when compared to the lute. This is
Of Course,
but you can't deny the availability of accessing Weiss in an easy way, my way ;)
On Apr 7, 2005 7:38 PM, Thomas Schall [EMAIL PROTECTED] wrote:
exactly my point! Thanks for that, Alain!
Thomas
Am Donnerstag, 7. April 2005 19:30 schrieb Alain Veylit:
I have two remarks on the
Two: lute music relies mostly on first positions, whereas the guitar
not only allows for high position fingerings but often sounds best in
the higher positions.
Does lute music mostly rely on first positions??
Come on
To get on or off this list see list information at
, April 07, 2005 11:30 AM
Subject: Re: Weiss on guitar (was: Willams Concert)
I have two remarks on the Baroque lute to guitar transcriptions:
-One big problem is the sound of the basses on the guitar that are
relatively dull when compared to the lute. This is aggravated by the
fact that lute music
, 2005 11:51 AM
Subject: Re: Weiss on guitar (was: Willams Concert)
Two: lute music relies mostly on first positions, whereas the guitar
not only allows for high position fingerings but often sounds best in
the higher positions.
Does lute music mostly rely on first positions??
Come
www.ThamesClassicalGuitars.com
- Original Message -
From: Edward Martin [EMAIL PROTECTED]
To: G.R. Crona [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Thursday, April 07, 2005 5:54 AM
Subject: Re: Weiss on guitar (was: Willams Concert)
Yes, it is supposed to be, but it seems we have become
:05 PM
Subject: Re: Weiss on guitar (was: Willams Concert)
I agree - It's difficult to find a lute player who didn't begin with the
guitar. (Gateway drug?)
On 4/7/05 12:07 PM, Michael Thames [EMAIL PROTECTED] wrote:
In the past, the guitar owed much to the lute, However today the
lute
www.ThamesClassicalGuitars.com
MT - Original Message -
MT From: G.R. Crona [EMAIL PROTECTED]
MT To: lute@cs.dartmouth.edu
MT Sent: Thursday, April 07, 2005 11:51 AM
MT Subject: Re: Weiss on guitar (was: Willams Concert)
MT
MT
MT Two: lute music relies mostly on first positions, whereas the guitar
MT not only allows
Subject: Re: Weiss on guitar (was: Willams Concert)
Yes, it is supposed to be, but it seems we have become sidetracked talking
about guitars John Williams.
Let's change the subject. 2 weeks ago, in Minnesota, we were treated to a
concert by Nigel North. It was an astonishing performance
@cs.dartmouth.edu
Sent: Thursday, April 07, 2005 3:07 PM
Subject: Re: Weiss on guitar (was: Willams Concert)
In my eyes that isn't true for Weiss, but I should check that once again.
He uses every possible position and his fingering is very thoughtful.
Usually he therefore avoids unnecessary shifting
:
Thema: Re: Willams Concert
At 05:36 PM 4/4/2005, Roman Turovsky wrote:
I catch JW on the radio once in a while. To this day I cannot figure out
what's the big deal about this dude...
I don't know that this is quite the appropriate forum for this topic, but I
think Williams' recordings can come off
[EMAIL PROTECTED],
Michael Thames [EMAIL PROTECTED]
Kopie:
Thema: Re: Willams Concert
this list, I also favor Yasunori Imamura on de Visee.
Eugene
I suppose you haven't heard Eduardo Egüez on dV..
RT
Yea, I highly recommend Edwardo Egez, as well. I usually put him on
when
I
I have yet to open any of your cheesy products,
I'm not about to start now.
Michael Thames
www.ThamesClassicalGuitars.com
Just because I like logic: how do you know they are cheesy if you have never
opened one of them? 8^)
Francesco
To get on or off this list see list
that.
RT
ariel abramovich [EMAIL PROTECTED] am 05.04.2005 16:30:51
An:Eugene C. Braig IV [EMAIL PROTECTED], Lute net
lute@cs.dartmouth.edu, Roman Turovsky [EMAIL PROTECTED],
Michael Thames [EMAIL PROTECTED]
Kopie:
Thema: Re: Willams Concert
this list, I also favor Yasunori
Since this has ventured into the realm of early guitar, I'm attaching the
relevant address as well:
At 03:03 AM 4/6/2005, you wrote:
Didn't JW also record on a period guitar? I think I have a record when he
plays concerts for guitar and orchestra on a period guitar (and also saw
this performance
: Wednesday, April 06, 2005 3:45 AM
Subject: RE: Willams Concert
I have yet to open any of your cheesy products,
I'm not about to start now.
Michael Thames
www.ThamesClassicalGuitars.com
Just because I like logic: how do you know they are cheesy if you have
never
opened one of them? 8
-
From: [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Wednesday, April 06, 2005 1:10 AM
Subject: Weiss on guitar (was: Willams Concert)
Better not! I don't think Weiss works well on a guitar. It's too idiomatic
to the lute. There is a peculiar series of recordings by a certain
- Original Message -
MT From: [EMAIL PROTECTED]
MT To: lute@cs.dartmouth.edu
MT Sent: Wednesday, April 06, 2005 1:10 AM
MT Subject: Weiss on guitar (was: Willams Concert)
MT
MT
MT
MT
MT
MT
MT
MT Better not! I don't think Weiss works well on a guitar. It's too idiomatic
MT to the lute
(was: Willams Concert)
Hello,
I'm really not sure if the guitar isn't able to play Weiss.
Of course you'll have to change the bass lines and maybe other things too,
but I think if someone takes care of the music and it's idiom, there is no
problem.
Schneeweiss doesn't count as any proof, as he
-
From: Markus Lutz [EMAIL PROTECTED]
To: lute lute@cs.dartmouth.edu
Sent: Wednesday, April 06, 2005 9:44 AM
Subject: Re: Weiss on guitar (was: Willams Concert)
Hello,
I'm really not sure if the guitar isn't able to play Weiss.
Of course you'll have to change the bass lines and maybe other
: Wednesday, April 06, 2005 1:10 AM
MT Subject: Weiss on guitar (was: Willams Concert)
MT
MT
MT
MT
MT
MT
MT
MT Better not! I don't think Weiss works well on a guitar. It's too
idiomatic MT to the lute. There is a peculiar series of recordings by a
certain MT Schneeweiss
MT
(http
waiting.
MT Michael Thames
MT www.ThamesClassicalGuitars.com
MT - Original Message -
MT From: [EMAIL PROTECTED]
MT To: lute@cs.dartmouth.edu
MT Sent: Wednesday, April 06, 2005 1:10 AM
MT Subject: Weiss on guitar (was: Willams Concert)
MT
MT
MT
MT
MT
MT
MT
MT Better not! I don't think
I have yet to open any of your cheesy products,
I'm not about to start now.
Michael Thames
www.ThamesClassicalGuitars.com
Just because I like logic: how do you know they are cheesy if you have
never
opened one of them? 8^)
Francesco
Aside from the name that gave it away, I've asked
]; 'LUTE-LIST'
lute@cs.dartmouth.edu; Francesco Tribioli [EMAIL PROTECTED]
Sent: Wednesday, April 06, 2005 8:53 PM
Subject: Re: Willams Concert
I have yet to open any of your cheesy products,
I'm not about to start now.
Michael Thames
www.ThamesClassicalGuitars.com
Just because I like
You say that as though the problem were with JW and not RT
JM
On 4/4/05 5:36 PM, Roman Turovsky [EMAIL PROTECTED] wrote:
I here John Williams once again delivered the goods last night in San
Francisco. Opening with six of his own pieces, with an, on the end of
your seat, flawless rendition
You say that as though the problem were with JW and not RT
JM
In fact, in general people who understand music find JW unlistenable.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
On 4/4/05 5:36 PM, Roman Turovsky [EMAIL PROTECTED] wrote:
I here John Williams once
I guess I just don't understand music - thank you for the council.
JM
On 4/5/05 8:12 AM, Roman Turovsky [EMAIL PROTECTED] wrote:
You say that as though the problem were with JW and not RT
JM
In fact, in general people who understand music find JW unlistenable.
RT
__
Roman M.
I guess I just don't understand music - thank you for the councEl.
JM
You are welcome.
BTW, I am not disputing that JW is a great player; undoubtedly he is.
However he is not a musician.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
On 4/5/05 8:12 AM, Roman Turovsky
At 08:12 AM 4/5/2005, Roman Turovsky wrote:
In fact, in general people who understand music find JW unlistenable.
While he isn't my favorite guitarist, I occasionally do enjoy hearing John
Williams. I would rather hear him play guitar music than lute music, and
his propensity to edit out
In fact, in general people who understand music find JW unlistenable.
While he isn't my favorite guitarist, I occasionally do enjoy hearing John
Williams. I would rather hear him play guitar music than lute music, and
his propensity to edit out variations from compositions in that form is
At 10:05 AM 4/5/2005, Roman Turovsky wrote:
[Williams] arrives at each coordinates on time with both hands, but just
doesn't get
the blues.
I certainly can't argue that. That's why I enjoy Williams on Koshkin or
Domeniconi--i.e., newish music suited to technical interpretations--but
favor
[Williams] arrives at each coordinates on time with both hands, but just
doesn't get
the blues.
I certainly can't argue that. That's why I enjoy Williams on Koshkin or
Domeniconi--i.e., newish music suited to technical interpretations--but
favor Lightnin' Hopkins, early Muddy Waters, or
At 10:26 AM 4/5/2005, Roman Turovsky wrote:
I suppose you haven't heard Eduardo Egüez on dV..
I have, although my exposure is limited to a singular suite once heard on
the radio. It's not on my personal shelves yet...but soon. I like it
too. It struck me as being tastefully executed
the
notes he plays so slow.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Eugene C. Braig IV [EMAIL PROTECTED]; Lute net
lute@cs.dartmouth.edu
Sent: Tuesday, April 05, 2005 8:26 AM
Subject: Re: Willams Concert
[Williams
this list, I also favor Yasunori Imamura on de Visee.
Eugene
I suppose you haven't heard Eduardo Eg? dV..
RT
Yea, I highly recommend Edwardo Egez, as well. I usually put him on when
I have problems falling asleep!
Kind of like counting sheep, but instead one can literally count the
this list, I also favor Yasunori Imamura on de Visee.
Eugene
I suppose you haven't heard Eduardo Egüez on dV..
RT
Yea, I highly recommend Edwardo Egez, as well. I usually put him on when
I have problems falling asleep!
Kind of like counting sheep, but instead one can literally
FYI: Fomenting unrest requires intelligence.
RT
And a hell of allot of reverb!
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: LUTE-LIST lute@cs.dartmouth.edu
Sent: Tuesday, April 05, 2005 8:51 AM
Subject: Re: Willams
In a message dated 04/05/05 7:04:13 AM, [EMAIL PROTECTED] writes:
I used blues figuratively.
Actually, Williams does have a recording of 3 blues by Charlie Byrd on a
disc called Spirit of the Guitar
You gotta hear it!
Mark Delpriora
Co-chair, guitar department,
Manhattan School of Music
To
[EMAIL PROTECTED]
To: Eugene C. Braig IV [EMAIL PROTECTED]; Lute net
lute@cs.dartmouth.edu; Roman Turovsky [EMAIL PROTECTED]; Michael
Thames [EMAIL PROTECTED]
Sent: Tuesday, April 05, 2005 8:30 AM
Subject: Re: Willams Concert
this list, I also favor Yasunori Imamura on de Visee.
Eugene
I
FYI: Fomenting unrest requires intelligence.
RT
And a hell of allot of reverb!
Michael Thames
The amount of reverb is commensurate with intelligence.
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
You may, indeed, have that opinion. It may be shared with others. It is
still only an opinion.
JM
On 4/5/05 8:28 AM, Roman Turovsky [EMAIL PROTECTED] wrote:
I guess I just don't understand music - thank you for the councEl.
JM
You are welcome.
BTW, I am not disputing that JW is a great
would sound
good. Oldest trick in the book.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Michael Thames [EMAIL PROTECTED]; LUTE-LIST
lute@cs.dartmouth.edu
Sent: Tuesday, April 05, 2005 9:02 AM
Subject: Re: Willams Concert
FYI
Can do play it any faster or better? Just curious...
aa
One doesn't need to be able to play better, faster, than someone
else to comment, as we have witnessed from Roman's critique of JW.
Michael Thames
www.ThamesClassicalGuitars.com
I suspect Thames is a Metheny fan as well.
I always
You may, indeed, have that opinion. It may be shared with others. It is
still only an opinion.
JM
Like I said: Some like watermelon, some like watermelon rind.
RT
On 4/5/05 8:28 AM, Roman Turovsky [EMAIL PROTECTED] wrote:
I guess I just don't understand music - thank you for the
Make us an MP3, and post it somewhere (fair use: Educational)
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
I used blues figuratively.
Actually, Williams does have a recording of 3 blues by Charlie Byrd on a
disc called Spirit of the Guitar
You gotta hear it!
Mark
AM
Subject: Re: Willams Concert
FYI: Fomenting unrest requires intelligence.
RT
And a hell of allot of reverb!
Michael Thames
The amount of reverb is commensurate with intelligence.
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute
-
From: Roman Turovsky [EMAIL PROTECTED]
To: Michael Thames [EMAIL PROTECTED]; Eugene C. Braig IV
[EMAIL PROTECTED]; Lute net lute@cs.dartmouth.edu; ariel abramovich
[EMAIL PROTECTED]
Sent: Tuesday, April 05, 2005 9:09 AM
Subject: Re: Willams Concert
Can do play it any faster or better
PROTECTED]
To: Michael Thames [EMAIL PROTECTED]; LUTE-LIST
lute@cs.dartmouth.edu
Sent: Tuesday, April 05, 2005 9:18 AM
Subject: Re: Willams Concert
FYI: Fomenting unrest requires intelligence.
RT
And a hell of allot of reverb!
Michael Thames
The amount of reverb is commensurate
PROTECTED]
To: Roman Turovsky [EMAIL PROTECTED]; Eugene C. Braig IV
[EMAIL PROTECTED]; Lute net lute@cs.dartmouth.edu; ariel abramovich
[EMAIL PROTECTED]
Sent: Tuesday, April 05, 2005 8:57 AM
Subject: Re: Willams Concert
I suspect Thames is a Metheny fan as well.
I always preferred meaningful
I suspect Thames is a Metheny fan as well.
I always preferred meaningful to fast, even before Pat O'Brien told me in
1987 that speed wasn't sexy.
Back in the old country we say: Some like watermelon, some like watermelon
rind.
RT
No, as I said before I'm not a big jazz fan.
However, I
-
From: Roman Turovsky [EMAIL PROTECTED]
To: Michael Thames [EMAIL PROTECTED]; Eugene C. Braig IV
[EMAIL PROTECTED]; Lute net lute@cs.dartmouth.edu; ariel abramovich
[EMAIL PROTECTED]
Sent: Tuesday, April 05, 2005 9:46 AM
Subject: Re: Willams Concert
I suspect Thames is a Metheny fan as well.
I
though.
RT
Sent: Tuesday, April 05, 2005 9:02 AM
Subject: Re: Willams Concert
FYI: Fomenting unrest requires intelligence.
RT
And a hell of allot of reverb!
Michael Thames
The amount of reverb is commensurate with intelligence.
RT
To get on or off this list see
I suppose you have no idea how many of these end up drowned off the
Nonza-IsulaRussa road in Corsica
I've found it's usually the slow drivers that cause all the problems, you
know like driving to slow in the fast lane.
Michael Thames
Slow works for me, especially in the intimate situations.
this list, I also favor Yasunori Imamura on de Visee.
Eugene
I suppose you haven't heard Eduardo Eg? dV..
RT
Yea, I highly recommend Edwardo Egez, as well. I usually put him on when
I have problems falling asleep!
Kind of like counting sheep, but instead one can literally count the
I here John Williams once again delivered the goods last night in San
Francisco. Opening with six of his own pieces, with an, on the end of
your seat, flawless rendition of the Chaconne. At 64 that's amazing. Two
sold out concerts at Herbst theater, anyone catch that one?
PS I 'm told
I here John Williams once again delivered the goods last night in San
Francisco. Opening with six of his own pieces, with an, on the end of
your seat, flawless rendition of the Chaconne. At 64 that's amazing. Two
sold out concerts at Herbst theater, anyone catch that one?
I catch JW on the
PROTECTED]; Lute net
lute@cs.dartmouth.edu
Sent: Monday, April 04, 2005 3:36 PM
Subject: Re: Willams Concert
I here John Williams once again delivered the goods last night in San
Francisco. Opening with six of his own pieces, with an, on the end of
your seat, flawless rendition
At 05:36 PM 4/4/2005, Roman Turovsky wrote:
I catch JW on the radio once in a while. To this day I cannot figure out
what's the big deal about this dude...
I don't know that this is quite the appropriate forum for this topic, but I
think Williams' recordings can come off a little dry, too
I really like what this guy does: http://www.vynograd.com/ particularly
his own stuff, as opposed to the obligado Bach pieces... The 8-string
guitar has some interesting parallels with the Baroque lute, no?:) And
there is plenty of good quality MP3s too on the site. And technical tips
on how
At 05:36 PM 4/4/2005, Roman Turovsky wrote:
I catch JW on the radio once in a while. To this day I cannot figure out
what's the big deal about this dude...
I don't know that this is quite the appropriate forum for this topic, but I
think Williams' recordings can come off a little dry, too
, 2005 3:45 PM
Subject: Re: Willams Concert
I catch JW on the radio once in a while. To this day I cannot figure out
what's the big deal about this dude
RT
He's a legend, kind of like the Who.
Michael Thames
www.ThamesClassicalGuitars.com
Similarly marketed out of proportion, I
@cs.dartmouth.edu
Sent: Monday, April 04, 2005 4:02 PM
Subject: Re: Willams Concert
I really like what this guy does: http://www.vynograd.com/ particularly
his own stuff, as opposed to the obligado Bach pieces... The 8-string
guitar has some interesting parallels with the Baroque lute
anyone else. The forward
momentum is great. Now we know where Barto got this from.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: Eugene C. Braig IV [EMAIL PROTECTED]
To: Lute net lute@cs.dartmouth.edu
Sent: Monday, April 04, 2005 3:22 PM
Subject: Re: Willams
FYI. his name is LorimEr.
RT
My friend was just at Lorimar's a few days ago and tells me, Michael
Lorimar has already transcribed 40 sonatas of Weiss, for guitar, and working
on the rest. Soon to be published.
Michael Thames
To get on or off this list see list information at
Message-
From: Alain Veylit [EMAIL PROTECTED]
Sent: Apr 4, 2005 3:02 PM
To: Roman Turovsky [EMAIL PROTECTED]
Cc: Michael Thames [EMAIL PROTECTED],
Lute net lute@cs.dartmouth.edu
Subject: Re: Willams Concert
I really like what this guy does: http://www.vynograd.com/ particularly
his own
; Lute net
Subject: Re: Willams Concert
At 05:36 PM 4/4/2005, Roman Turovsky wrote:
I catch JW on the radio once in a while. To this day I cannot figure out
what's the big deal about this dude...
I don't know that this is quite the appropriate forum for this topic, but I
think Williams
]
Cc: Lute net lute@cs.dartmouth.edu
Subject: Re: Willams Concert
I really like what this guy does: http://www.vynograd.com/ particularly
his own stuff, as opposed to the obligado Bach pieces... The 8-string
guitar has some interesting parallels with the Baroque lute, no?:) And
there is plenty
In a message dated 4/4/2005 4:34:07 PM Pacific Daylight Time,
[EMAIL PROTECTED] writes:
My friend was just at Lorimar's a few days ago and tells me, Michael
Lorimar has already transcribed 40 sonatas of Weiss, for guitar, and working
on the rest. Soon to be published.
Lorimer is doing great
it and they will come.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED] ; [EMAIL PROTECTED] ;
[EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Monday, April 04, 2005 7:04 PM
Subject: Re: Willams Concert
In a message
Ceruti [EMAIL PROTECTED]
To: Michael Thames [EMAIL PROTECTED]; Alain Veylit
[EMAIL PROTECTED]; Roman Turovsky [EMAIL PROTECTED]
Cc: Lute net lute@cs.dartmouth.edu
Sent: Monday, April 04, 2005 6:06 PM
Subject: Re: Willams Concert
Michael,
Bravo on your idea to make a 13-string guitar. We need more
: Michael Thames [mailto:[EMAIL PROTECTED]
Sent: Monday, April 04, 2005 9:26 PM
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Subject: Re: Willams Concert
Lorimar is doing great work I'm sure, but Weiss, even more than
Bach, has always seemed uncomfortable to me
Something strange about my letter; I wrote Lorimer, yet the forward spells
it's Lorimar. What's up?
James
Lorimar is doing great work I'm sure, but Weiss, even more than
Bach, has always seemed uncomfortable to me on the guitar. I believe
Michael is transcribing them for six string.
]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Monday, April 04, 2005 8:55 PM
Subject: Re: Willams Concert
Something strange about my letter; I wrote Lorimer, yet the forward spells
it's Lorimar. What's up?
James
Lorimar is doing great work I'm
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