on't think I would be capable of diving into
your fortran code and adding it myself.
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
same dialect text as the file jen1 in my entry in the GMD archive.
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
do I tell M-Tx to print the abbreviated voice
labels from the style SATB4 at the beginning of staffs after the first
system ?
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
xtras ?
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
Werner Icking wrote:
> > Date: Wed, 24 Jun 1998 10:49:36 +0200
> > From: Christian Mondrup <[EMAIL PROTECTED]>
> >
> > I'm missing a few M-tx/pmx features:
>
> Following MusiXTeX at a convenient place may help (PMX-notation):
>
> > 1. In the M-t
ve the result as MIDI and eventually import it into
M-Tx/pmx for typesetting. The GNU music typesetting project LilyPond has
such a utility, mi2mu (midi to mudela conversion).
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupga
Title: Jawn Hum\o{}r
Composer: \vbox{\composer\poet}
Indent: 0.05
Flats: 2
Meter: C/
Piano2: Voices RH1,RH2 LH1,LH2; Continuo; Clefs G F
Style: Singer Piano2
Systems: 7
Pages: 3
Space: 12 0 0
Size: 16
...
%% h275m
%% P
%% \\font\names = cmr10\
%% \\def\composer{\llap{\names Musik: Christian Mond
M-Tx and pmx docs.
Does anybody have some proposals ?
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
br |
f2 g4da8 | f2 e|
f4dd8 e4da8- | d4dg8- a4d g8 |
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, D
hat is wrong ? Should I put the !\bf statement somewhere else ?
Regards
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
release and was able to continue my mtx editing immediately after having
upgraded to the final version.
That was all :-)
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
essed beat. For a vocal score I would like to
request beaming to encompass only notes within a single beat. I may do
so by explicitly beaming the 8'ths on one of the beats in an 8 note 8'th
group. But it would be nicer to have a directive requesting beatwise
beaming.
--
Christian Mondrup,
[EMAIL PROTECTED] wrote:
>
> I encountered some troubles with the original PMX compiling with g77 and
> naturally turned to
> the C version.
Use f2c in stead of g77. You may want that if you are going to compile a
version of pmx exceeding the default 7 voices limit.
Regards
-
8 ( a a4 ) r8 f | g4 g8 ( f f4 ) ( e8 d ) | d2 r2 | r2 r4 |]
g4 g8 ( f f4 ) r8 ds | e4 e8 ( d d4 ) ( c8 b ) | a2 r2 | r2 r4 |]
L: let me be a foll-o-wer of Christ!
d4 d8 ( cn c4 ) r8 c | b4 b8 ( a a4 ) ( g8 f ) | f2 r2 | r2 r4 |]
e4 e8 ( d d4 ) r8 d | g4 g8 ( a a4 ) ( a8- d ) | d2 r2 | r2 r4 |]
---
more details on mensural notation see
http://www.uconect.net/~raybro/index1.html.
For examples of modern editions of renaissance music see eg
http://ace.acadiau.ca/score/archive/ftp.htm
Any suggestions how to implement these features ?
Regards
--
Christian Mondrup, Computer Programmer
Scandiatra
he printing types in the current font ready to print out. End your
testfont section with the command \end.
In my first mutex posting on the current subject I also asked for advice
on printing brackets indicating mensural notation ligatures. I allow
myself to repeat this question :-
eeded to indicate
ligatures in modern transcriptions of music written in mensural notation.
There is, however, the difference from the fiddle signs that the ligature
must be indicated by brackets, i.e. the straight lines must be angled.
--
Christian Mondrup, Computer Programmer
Scandiatransplan
ne that english music typesetters follow some
rules or standards. Do anybody of you know them or do you know where I
may read about them ?
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Den
ithm
will not always succeed, which was the case as I tried two words - nasty and nappy -
used in Thomas Ravenscroft's 'Ale and Tobacco'.
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
)t(t | d )t(t |
%4-6
a a f+ f1 f f4 f8 e | e4 e r cs8 c1 e | a-4 r8 e+ a fs fd8 g1 |
d0 za zf | ( \itieu1{3}\itied2{-1}\ cs | \ttie1\ttie2\ c2 ) d |
C: af ae ae afs
rb0 | rb0 | rb0 |
d )t | (t a+ | a2 )t a- |
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
%4-6
a a f+ f1 f f4 f8 e | e4 e r cs8 c1 e | a-4 r8 e+ a fs fd8 g1 |
d0 za zf | cs s0t za s1t ze s2lt | c2+ s0t za s1t ze s2t d+ |
C: af ~ ~ afs
rb0 | rb0 | rb0 |
d )t | (lt a+ | a2 )t a- |
%7-9
g8 g r4 e8 e e1 e e e | f2 ef4 cs8 d | d d r4 r2 ||
d e | d za zf (t d | d4 )t cs d2 ||
C: g- a-
e net would be appreciated. TIA,
>
One place to look for things like that is Yahoo:
http://dir.yahoo.com/Entertainment/Music/Theory/
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
able to help you. If you, however, want to indicate e.g. a series
of transposed sixths chords initiated by a leading '6' followed by forward
slashes (cf. Harv. Dict, article on th. b.) the m-tx uptext - used as downtex -
could do the trick.
Meter: C/
Style: piano
Bars/Line: 4
g4 g a b
t;
> So, my problem is to have the effect of the continuation "0", but instead of
> a line to see a circle, or a trill sign, or a \cup or a slash.
>
Then I would suggest using musixtex's \Shake. The negative number parameter
points to position on the notesystem (under
Christian Mondrup wrote:
> Angelo Pagan wrote:
>
> > The meaning is very simple: suppose you have a "d" with transitus
> > irregularis followed by "c" numbered "2". You should execute on the first
> > "d" the harmonization of the &
Christian Mondrup wrote:
> Christian Mondrup wrote:
>
> > Angelo Pagan wrote:
> >
> > > The meaning is very simple: suppose you have a "d" with transitus
> > > irregularis followed by "c" numbered "2". You should execute on the
the chord - forced by 'u' as in this example - or separate
stems.
MySolo: Voices V1,V2; Clefs G
Style: MySolo
Bars/Line: 4
Meter: C
Options: b
g2++ r2 |
C: b-
d4u+ r2db |
C: g-
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
e refreshed each time it is
generated anew.
> :end
> --
>
> this one produces:
>
> BASENAME_pmxa.log
> BASENAME_pmxb.log
> BASENAME.log (from TeX)
>
> thanks
> A. Van Ryckeghem
--
Christian Mondrup, Computer Programmer
Scandiatransplant, S
47057 Duisburg | Tel. +49-203 379-3476 | Fax: +49-203 379-2709
A solution including the mtx chord line feature:
Title: OneBar-Slur-Problem
Sharps: 3
Style: Piano
Meter: 4/4
Bars/Line: 2
[+4 a1 a- r (1d-5 (2u a+ ] [+4 a )2 )1-5 a- g+ a- ] r2 |
C: d- ~ cn- c- ~ cs-
r0
Regards
--
Christian Mondrup, C
t input block. In mtx put the above commands
preceded with %% at the start of the first paragraph.
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
alled bracket. In the musixtex manual it's called a brace.
The way of using it is described in section 2.2.4.1.
Unless your score contains very specialized things or has more than 7
parts I'll recommend that you use the front end tool mtx which enables
you to set up your score with
y encourage you to download and study my material. Maybe
then some of you could add enhancements and new features to my
collection of macros opening for new contemporary music typesetting
facilities.
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hos
; I looked at the archives and found similar questions, but no answers.
>
> Cheers
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01, Telefax: +45 89 49 60 07
ying readme file a proper functioning of the
transposing utility depends on the mtx coding using solely relative
octaves (+ -) and accidentals (Ar).
I encourage interested mtx hackers to download the utility, use it and
report any problems to me.
Regards
--
Christian Mondrup, Computer Programmer
of music by Thomas
Ravenscroft. Most of these scores have text appended after the music based on
the idea of redefining \endpiece to first executing itself and then issuing an
\input statement.
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospit
ttom2\maxdimen
}
% Julesang
\restoreALL\input lars
%
% Aaret
\restoreALL\input sar
%
% Ivente Julenat
\restoreALL\input jaeg
%
% Miraklet
\restoreALL\input mon
%
% Vinterens tunnel
\restoreALL\input sor
%
\endmuflexsav
\bye
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
her parts than tenor and
basso.
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
release 4 of the acrobat reader. You won't however, get files smaller
than the postscript files. Have a look at my entries in the Ravenscroft
section of the 'Choral Public Domain Library'
(http://www.cpdl.org/composers/ravenscr.htm).
--
Christian Mondrup, Computer Programmer
Scandiatr
want could be:
Meter: 4/2
Style: Singer
Bars/Line: 4
%%\let\pause\pauseSAV
%%\let\pause\PAuse
g2 g g g | rp | g2 g g g
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
ve accidentals in effect. This isn't
> hard to substitue by hand, it would just be great if it were done
> automatically.
>
> For the record, I'm using M-Tx 0.50a, pmx 1.3.6, and MusiXTeX T.88, on
> a Linux (Debian 2.1) system.
>
> Thanks,
> Alex
>
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
Christian Mondrup wrote:
>
> Alexander Jolk wrote:
>
> > [EMAIL PROTECTED] writes:
> > >> As far as I know and according to Chlapik a full bar rest is
> > >> always the same, independent of the meter: a centered whole pause.
> >
> > >
"Simons, Don" wrote:
> 2 different people have suggested that dvipdfm might make pdf's of MusiXTeX
> output that look better on screen than those generated in the usual way with
> Acrobat Distiller. An example given by Christian Mondrup looks very
> convincing. So
[EMAIL PROTECTED] wrote:
> Simons, Don skryf:
> >
> > 2 different people have suggested that dvipdfm might make pdf's of MusiXTeX
> > output that look better on screen than those generated in the usual way with
> > Acrobat Distiller. An example given
b | c2 b | a0
c4 c c a1 f+ e d | e4 d c b | c2 b | a0
c4 c c [-2+4 a1 f+ e d ] | e4 d c b | c2 b | a0
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
[EMAIL PROTECTED] wrote:
> Christian Mondrup wrote:
> > I don't completely agree. Below is a small four part mtx example with the
> > same little melody in all parts but with different beam directions and slpoe
> > resp. The two upper staves contain Don's/We
fectly displayed also with gv (although I usually use
linux acroread for that).
I don't need to explicitly include cwd into the TEXINPUTS environment. But that may
be because I have this variable defined anyway in order to tell TeX to search files
outside the standard texmf tree.
I am able to display pdf files with no errors !
Besides the obvious tool for displaying and printing pdf files is
Adobe's free 'Acrobat reader' available for many OS's including Linux
from Adobe's home pages
(http://www.adobe.com/prodindex/acrobat/readstep.html)
--
Chr
fixes - behind the current release. The quality of
LilyPond typesetting is in my opinion not quitethat of MusiXTeX and friends.
> Any help from will be most
> welcome.
>
> Thankyou,
> Best wishes,
> Howard.
> (A.H.Gilbert, Thornaby, North Yorkshire)
--
Christian Mondrup, Comp
my fingerings are weird
from a gamba point of view :-)
Meter: C
Style: Solo
%% \def\f#1#2{\zcharnote{#1}{#2}}
\f{-8}{2}\f{-12}{4}\ g4 zd zb g+ g g
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aar
ocumentation lists the few execptions from that.
I hope the above remarks may be useful and wish you good luck with your
music typesetting. The initial installation steps and the typesetting
learning curve may be cumbersome. But I dare promise you a typesetting
quality better than that obtainable
[EMAIL PROTECTED] wrote:
> Hello again,
>
> First of all, let me thank everyone who was kind enough to respond to
> my query, especially Christian Mondrup who provided a great deal of
> help behind the scenes as well as on the list.
>
> Thanks to all your help, I think I&
ve or simply
as:
c4 d e f | g a g2 |
L: These are ly-rics I don't see.
g2 g2 | g2 g2 |
e2 e2 | e2 e2 |
L: Stand-ard ly-rics
( c4+ b ) ( a g ) | g2 c2 |
c2 c2 | c2 c2 |
c1 c+ b a g f e d c8 e1 g c8- e1 g | c0- |
c2 ze g2- zf+ | c0 zg+ |
and I do not get the mtx lyrics translated into \auxlyr s
efinitions)
- MusiXTeX also supplies \trebloct for octaved up treble staves,
\basslowoct for octaved down bass staves and \bassoct for octaved up bass
staves
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
6 8 6 8 3 0
> 1 1 20 0
>
> t
> ./
> Tt
> Test
> Tc
> Test Writer
> Ti
> Test Horn
> %Bar 0-4
> r8d a14 o> a84 | a84 r1 a14 a84 a84 r1 a14 a84 | a84 r1 a14 a84 a r1 a14 a84 /
> a84 r1 a14 a84 a r1 a14 a84 | a84 r1 a14 a84 a r1 a14 a84 /
--
Christian Mondr
arlines ! It is terribly difficult
keeping the survey over the music without them, and you risk - as in this case
- to enter erroneous notes.
If you quote larger portions of code directly in your email you can't be sure
of how the line breaks come out at the receivers. You should compact you cod
ains octaved (up or down) staves the MIDI data generation
doesn't yet reflect that. But it would be really nice if it did !
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
mp.org/) or xv (http://www.trilon.com/xv/). Both
utilities read postscript files and are able to convert them to many other
picture formats.
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
o bar
lines,
c4 d e f g f e d c d e f g f e d
L: In this piece there are no bar lines, in this piece there are no bar
lines,
c4 d e f g f e d c d e f g f e d :|
L: In this piece there are no bar lines, in this piece there are no bar
lines,
--
Christian Mondrup, Computer Programmer
Scandiatransplan
our example is not valid PMX coding and I'm sorry but I cannot explain the
> error message. Normally PMX symbols that begin with a digit are interpreted
> as figures (for figured bass).
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of A
s used for note values in British and US English contexts. For
example British English says 'semiminima' for the quarter note, 'minima'
for the half note, 'semibreve' for the whole note etc.
I think we'll have to live with that :-(
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
hing while I proof read a part with this
> clef.
>
> /Johan TUfvesson
You may get anyway using inline MusiXTeX:
1 1 4 4 0 6 0.0 0 0 4 20 0
0
./
\\setclef19\
g45 f e d | c d e f | g0 /
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, Universi
.de/music/lists/glossary/glossary.ps
Most French and Norwegian terms are still missing. Hopefully I'll be
able to upload a new release with these terms added soon.
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsv
bf c a b g a8 bf a g f d+ c b
f g a b c a b g c8 g e d1 c c bf a g f a g b a bn c e- d c+ f- b
a f+ e d e1 d- e f g e f d e8 c d e f1 d e f g8 g-
c0 of zg ze
c0- ofd
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
behave. If pmx were
programmed that way you will be able to enter your score in actual sounding
pitches, do proof listening from the MIDI output, and then first when you're
confident with your typesetting add directives for the transposing instruments.
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
s.
exactly!
> I have thought numerous times about doing this, deterred only
> by the fact that I have no use for it myself :-) I'll go as far as putting
> it on the list.
If I were given any influence on priorities xtuplets containing non equal lenght
note values should be much higher
MusiXTeX macros as
ftp://ftp.gmd.de/music/scores/ravenscroft/common.zip . Have a look at the
Ravenscroft M-tx sources to see how the symbols may be used. The macros
also make diamond shaped mensural notation note shapes and the
corresponding rests available.
--
Christian Mondrup, Computer Progr
put
any text anywhere. Some TeX formatting may be necessary to place chord
definition digits in complicated jazz chords where you want them.
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
rnote{h}{\upbow}\ c4 | c4 c4 b4 a4 | g0
...
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
Music from TeXt) <29 October 1998>}
\let\:=\relax\input musixtex\:\sepbarrules\input pmx
---
1 1 4 4 0 6 0.0 1 0 4 20 0
0
./
% Paragraph 3 line 8 bar 1
\\Largemusicsize\
g44 g4 g4 a4 | /
%Bar 2
b2 a2 | /
%Bar 3
g4 b4 a4 a4 | /
%Bar 4
g0 of /
--
Christian Mondrup, Computer Progra
; Silas S Brown, St John's College Cambridge UK http://www.flatline.org.uk/~silas
>
> "Earth itself has been given into the hand of the wicked one" - Job 9:24
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
\folio=1\hss\myfootline\hss\fi}\
c c c c | c c c c | c c c c | c c c c |
...
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
Christian Mondrup wrote:
>
> And here is another solution based on testing the value of the variable
> \folio and surrounding the copyright text with TeX infinitely
> stretchable and shrinkable glue (\hss) in order to get the text
> centered:
>
> Style: solo
> Meter: C
Barry Gold wrote:
>
> I'm setting a piece that should be in the key of C - no flats or
> sharps. But my output has one flat, and I can't figure out where it's
> coming from.
> Meter: 2/4
> Flats: 1
from here!!!
--
Christian Mondrup, Computer Programmer
S
agraph
%% \raggedbottom
%% \parskip 3\Interligne plus 2\Interligne minus 2\Interligne
and then in the first music paragraph something like
%% \\let\interstaffsav\interstaff\def\interstaff#1{}\interstaffsav{11}\
Have a look at my typesettings, for example the madrigals by Mogens
Pedersøn and thei
you could
possibly supply some helping hints.
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
verso solo
and basso continuo.
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
notesize.tex
% test.mtx
MyPiano: Voices Rh1,Rh2 Lh; Clefs G F; Continuo
S
sources of this electronic glossary is a two volume 'Polyglottes
Wörterbuch der musikalisch Terminologie' published by the International
Society of Musicology (Bärenreiter Verlag, Kassel 1980).
> With regards,
>
> Bernt Christandl([EMAIL PROTECTED])
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
x27;m able to tell you that the letter
format is default format and has been kept unchanged primarily to the
benefit of us-american users of the GMD archive. There is no ready-made
a4 version available but the source (mudela-book) is part of the
lilypond source distribution as
lilypond-1.3.xx/Documen
Bernhard Lang wrote:
>
> > Christian Mondrup writes
> >
> > As the author of the glossary I'm able to tell you that the letter
> > format is default format
>
> Well, it depends mostly on where you live, what is supposed to be default.
>
Yes of co
. W. Gade I can't tell the
order of that combination.
I'm not sure whether there is a similar convention for chorus with piano
plus other instruments. I would, however, attempt to follow the above
described order. If there are no strings I would consider placing the
piano in the bottom of t
e woods and the brass. Percussion
> (at that time timpani) were noted with the brass. Later
> percussion came above the brass. In later times keyboard instruments
> were no longer an obligatory constituent of an orchestra but rather
> a solo instrument. I do not know how the conventions ar
mbols are not
upwards vertically aligned.
Sharps: 2
Meter: C
Style: Solo
%% \def\bn#1#2{\vbox{\hbox{\underbar{#1}}\hbox{#2}}}
U: \bn{A}{D} ~ A7
f+ f e e | d0
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
math one)
>
> To summarize:
>
> %%\def\gn#1#2{${\hbox{#1}\over\hbox{#2}}$}
>
%% \def\gn#1#2#3{\raise #3pt\hbox{${\hbox{#1}\over\hbox{#2}}$}}
I would suggest something like this in order to avoid chord symbols
clashing with note heads on the upper note line.
--
Christian Mondrup, Co
Christian Mondrup wrote:
>
> Meter: C
> MyStyle: Voices V1,V2 V3; Choral; Clefs G8 G
> Style: MyStyle
> Space: 2 0
>
> %% \def\gf#1#2{\lower 1\internote\hbox{\zcharnote{#1}{#2}}}
>
> %% \\setlines{1}{6}\setsize{1}\largevalue\setclefsymbol1\empty\
> e4 g b e |
>
ignatures in the "tablature" staff. I deliberately
omitted the single sharp belonging to key in this example, e minor.
Maybe some of the MusixTex wizzards in this audience will come up with
solutions:-)
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospi
b b b b | b b b b |
d d d d | d d d d |
L: ly-rics for the midd-le sec-tion
g g g g | g g g g |
g g g g | g g g g |
c c c c | c2 c4 c
e e e e | e2 e4 e
L: ly-rics for the last sec-tion
L: ly-rics for the last sec-tion
L: ly-rics for the last sec-tion
g g g g | g2 g4 g
c c c c | c2 c4 c
--
C
c4 d2 c4 b a2
You might replace the whole notes with breves which IMHO denote variable
duration better than whole notes do. If the hymn is to be sung for male
voices (its title suggests to me that its origin is Greek orthodox
church music) then you should consider changing the mtx style slightly:
My
tive. As
described in the pmx documentation this directive gives you a high level
of control over the appearance of the beams:
e0
[+6-1 e-8 ze+ d- zd+ ] e2 e4
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupga
Luc Saffre wrote:
>
> - Original Message -
> From: Christian Mondrup <[EMAIL PROTECTED]>
> To: Luc Saffre <[EMAIL PROTECTED]>; mutex <[EMAIL PROTECTED]>
> Sent: Saturday, June 10, 2000 3:06 PM
> Subject: Re: alignment of text in psalms
>
> &g
x27; symbol better than that used in \caesura. So if you
could come up with a solution combing "the best of two worlds" ... :-)
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
themselves. Unfortunately I'm not able to provide binaries for
OS/2 and Mac OS.
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
more easy to proof read
and correct.
When it comes to evaluating the quality of the typesetting result I
don't think it would be fair to state pros and cons because that depends
on your personal taste. Personally I like the overall graphic look of
MusiXTeX/pmx a little better than that of lilypond.
ations of up
> to four letters each. I don't want to try dealing with hairpins until and
> if it becomes possible to specify one in each line of music, indexed to its
> starting and ending notes (like is now possible with slurs and beams).
>
Mtx has implemented crescendos and dec
Johan Tufvesson wrote:
>
> On Thu, 22 Jun 2000, Christian Mondrup wrote:
>
> "Simons, Don" wrote:
>
> > I will mention, however, that there are some undocumented simple dynamic
> > marks in PMX. The command is "D" followed by one of the followi
he corresponding \setinterinstrument and
\staffbotmarg statements) with the below TeX statements (an advice I
once got from Werner). You should adapt the \Interligne factors to your
needs. I use that method in almost all of my scores published at the GMD
archive.
%% \raggedbottom
%% \parskip 3\In
es may be compensated
for by inserting a suitable number of em-dashes (TeXBook chapter 2) into
the lyrics.
%% \def\dash{---}
%% \def\Ld{\dash\dash\dash}
{Verse1}
Der Mai ist ge-kom-men,
die B{\"a}u-me schla-gen aus.
{Verse2}
Herr Va-ter, Frau Mut-ter,
da{\ss} Gott-\Ld{} euch be-h{\"u}t!
(l f8 g ) | a4 a4d b8 | [[ ( d c ) ] c4l a | [[ ((b c8 b ) ] b4l c4l |
a2
L: {Verse1,Verse2}
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
Christian Mondrup wrote:
>
> The lacking continuation lines may be compensated
> for by inserting a suitable number of em-dashes (TeXBook chapter 2) into
> the lyrics.
>
> %% \def\dash{---}
> %% \def\Ld{\dash\dash\dash}
>
Another method is to explicitly draw the co
Andreas Kurth wrote:
>
> Christian Mondrup wrote:
>
> > Another method is to explicitly draw the continuation line
> >
> > %% \def\cnln#1{\vrule height.4pt width #1pt}
>
> Thanks, I finally did it th
use the pmx voice separation mechanism directly only if two
voices occur locally in a few measures.
Meter: 5/8/0/0
MyStyle: Voices V1,V2; Clefs G
Style: MyStyle
a8 f r8-.2 c+ za a
f8 f rb f f
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhu
have therefore
replaced the old binary with the cygwin compiled version. This
unfortunately implies that you must also download and install
cygwin1.dll. Both files are in the zip distribution archive.
Regards
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hos
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