Hi James,
james jwm-art net said :
Hi Aymeric, everyone,
Sorry reply is a bit late now..
mine too :)
Concerning Debian, I can't recall if I mentionned it previously, our
goal is also not to leave our packages in a nich repository, the mid
term plan for the pure:dyne team is to start
As a result of the discussion I have installed pure:dyne on my laptop
and I am sending this message from it. :-)
- Rob.
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Hi Aymeric, everyone,
Sorry reply is a bit late now..
On 23/10/2008, aymeric mansoux [EMAIL PROTECTED] wrote:
..
maybe it was demudi?
Yes that's it. It more or less got me off Gnome straight away, and I
enjoyed using it :-) I'm back on the Gnome again just recently. One
big improvement (IMHO)
Hi Netbehaviorists, Heather Aymeric - pure:dyners.
This is probably an appropriate time to round things up, especially now
that the pure:dyne team are getting things ready for the FLOSS+Art: Book
preview, panel discussion and software party, which is taking place this
evening. I'm not sure if
Hi James,
james jwm-art net said :
I'm curious about how pure:dyne might compare to other multimedia
distributions. I have always gone back to Debian (stable) as my main OS,
but have tried 64studio... and another, can't remember it's name, it
used fluxbox as it's desktop but the distro died,
Hi Rob,
Rob Myers said :
To embrace FLOSS, artists must be able to see what is has to
offer that is not available elsewhere (from practical issues, to
social aspects and knowledge sharing) and this only needs curiosity
and a good dose of self motivation.
Do you think that artists
Hi,
I'm curious about how pure:dyne might compare to other multimedia
distributions. I have always gone back to Debian (stable) as my main OS,
but have tried 64studio... and another, can't remember it's name, it
used fluxbox as it's desktop but the distro died, but the desktop was
fast and it
Hi Marc,
marc garrett said :
Perhaps East Germany is an easy target for declaring that social
change is occuring, but there is something in the air. So, considering
the current state of things and the impact of economies collapsing
around us, do you think that this climate adds extra weight
Just briefly to add to what Aymeric is saying here (brief because we're
preparing for our pure:dyne event tomorrow night, 23rd at 6:30pm -
please join us! - at Mute HQ in London, and Aymeric has said lots here
that I agree with). Coincidentally I've just been doing some work around
this for an
Hello,
I imagine Bob’s question came from Aymeric’s somewhat technical last
response? I think its important to remember that, as I mentioned in my
first answer, pure:dyne is a tool and not an artwork. Bob’s question was
about the discussion of artwork and I don’t think it exactly applies
Hi Bob, Marc, list
Art forms have their technical aspects. Artists are forever learning,
playing, working and experimenting with the technology at their
disposal. Tools for the job. Means and ends. Artists are largely
focused on the latter; the ability to use the tools is presumed.
However
Hi Heather, Aymeric all,
Thank you for your answers so far,
As the global, economical crisis seeps deeper into people's lives
everywhere. More are questioning their own approaches to living, and
many are reconsidering their social values after the break-down of
these capitalist, (free)
Art forms have their technical aspects. Artists are forever learning, playing,
working and experimenting with the technology at their disposal. Tools for the
job. Means and ends. Artists are largely focused on the latter; the ability to
use the tools is presumed.
However when it comes to
Art forms have their technical aspects. Artists are forever learning, playing,
working and experimenting with the technology at their disposal. Tools for the
job. Means and ends. Artists are largely focused on the latter; the ability to
use the tools is presumed.
However when it comes to
Hi Bob, Heather, Aymeric all,
I think that Bob has raised one of the most important questions that
many artists ask themselves in respect of using technology as part of
their art, and those who are interested in exploring it further
themselves as a contemporary practice. This question can also
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aymeric mansoux wrote:
Hi Rob,
[...]
It was a natural thing to do.
We've always been working on minimal environments, which,
to paraphrase the UNIX philosophy, needs to do one thing and one thing
well. In the context of windows manager that
Hi Rob,
You mention that pure:dyne emerged from practical necessity and didn't
have a grand plan. Did you design its user experience with any model
or set of requirements in mind? It reminds me of the clean,
pleasurable, no-nonsense environments of old Mac and SGI systems. Was
that
On Fri, Oct 17, 2008 at 8:47 AM, aymeric mansoux [EMAIL PROTECTED] wrote:
Except that they were not any type of users, they were artists, who
had in fact very similar needs to ours. From teaching, to using the
system for performances/installation, and even using it as main
operating system.
Hi Heather Corcoran Aymeric Mansoux - a warm welcome to the
Netbehaviour list,
I know that there are few on this list who are interested in
pure:dyne. Some have already used it and others are playing with the
idea of usiing it. It would be great to hear from them as well,
regarding their
Hi Marc, hi everyone,
Thanks everyone for the welcome and interest in pure:dyne. That question
is interesting because Aymeric and I will have two different
perspectives, him as an artist and co-founder of the project, and me as
a curator/producer and newer to the project. Aymeric is actually
Hi Heather,
Thank you for your answers.
I'll hold back till tomorrow regarding any other questions so to leave
space for Aymeric to come on board, later on.
marc
Hi Marc, hi everyone,
Thanks everyone for the welcome and interest in pure:dyne. That question
is interesting because Aymeric
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