thanks a lot for this roger - it's great that you have made this
available. (i realise that i never managed to get round to archiving the
Dissension Convention performance that we did in VS ... ruth, marc, any
chance it still exists somewhere??).
UpStage is similar-but-different to VS, & we are
Hi all,
I found this in the Leonardo da Vinci Society Newsletter, Issue 38, 2012,
Birkbeck College, regarding the bridge in the Mona Lisa:
"Robert Zwijnenberg (University of Leiden) spoke on ‘Walls and Bridges’. A
crucial issue is how we relate to historical (as opposed to contemporary)
On 2020-04-14 1:30 p.m., Max Herman wrote:
>
> There has often been a degree of government support for certain kinds of
> art, and for some of the literature of that era too. Who knows maybe
> even some of the literary theory.
The difference with the CIA theory is that the support was
Hi Rob!
I once read a book called How New York Stole the Idea of Modern Art. There has
often been a degree of government support for certain kinds of art, and for
some of the literature of that era too. Who knows maybe even some of the
literary theory.
All best,
Max
Thanks again for everything.
Later today, I hope to do the first of daily posts until lockdown ends in the
UAE, as it iswith the world at this time.
Marc and Rob, thank you for your lists - they are invaluable.
(Disengaging cloaking device)
I'll tell you later today.
"Conservators and computer scientists join forces to update older
internet works for today’s browsers" -
https://www.theartnewspaper.com/news/for-ageing-digital-art-survival-means-change
"Unique wartime footage of Bletchley Park's secret MI6 communications
staff discovered" -
dear all, dear Alan
I imagine all these circumstances we hear about are all different yes. You were
"inside" for 13 days? Why? Police keeping you from going outside, waiting with
fine? as my Romanian friends tell me, 500 Euro per infraction? I can hardly
believe. thankfully, we don't seem to
I love that you write "nothing of importance happens online" and
"everything is very real" and here we're inside now for 13 full days,
tomorrow we can go out, but where? avoiding people, heading towards some
construction a couple of blocks away maybe. There's something amazing about
the flatness
dear all
i am trying to read but cannot quite concentrate, and thus give up. I thank
those of you send some great music (I loved Alan Sondheim's qifteli dirge ,
and perhaps we can also sometimes share some images, paintings? Thanks also for
some of the videos. I think I sent you the link to my
Hi Marc and Ruth,
Just realised that I missed your podcast invitation about *“News From Where
We Are”*
At Telegraph Hill, South East London, we set up a Covid-19 Aid group to
ensure that every household in our community has access to the food they
need during the coronavirus outbreak. Our aim
Hello everyone,
My wife and I have now spent over a month in social isolation in our house
in Chicago. We're fortunate to have a building with an apartment upstairs
and a storefront studio and small apartment downstairs. I work on new work
or print old work and archive it in the back apartment.
Thanks Roger for the Distance Presences video.
I really miss the VisitorsStudio audio-visual platform that we used so much
back then for various art projects:
– Distance Presences
– Radio You Can Watch
– Ocean Between Sounds
– Bristol, Bronx, Bruce Grove Youth A/V Workshops and Performance
It
Hi all,
It's centrist (by James Baker and George Schultz) but marks a major initiative:
The launch of the Sustainability Revolution, successor to the Industrial
Revolution and the Digital Revolution, will be implemented to help the global
economy emerge from the economic slowdown of COVID-19
Dear all,
I hope this email finds you all well and it's nice to read how this
situation is taking shape in different parts of the world through all the
different experiences, practices and individual affections.
I'm very fond of this mailing list as there are always many interesting
resources,
Hi Roger,
Lovely to hear & see this again. Big shame we could not keep VS going,
way ahead of its time.
I also feel a bit angry towards the elites of the net art community at
that time, such as Ars Electronica idiots, only supporting their
institutional/academic pals, and not supporting and
fluke
http://www.alansondheim.org/fluke.jpg
http://www.alansondheim.org/fluke.mp3
fluke - on a small exercycle, playing FLUTE and then
noticing the upper octaves on certain NOTES were
making the Burmese KYEZEE behind me resonate and then
recording THUSLY and lowering the file by 18 semitones
In 2018, Ruth and Marc opened up VisitorStudio for anyone to record their mixes
before it was finally mothballed. I was at the tail end of a writing project
and managed to record only a few performances, which i am now slowly dubbing
sound to picture.
This video, Distant Presences (2007), was
Dear all,
we would like to invite you to join our Disruptive Fridays #3: PIRATE
CARE, on 17 April 2020, 17:00 Berlin time!
The video & chat will be live at: disruptionlab.org/fridays
The third edition of Disruption Network Lab’s new programme stream -
DISRUPTIVE
Hi Simon,
I love this kind of fluid, existential groove - it feels ageless, yet
poignant in respect of of what we're all going through now with
Covid-19. playing all the tracks now :-)
On Mon, 13 Apr 2020 at 23:21, Simon Mclennan via NetBehaviour
wrote:
>
> Hey thanks Edward!
> Guess I’ve been
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