[EMAIL PROTECTED] wrote:
The phrase Open Source is a deliberately meaningless term.
Only when it's used by artists/curators to describe the process of
creating art?
Whenever it is used. It was created specifically as a replacement for
the phrase Free Software to avoid mentioning Freedom.
Andrej Tisma wrote:
The machines had a tendency to spin out of control from time to time.
Great, and how will they call friendly fire now? - Crazy robot fire ;-)
They have a kill switch for the robot, so if its systems go out of
control, you can use that part of the system (which will of
Andrej Tisma wrote:
Yes, but how will they decide to use kill switch.
If the system fails. Basically if it goes wrong.
How many liberators
have to be shot down before the switch is used?
If the robot goes out of control then none.
Remember, the robot is just a remote controlled gun. It
james jwm-art net wrote:
I'm not sure I want to read the nonsense in the arts council debate!
Well it's good that they're trying.
I did post a comment here:
http://www.artscouncil.org.uk/artsdebate/2007/02/when_should_an_artist_receive.php
Which is easier to find here:
OurSpace by Christine Harold.
http://www.upress.umn.edu/Books/H/harold_ourspace.html
In OurSpace Christine Harold has produced a deep, subtle and
thought-provoking history and critique of the strategies that activists
have used to try to resist corporate enclosure of public social space
over
http://blogs.guardian.co.uk/art/2007/11/digital_artists_need_our_suppo.html
Digital moving arts have come a long way since the 80s video art scene
and I'm honoured to be a judge for the inaugural Jerwood Moving Image
awards
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Andrej Tisma wrote:
A crisis of West's own making by Neil Clark
Neil Clark, and I need to be careful here due to the UK's libel laws, is
not generally regarded as a leading authority on the Balkans conflict of
the 1990s as far as I know.
It is true that e.g. the Conservative government of
james jwm-art net quoth:
The convention of putting a little c with a circle around it
became redundant in the U.S. in 1976. In current copyright law,
every drawing, painting, photograph, poem or play is simply
owned by you the author. If somebody swipes it, or uses it
without your
bob catchpole wrote:
My real point, which you don't address, is that copyright is a
universal, automatic right. ONLY in the States it means nothing if you
don't register.
In the US, copyright means that you can stop people copying your work
without permission. It is quite literally the
bob catchpole wrote:
Rob Myers wrote:
Registration only affects damages where copyright is infringed.
So if someone uses your work without permission and you haven't
registered you're not entitled to damages. ONLY in the States.
It is possible to register afterwards and claim damages
http://www.metamute.org/en/copyfarleft_a_critique
- Rob.
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http://robmyers.org/weblog/2008/07/08/friending-the-aesthetic/
Friend the aesthetic on MySpace.
Like blue? Friend it here:
http://myspace.com/aesthetic_blue
Like red? Friend it here:
http://myspace.com/aesthetic_red
Like yellow? Friend it here:
http://myspace.com/aesthetic_yellow
Like
On Wed, Jul 9, 2008 at 10:22 AM, Alan Sondheim [EMAIL PROTECTED] wrote:
Announcement: That if you haven't been to the Exhibition, The Accidental
Artist, at Second Life, do so now! For once the materials have been pushed to
the limit; what you see, experience, could not exist otherwise, i.e. in
On Thu, Jul 10, 2008 at 2:03 AM, The Art Gallery of Knoxville
[EMAIL PROTECTED] wrote:
SET / Erik Carver Marisa Jahn
In the grand tradition of generals and surrealists, we have been playing
games. People learn things better through the open-ended, empathetic
participation in knowledge-making
On Tue, Jul 15, 2008 at 2:45 PM, marc garrett
[EMAIL PROTECTED] wrote:
The root of the change that Linden Lab is facing is the open-source
OpenSimulator project. Working with the protocols derived from the
official Second Life client, and a knowledge of how Second Life works,
these people
On Tue, Jul 15, 2008 at 2:58 PM, Pall Thayer [EMAIL PROTECTED] wrote:
People like Microsoft can use this
as an example of how viral open source is and how it's going to
destroy your business model if you use a single piece of open source
software.
Both Microsoft and IBM have people working on
2008/7/17 KH Jeron [EMAIL PROTECTED]:
Please keep in mind that gimp for mac still relies on X11, which might be
anoying ...
Setting focus follows mouse makes it tolerable.
There's an OS X-ified version of the Gimp core:
http://seashore.sourceforge.net/
And native OS X Gimp is coming along
On Thu, Jul 17, 2008 at 3:15 PM, Pall Thayer [EMAIL PROTECTED] wrote:
I've never understood why they don't just include X11 in the default
installation. Must be some sort of licensing thing.
No the licence wouldn't impact it, it's a BSD-style licence.
I think it's more that they consider it a
On Wed, Jul 23, 2008 at 12:03 PM, Pall Thayer [EMAIL PROTECTED] wrote:
Any and all suggestions and comments are welcome whether posted on
Google Code or here on Netbehaviour.
Signal handlers might be good.
- Rob.
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On Fri, Jul 25, 2008 at 10:19 AM, Pall Thayer [EMAIL PROTECTED] wrote:
Is it worth adding a simple neural net so the program can draw its own
conclusions? :-)
But see, that's where things begin to get really hairy. Would such
conclusions really be the program's conclusions? Wouldn't it be
On Fri, Jul 25, 2008 at 12:44 PM, james jwm-art net [EMAIL PROTECTED] wrote:
Just a quick thought:
how about a client/server model? so there could be several components
communicating with each other?
Or peer-to-peer, for a more equal society. ;-)
- Rob.
The program could be made self-modifying so it changes from generation
to generation (I think I mentioned this before but I do like the idea
;-) ):
http://en.wikipedia.org/wiki/Polymorphic_code
It could have a simple emotional system, like the one from The Sims
(this code is public so I don't
Pall Thayer wrote:
For
now here's the updated source code with the communications socket that
outputs the programs code when something is sent.
Oh cool.
The Affero GPL requires just this behaviour as part of programs covered
by it, so it might be conceptually interesting to licence this
On Thu, Aug 14, 2008 at 2:54 PM, marc garrett
[EMAIL PROTECTED] wrote:
basically,
It seems as though furtherfield has been hacked by some islamic
extremists, or whatever label defined them best...
It's a Saudi flag. Searching for the two parts of the string the
images are titled with
On Tue, Sep 2, 2008 at 1:03 AM, marc garrett
[EMAIL PROTECTED] wrote:
Except, that's not quite true. After all, Google Maps allows all sorts
of overlays and additional info.
Allows is right. Open Street Map is much better:
http://openstreetmap.org/
- Rob.
/10/Wargames.jpg
Airbrush Typography:
http://www.jerrydroberts.com/brokedowncinema/Poster/XanaduPoster.jpg
- - Rob Myers.
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Comment: Using GnuPG with Fedora - http://enigmail.mozdev.org
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Hash: SHA1
benjamin wrote:
how the industrial revolution has put an end to our beautiful notions of
gothisism.
JODI's 404 was informational picturesque desolation, and so is much of
the nomination-for-semiopsy of surf clubs or pro surfers, so I think
there's
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marc garrett wrote:
Great Game II: America Lashes Out on the Borders of China and Russia
I will bet you a pound that this includes the nationalist encirclement
meme.
[Checks essay.]
I really should have said a tenner. ;-)
- - Rob.
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mark cooley wrote:
The average citizen probably has much less of a chance getting sued for using
copyrighted material.
Their work can be removed from the internet without the need for the
expense of a lawsuit, though. There are plenty of examples of this from
YouTube.
It's probably
bob catchpole wrote:
From that stance Fair Use = Fair Abuse.
Don't abuse my argument. ;-)
If we decide that Fair Use can only apply where the rights holder for
the original work does not object to the use of it then we destroy Fair
Use and legitimize an expansive and insidious form of
On Tue, Oct 14, 2008 at 1:34 PM, clemos [EMAIL PROTECTED] wrote:
There's Casey Reas at #96 !
Reas is interesting in that the entire internet data visualization
genre is basically a footnote to his PhD. ;-)
- Rob.
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On Tue, Oct 14, 2008 at 3:55 PM, bob catchpole [EMAIL PROTECTED] wrote:
Banksy or Bank-rupt-sy?
The difference in property value and aesthetic value is the ratio that
creates the worth of a Banksy.
So as the value of the wall it is attached to falls, the value of the
Banksy will actually rise.
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Hash: SHA1
marc garrett wrote:
Heather Corcoran Aymeric Mansoux interviewed on Netbehaviour about
pure:dyne.
Marc Garrett will be discussing with Heather Corcoran and Aymeric
Mansoux about the pure:dyne project on the www.netbehaviour.org email list.
On Fri, Oct 17, 2008 at 8:47 AM, aymeric mansoux [EMAIL PROTECTED] wrote:
Except that they were not any type of users, they were artists, who
had in fact very similar needs to ours. From teaching, to using the
system for performances/installation, and even using it as main
operating system.
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
aymeric mansoux wrote:
Hi Rob,
[...]
It was a natural thing to do.
We've always been working on minimal environments, which,
to paraphrase the UNIX philosophy, needs to do one thing and one thing
well. In the context of windows manager that
As a result of the discussion I have installed pure:dyne on my laptop
and I am sending this message from it. :-)
- Rob.
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On Mon, Nov 17, 2008 at 11:28 AM, marc garrett
[EMAIL PROTECTED] wrote:
While there, we read and discussed these books below: [...]
FLOSS+Art. Published by OpenMute, with the support of the University of
Huddersfield and the ?Willem de Kooning Academie.
http://goto10.org/flossart/
What did
On Mon, Nov 17, 2008 at 1:23 PM, marc garrett
[EMAIL PROTECTED] wrote:
I found Simon Yuill's text very
interesting, so much so that I have read it twice now.
Yes I missed it when it was in Mute but it is very good. I've now
bought an old ICA Scratch Orchestra catalogue and a CD of some of The
as comparing Malevich's and Ad
Reinhardt's black squares.
/*
Copyright 2008 (c) Rob Myers. All rights reserved. Eyes only. DO NOT COMPILE.
Edition of ten. 1/10.
*/
#include stdio.h
int main (int argc, char * argv[])
{
printf (Hello world!\n);
return 0;
}
You can have your own copy for 1000GBP
On Tue, Nov 18, 2008 at 9:55 PM, marc garrett
[EMAIL PROTECTED] wrote:
Yes. Many of the texts are available online elsewhere. And all are
under at least one Free licence in the book, so readers of the book
are free to copy and share what they need to.
Cool - I will have another look, perhaps a
Ooh I like that!
- Rob.
On Thu, Nov 20, 2008 at 2:14 PM, james of jwm-art net [EMAIL PROTECTED] wrote:
image attachment generated by:
http://jwm-art.net/cssnaketrix/snaketrix.php?file=submission-07.txt
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On Tue, Nov 18, 2008 at 9:55 PM, marc garrett
[EMAIL PROTECTED] wrote:
At the moment, 'thenextlayer' Drupal site is down.
I have emailed Armin asking him when it will be up again.
It's back up. :-)
http://www.thenextlayer.org/node/573
- Rob.
___
Here is the discussion page for the original deletion -
http://en.wikipedia.org/wiki/Wikipedia:Articles_for_deletion/Furtherfield
Here are the notability criteria for web sites -
http://en.wikipedia.org/wiki/Wikipedia:WEB
We need to assemble examples of mentions of Furtherfield in web, media
The major thing that is needed is national (UK) and international news
and book coverage of Furtherfield.
So the Neural articles are great.
BBC bio ref:
http://www.bbc.co.uk/arts/shootinglive/2003/completelyfurther/biog.shtml
http://www.bbc.co.uk/arts/shootinglive/2003/completelyfurther/
Mute
http://en.wikipedia.org/wiki/Talk:WALL-E#WALL-A_units_resemble_giant_WALL-E_units.
- Rob.
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Friend the aesthetic on MySpace.
Like blue? Friend it here:
http://myspace.com/aesthetic_blue
Like red? Friend it here:
http://myspace.com/aesthetic_red
Like yellow? Friend it here:
http://myspace.com/aesthetic_yellow
Like squares? Friend them here:
http://myspace.com/aesthetic_square
Get involved in a free culture art history photography event in London
in February -
Wikipedia Loves Art at the Victoria and Albert Museum is a free content
photography contest organised by the Victoria and Albert Museum,
Wikimedia UK and other Wikipedians. It is due to take place in February
The excellent p2p foundation blog (subscribe! subscribe!) had a relevant
post today -
http://blog.p2pfoundation.net/optimism-as-a-political-act/2009/01/04
“Pessimism is a luxury we can only afford in good times, in difficult
times it easily represents a self-inflicted, self-fulfilling death
Alan Sondheim wrote:
How to view The Accidental Artist exhibition in Second Life
I hadn't logged in to Second Life for a couple of months. On my return I
rezzed in the last location I'd visited.
My avatar was trapped in the middle of The Accidental Artist. After five
minutes of enjoying
On Tue, Jan 6, 2009 at 9:11 PM, dave miller dave.miller...@gmail.com wrote:
I showed her my networked media work - she thought
the images were good, but the fact that endless variations can be
created would confuse buyers, who want uniqueness. The whole network
generated/ collaborative
http://www.artquest.org.uk/projects/ex-machina.htm
Exploring digital manufacturing in fine art, crafts and design practice
A one-day conference held at Royal Institute of British Architects
(RIBA), London
24 February 2009
Tickets only £25 (subsidised from £130)
Booking now open - use the booking
-- Forwarded message --
From: Jonty Wareing jo...@jonty.co.uk
Date: Sun, Jan 25, 2009 at 11:11 PM
Subject: [ORG-discuss] London Hack Space
To: org-disc...@lists.openrightsgroup.org
For some time now London has been in need of a proper hacker space.
The number of hacking
groups
On Mon, Jan 26, 2009 at 2:45 PM, Simon Biggs s.bi...@eca.ac.uk wrote:
A good precursor example, that most here are probably familiar with, is
Access Space / Redundant Technology Initiative (Sheffield), run by James
Wallbank. More hardware hacking, but nevertheless relevant. It worked!
Access
There's a Latham evolutionary art poster in this weeks New Scientist as well.
- Rob.
-- Forwarded message --
From: Paul Brown p...@paul-brown.com
Date: Wed, Jan 28, 2009 at 3:10 PM
Subject: [CAS] Computer art, games and business - Professor William
Latham's inaugural @
On Fri, Jan 30, 2009 at 12:39 PM, marc garrett
marc.garr...@furtherfield.org wrote:
The idea was basic and simple-every letter
of the alphabet was assigned to a note on a scale.
Didn't Mozart use something like this for commissions? I don't mean
the dice game named after him, I'm sure I heard
On Tue, Feb 3, 2009 at 1:31 PM, richard willis
listse...@richtextformat.co.uk wrote:
why write 'i put my pen on the table' when
you could write 'i put my plastic-and-ink-writing-tool' on the
'wooden-platform-held-up-on-four-wooden-legs'?
Theory would render this as the phallic vehicle of the
Unlike Jesus, Dawin existed though. ;-)
http://www.swarthmore.edu/NatSci/cpurrin1/evolk12/posse/chazhasaposse.htm
http://www.darwinfish.co.uk/
- Rob.
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Art *is* the specialised language.
Being smart at medicine is no good when a car won't start. But being
good at quoting Theory is good no matter what, apparently, much like the
transferable skills of management. The idea that Theory is the proper
domain language of art is one that needs
On Fri, Feb 6, 2009 at 9:21 AM, marc garrett
marc.garr...@furtherfield.org wrote:
Bill Gates Unleashes Swarm of Mosquitoes on Crowd.
, announces disappointment at laws covering bats, berates genetics
industry for failure to create flying monkeys.
- Rob.
On Fri, Feb 6, 2009 at 10:55 AM, marc garrett
marc.garr...@furtherfield.org wrote:
As you no doubt know, patenting the human genome is more profitable -
it's like having a herd of cows standing around outside your door not
earning you anything - a waste of product.
Burghers of the body,
On Mon, Feb 16, 2009 at 3:06 PM, Michael Szpakowski szp...@yahoo.com wrote:
I worry that there is a conflation of two issues here, that could lead to
this project being perceived as anti-semitic and, worse, actually engendering
anti-semitism, rather than political opposition to the state of
Simon Biggs wrote:
It isn’t clear whether the target of the boycott is Bloomberg the
person, the politician (mayor of NYC, etc) or the corporation - one of
the largest news companies in the world which sets agendas in government
and the media? If either of the latter then I’d say they are fair
On Tue, Feb 17, 2009 at 1:29 PM, james of jwm-art net ja...@jwm-art.net wrote:
Action hero drowning in swap,
can't reach [ctrl-c]
caption:wikipedia art can't help me now.
slurp.
THIS IS THE VOICE OF THE DELETIONISTS.
WE KNOW THAT YOU CAN HEAR US.
OUR RETALIATION WILL BE SLOW, BUT
On Wed, Feb 18, 2009 at 1:50 PM, Simon Biggs s.bi...@eca.ac.uk wrote:
My ill-considered knee-jerk reaction to this statement is to ask which
truth? I seriously hope you are joking...
I don't understand what you are saying here?
- Rob.
___
On Wed, Feb 18, 2009 at 2:38 PM, mark cooley flawed...@yahoo.com wrote:
I'll never understand why any criticism of Israel is automatically taken as
racism by some.
I'll never understand why some racists think they can shut down debate
by saying this.
The project is not (simply) criticism of
On Wed, Feb 18, 2009 at 3:19 PM, Simon Biggs s.bi...@eca.ac.uk wrote:
Truth is a highly contentious term.
Is this true?
Perhaps I missed something?
If there is no single truth in respect of any given issue then you
cannot say that someone's claim that all artists are seekers after
truth is
On Wed, Feb 18, 2009 at 4:07 PM, Simon Biggs s.bi...@eca.ac.uk wrote:
Without relativism there would be no argument.
With relativism there is no argument, because there is nothing to
argue about. We can continue in our solipsistic bubbles regardless of
the screams and shouts from outside, safe
On Thu, Feb 19, 2009 at 12:56 PM, Simon Biggs s.bi...@eca.ac.uk wrote:
I would hope you would see that many people (hopefully myself included) have
a nuanced understanding of the situation in Israel and yet can still be
furious about what the Israeli government does.
Yes I agree with this.
-
On Fri, Feb 20, 2009 at 2:22 AM, mark cooley flawed...@yahoo.com wrote:
http://www.youtube.com/watch?v=PGgBjZTsPaw
there's no such thing as a proportional response to terrorism.
NY mayor and media mogul Mike Bloomberg talks about the killing ratio of 100
to 1 Palestinians to Israeli deaths
On Fri, Feb 20, 2009 at 4:15 PM, mark cooley flawed...@yahoo.com wrote:
unless you consider Rob's comment about truth seriously
If you have actually read (I hesitate to say understood) what I have
written you'll know that I have made more than one comment regarding
truth. Which ones do you
http://www.youtube.com/watch?v=ZRKVXG3DV-I
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marc garrett wrote:
rasputina (melora creager)- my orphanage
http://www.youtube.com/watch?v=XyNSl7aDNh8
Zoe Keating's (ex Rasputina) solo cello stuff is excellent, more
cybernetic than retro. There's a cyberfeminist take on female string
performers with digital delays that needs to be written,
On Wed, Mar 4, 2009 at 10:16 AM, marc garrett
marc.garr...@furtherfield.org wrote:
Clause 152 of the Coroners and Justice Bill, currently being debated by
the UK Parliament, would allow any Minister by order to take from
anywhere any information gathered for one purpose
[...]
NO2ID has
http://blog.p2pfoundation.net/the-epistemology-of-wikipedia/2009/02/26
See the first comment for more.
- Rob.
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On Mon, Mar 9, 2009 at 12:22 PM, marc garrett
marc.garr...@furtherfield.org wrote:
Jack Straw gets a pretty massive bashing on the Guardian Blog.
http://www.guardian.co.uk/commentisfree/2009/feb/27/freedom-of-information-straw?commentpage=6
Thanks, that's made my day. :-)
- Rob.
http://bibliodyssey.blogspot.com/2009/03/facebook-in-1750s.html
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On Tue, Mar 17, 2009 at 2:51 PM, Ruth Catlow
ruth.cat...@furtherfield.org wrote:
does anyone know of and/or use a FLOSS equivalent of the package of
tools found in Windows Meeting Space?
http://en.wikipedia.org/wiki/Windows_Meeting_Space
For which operating systems, and for what kind of
On Tue, Mar 17, 2009 at 3:43 PM, marc garrett
marc.garr...@furtherfield.org wrote:
Hi all,
I wonder if you can help us?
Some are having trouble getting www.furtherfield.org on their browser -
could some others do us a favour and visit the link and let us know if
it's ok?
Looks great, and
On Tue, Mar 24, 2009 at 10:06 PM, james morris ja...@jwm-art.net wrote:
Ummm, thought this was interesting. Dunno where I've been for the past
six months.
Good old Stephen Fry (BBC comedian/entertainer/presenter) bigging up
FLOSS.
http://www.gnu.org/fry/
If people haven't watched it
On Fri, Mar 27, 2009 at 10:44 AM, Ruth Catlow
ruth.cat...@furtherfield.org wrote:
There's still plenty of time.
The call doesn't close till 12 midnight on Monday.
That's a relief, as I missed the actual day due to jet lag. :-)
I know some people I'm about to mention have already been covered
On Mon, Mar 30, 2009 at 11:43 AM, marc garrett
marc.garr...@furtherfield.org wrote:
Transformative Works and Cultures.
Transformative Works and Cultures (TWC) is an online-only Gold Open
Access international peer-reviewed journal published by the Organization
for Transformative Works
On Mon, Mar 30, 2009 at 3:51 PM, james morris ja...@jwm-art.net wrote:
I retain the right to treat all religions with equal and utter disdain.
what about governing bodies? are they more or less deserving?
They are not the subjects of the current activity at the UNHRC, though.
The UN has not
Via Suw Charman Anderson (social media activist and former Open Rights
Group head) on Twitter:
http://sydneypadua.com/2009/03/24/ada-lovelace-day/
http://sydneypadua.com/2009/03/31/the-lovelace-adventures-pt-2/
- Rob.
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marc garrett wrote:
Jacobs claims residents were worried
that the photographs were an invasion of their privacy
Because people who walk down the street usually have to avert their eyes
or something? ;-)
The right to take photographs in public was won over a century ago.
Google are just
Michael Zeltner wrote:
What's his name? I'd be interested to look further into it. There's
always a strange correlation between file sharers, free speech
advocates and fascists.
Err no there isn't. At least not a coterminous one.
- Rob.
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On Thu, Apr 23, 2009 at 7:00 PM, Scott Kildall lu...@kildall.com wrote:
A few weeks ago, I was sent a letter from the Wikimedia legal counsel
(they run Wikipedia) which challenged the Wikipedia Art project
(specifically the domain name, which I was the registrant of) on the
grounds of
On Fri, Apr 24, 2009 at 10:00 AM, Pall Thayer pallt...@gmail.com wrote:
Ok, I broke down and looked it up... on Wikipedia. The fair use
provision for trademarks sounds a bit strange. It actually sounds to
me like it's intended more for commercial criticism than
non-commercial in that the
I blogged about this -
http://www.robmyers.org/weblog/2009/04/24/wikimedia-hates-art/
And I think the events are probably notable enough to deserve a
Wikipedia page. ;-)
- Rob.
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On Wed, Apr 29, 2009 at 11:32 AM, info i...@furtherfield.org wrote:
Neural issue 32 - Machine Affection
http://www.neural.it/art/2009/04/post_3.phtml
It's really good! If you're not reading Neural you're missing out...
- Rob.
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On Mon, May 4, 2009 at 11:42 PM, lo...@resist.ca wrote:
I added a simple, straightforward page for myself, DJ lotu5, so that I
could help expand the knowledge about mixed reality performance art in
wikipedia
You don't need an entry in Wikipedia about yourself in order to add
information to
On Mon, May 18, 2009 at 11:44 AM, Montserrat Bru Manobens
zumzumgall...@gmail.com wrote:
http://dictionary.reference.com/browse/color
Here´s a tip for you: check before you make a complete fool out of yourself
AGAIN
http://www.askoxford.com/concise_oed/colour
colour
(US color)
- Rob.
The Cybernetic Artwork Nobody Wrote is now on identi.ca (and mirrored
on twitter):
http://identi.ca/cybernetic
http://twitter.com/cyberneticart
It's being critiqued by The Cybernetic Critic:
http://identi.ca/cybercritic
Follow them and see inside the workings of a miniature artworld.
Send
karen blissett wrote:
Thanks. Go for it! ;-)
- Rob.
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On Tue, Jun 2, 2009 at 12:36 PM, Olga olga.pana...@gmail.com wrote:
/ Hello World - Yunchul Kim \
Hello world is an installation by Yunchul Kim that contains a codified
audio signal that circulates in a closed (feedback) system, consisting
of a computer, a
http://en.wikipedia.org/wiki/Wifipicning
The term Wifipicning, a combination of the words WiFi, picnic, and
happening, describes a social gathering of people, similar to the
flashmobs or other social networks born out of new communication
technologies.
Strangers and friends alike gather with
Does what it says on the tin.
We need a Free Android (of canvas+JS) one...
- Rob.
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A team of Polish steganographers at the Institute of
Telecommunications in Warsaw are doing some neat work that should be
of interest to digital activists. Steganography is is the art and
science of writing hidden messages in such a way that no one, apart
from the sender and intended recipient,
http://www.wired.com/dangerroom/2009/06/universal-rubiks-cube-could-become-pentagon-shapeshifter
Download a sculpture to some programmable matter, download another
when styles change, save materials and aesthetics. ;-)
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I came up with the idea for paintr one Friday morning in 2005 while
thinking about Harold Cohen's arguments regarding computer art in his
essays and while thinking about the work of Pall Thayer. Paintr's tag
line was art in the age of network services, or art as a network
service. By lunchtime
http://www.wired.com/gadgetlab/2009/06/gallery_embroidery/
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