Hi,
I uploaded new lute single line (Einstimmige) Lute-Trios at IMSLP
A Collection of Italian Lute Trios (Various)
1.1.1 Giovanni Bassano: 7 Fantasias
1.1.2 Giovanni Briccio: In medio Ecclesiae
1.1.3 Adrian Willaert: Ricercar 1
1.1.4 Adrian Willaert: Ricercar 2
1.1.5 Adrian Willaert: Ricercar
Hi,
I revised and uploaded new lute single line (Einstimmige) Lute-Trios at IMSLP
1.1.1 Michael East: Flye Not Away (Fantasia)
1.1.2 Michael East: My Lovely Phillis (Fantasia)
1.1.3 Michael East: Trip It Lightly (Fantasia)
1.1.4 Michael East: Turne Round About (Fantasia)
1.1.5 Orlando Gibbons
Hi,
Now You will find under:
http://imslp.org/wiki/A_Collection_of_German_Lute_Trios_%28Various%29
A Collection of German Lute Trios (Various)
These single-line Intavolations are intended not only for training purposes
for students (rhythm, listening sessions, interaction) but can be even
Hi,
I revised and uploaded new lute single line (Einstimmige) Lute-Trios at IMSLP
(Remember, you must wait a day or more to download, because IMSLP always checks
all files!
I started with English music for 3 lutes (a; g; D-lutes)
! more will follow !
1.1.2 Alfonso Ferrabosco Sr.: Fantasia
hi,
I have uploaded 2 new single line trios for 3 equal lutes.
Specially for beginners.
Lupo, Thomas - Fantasia 15
Anonym - Almaine
3 Lutes - Einstimmig (single line-for studying and teaching purposes)
http://www.mediafire.com/?7ici6n7xibivb
Anton
--
To get on or off this list see list
Hi,
because I got a of questions about Guitar Trios, I have uploaded some very nice
Transcriptions for classical Guitar Trio.
(I am sure,- never played :-) )
Scores and parts in Guitarnotation - and some mp3 files.
Here is the link:
http://www.mediafire.com/?a8s7kicsu6aec
Agostino
HI,
here is the downloadlink for the Lute Trios ad Quartam (2 Lutes in a' + 1 Lute
in e , or 2 Lutes in g' +d)
http://www.mediafire.com/?sharekey=2ff9bbd6c00cf4bce5c3dee5769931ec03da445f908cb26a79b5ba589d1986ba
Hope you enjoy them. I think these pieces are very interesting.
Warm regards
Dear Stuart and All,
When Jon Banks gave a talk to the Lute Society a few years ago, Matthew
Spring played the gittern, Stewart McCoy played the G lute, and I played
a D lute. When we were rehearsing for the concert, I started playing
the bass part on a G lute but found it extremely difficult
Either we accept Jon Banks' arguments (as I do), and are happy to
refer to these pieces as music for lute trio or lute consort, or
we can opt for Michal's more cautious playable on lutes. Either
way, the music is there to be enjoyed by us all, and as Sean says,
it is great fun.
Best wishes,
But what would the large bass
instruments have been like? Do any survive from this period?
None from the (late) fifteenth-century. However, as far as I know, surviving
Maler lutes are bass instruments, the earliest from 1520s (? Someone correct
me if I'm wrong).
M
To get on or off this
Dear Stuart,
From our modest first forays into reading this rep. I've found that
different size lutes help in the following ways:
a) They put the 'voice range' of the line in the center of the lute
fingerboard. When we consider that they probably didn't have roped or
great strings for the
The Lautenweltadressbuch lists seven lutes attributed to Laux Maler
that have body dimensions available:
WidthDepthDate/Rebuilder
33.5 cm ca. 1520
29.7 ca. 15 before 1550
30.6 15.8 Widhalm 1761
29.3 ca. 15.8
My bass lute is only 68cm in string length. I put beefier strings on
it (ie, 6th course = ~1.62mm gut), tune it to D and it works fine.
Btw, a 6c A-lute is very nice but if you really want to enjoy a
sustaining voice, go long.
Sean
On Feb 20, 2006, at 7:29 PM, Daniel F Heiman wrote:
The
On Sat, Feb 18, 2006, Sean Smith [EMAIL PROTECTED] said:
Dear Stewart,
I would add that much of the music under discussion is extremely
complex rhythmically.
Typical for 15c material; including Hayne, Binchois, and Josquin, all of
which I played extensively with the Collegium Musicum of
Dana,
one issue to be resolved, how does a lutenist deal with lng notes,
easy on a bow, they are a challenge to decorate while still maintaining
suspension (especially if one has difficulty playing like ala
balalaika).
As I think Stewart pointed out, it should be ok to reiterate that
I don't know Banks' work and his arguments (yet), but unless there is a firm
evidence that these specific pieces were performed on lutes, claims that
this is genuine music for a lute ensemble are overstatements. Indeed, this
music *could* have been performed by such an ensemble but also by any
A player w/ a 5 or 6 course lute could play at least any
two single voices of a composition and would have been useful in
consort (as well as part of a duo or a soloist and would probably have
been expected to be all three).
This wouldn't be so easy playing with a plectrum, though. But
Hi Stuart,
A player w/ a 5 or 6 course lute could play at least any
two single voices of a composition and would have been useful in
consort (as well as part of a duo or a soloist and would probably have
been expected to be all three).
This wouldn't be so easy playing with a plectrum,
For those of you interested in playing this style of music or just
learning more about it, note that Crawford Young will be teaching a
course dedicated to it at the LSA Lute Festival this Summer in Cleveland
(25 through 30 June).
http://www.cs.dartmouth.edu/~lsa/seminar/index.html
Daniel Heiman
, 2006 12:17 AM
Subject: [LUTE] Re: Jon Banks lute trios and early bass lutes
I still can't quite believe this is genuinely lute music as
opposed to
music that is multiply realisable. There are many sustained
notes,
sometimes over two bars.
It doesn't look like lute music.
I don't know Banks
Dear Stewart,
Thank you for your long reply.
Just a few points:
When one is faced with a piece, such as Roelikin's setting of De
tous biens plaine, which has a range of notes from a low G to high
e flat, one has to consider what instrument can cope. Wind
instruments cannot, because their
Dear Stewart,
I would add that much of the music under discussion is extremely
complex rhythmically. If it is to work, it has to be played
incisively, and exactly in time. I doubt whether viols (which have a
similar range to the lute) would be as successful.
I'm sorry to play devil's
I still can't quite believe this is genuinely lute music as opposed to
music that is multiply realisable. There are many sustained notes,
sometimes over two bars.
It doesn't look like lute music.
I don't know Banks' work and his arguments (yet), but unless there is a firm
evidence that these
- for
professional lute duos c.1500 and earlier, Jon Banks
appears to the only one claiming the existence of amateur lute trios.
Whatever the matter, I'm sure it would be musically worthwhile
playing this music on lutes. It will certainly be a challenge - for
me,
anyway.
I got hold of some
Dear All,
Did anyone make at some point a compilation of original =
lute trios for renaissance lute?
If someone did, would be possible to have a listing of the pieces and =
sources?
Thanks very much.
Saludos,
A
--
Hi,
I know of Paccoloni and Besard (Novus Partus).
Best wishes
Thomas
Am Don, 2003-11-06 um 10.34 schrieb arielabramovich:
Dear All,
Did anyone make at some point a compilation of original =
lute trios for renaissance lute?
If someone did, would be possible to have a listing
Yes; these are most beautiful. Try Madlonna Mia Pieta, Io vo Gridando -
they are wonderful.
ed
At 07:14 PM 11/6/03 +, Stewart McCoy wrote:
Dear Ariel,
There are a few lute trios in Adriaenssen's _Pratum Musicum_
(Antwerp, 1584). There is a facsimile edition with an introduction
Stewart:
Something I ran across in the Chicago Tribune, of all places -- not a
trio, but rather a duet:
http://www.kfki.hu/~arthp/html/v/vivarini/alvise/ambrose.html
Has anyone seen this in person? If the dimensions given are accurate
this has to be *very* imposing. The barefoot
28 matches
Mail list logo
