Ok. If you buy it, you can tell us how well it works.
On 6/2/2017 14:27, Gonz wrote:
Yeah, there is a 400mm ED/IF 67 on ebay right now for $500, not bad.
On Fri, Jun 2, 2017 at 1:09 PM, Zos Xavius wrote:
I know the 400mm works well on kmount, At least at 16mp. I have
Yeah, there is a 400mm ED/IF 67 on ebay right now for $500, not bad.
On Fri, Jun 2, 2017 at 1:09 PM, Zos Xavius wrote:
> I know the 400mm works well on kmount, At least at 16mp. I have read
> that the 600mm is softer so it might not be so hot on a smaller
> sensor. The
A few years ago, probably yet before the digital version of 645 came out,
I was thinking similar thoughts about adapting lenses from the medium
format to an APS-C (K-7 or K-5).
Someone (I suspect it may have been Bill here) pointed out that the
resolution at which the medium-format lenses
I know the 400mm works well on kmount, At least at 16mp. I have read
that the 600mm is softer so it might not be so hot on a smaller
sensor. The price is pretty good on those though.
--
PDML Pentax-Discuss Mail List
PDML@pdml.net
http://pdml.net/mailman/listinfo/pdml_pdml.net
to UNSUBSCRIBE from
Yeah, the weight must be considered. But the cost is very nice these
days. Much better than a 600/4 for the K.
On Fri, Jun 2, 2017 at 12:18 PM, Jostein wrote:
> Does the 67 --> K adaptor allow aperture automation?
> I had the K-500 once, and the stop-down metering made it
Does the 67 --> K adaptor allow aperture automation?
I had the K-500 once, and the stop-down metering made it awkward in use.
Other than that, I think the medium format optics deliver quite well on
K-mount in general.
But the weight of it...
Jostein
Den 02.06.2017 19.06, skrev Gonz:
Anybody ever mounted a 67 600mm/4 lens on a K body? Results?
--
-- Photography takes an instant out of time, altering life by holding
it still. Dorothea Lange
--
PDML Pentax-Discuss Mail List
PDML@pdml.net
http://pdml.net/mailman/listinfo/pdml_pdml.net
to UNSUBSCRIBE from the PDML, please
-0500
From: Christine Aguilachrist...@caguila.com
To: PDML Listpdml@pdml.net
Subject: GESO--Windy Day at the Lake lens question
Message-ID:ca867d9b-f2c8-43db-b7f1-e89706681...@caguila.com
Content-Type: text/plain; charset=utf-8
Hi Everyone:
We had exceptional winds today, so I thought I
Christine Aguila wrote:
Hi Everyone:
We had exceptional winds today, so I thought I’d head to the lake to catch some
waves. The white caps were prominent to be sure, and there was a bit of
splashing waves a tad north of where we were. Higher waves, which flooded bits
of Lake Shore drive,
for the mix of action scenery.
On 11/1/14, 1:19 AM, pdml-requ...@pdml.net wrote:
Message: 14
Date: Sat, 1 Nov 2014 00:15:27 -0500
From: Christine Aguilachrist...@caguila.com
To: PDML Listpdml@pdml.net
Subject: GESO--Windy Day at the Lake lens question
Message-ID:ca867d9b-f2c8-43db-b7f1-e89706681
Sent: Saturday, November 01, 2014 7:15 AM
To: PDML List
Subject: GESO--Windy Day at the Lake lens question
Hi Everyone:
We had exceptional winds today, so I thought I’d head to the lake to catch
some waves. The white caps were prominent to be sure, and there was a bit
of splashing waves a tad north
Brave stuff, Christine! Dramatic shots in very tough conditions.
Jack
- Original Message -
From: Christine Aguila christ...@caguila.com
To: PDML pdml@pdml.net
Sent: Friday, October 31, 2014 10:15:27 PM
Subject: GESO--Windy Day at the Lake lens question
Hi Everyone:
We had exceptional
: GESO--Windy Day at the Lake lens question
Hi Everyone:
We had exceptional winds today, so I thought I’d head to the lake to catch
some waves. The white caps were prominent to be sure, and there was a bit of
splashing waves a tad north of where we were. Higher waves, which flooded
bits
On APS-C both 200mm is a super telephoto. Results using them can be
disappointing no matter how good the lens is because you need the right
mindset and skills. I don't want to dissuade you, I have primes to
600mm and sometimes you just can't get the shot with anything else.
The problem with
Christine.
Excellent shots and a very unusual day. I wish I had gone shooting it.
The winds from the north made the water in Lake Michigan slosh like a bathtub.
The wind surfers were CRAZY. 45 mph winds and 20 foot swells, CRAZY!
Regards, Bob S.
On Sat, Nov 1, 2014 at 12:15 AM, Christine
Christine,
As a few people wrote already, - you may benefit from a monopod for
the steadiness, especially if you are going for anything longer than
200-250 mm on Pentax APS body.
As for what focal length you need, - it depends on what you want:
just a full-height figure, that with the kite, or
Thanks Alan, Jack, Paul, PJ, Bob, and Igor. The web link provided looks to be
very helpful. I'll definitely be exploring it. Thanks everyone.
Cheers, Christine
Sent from my iPad
On Nov 1, 2014, at 2:10 PM, Igor PDML-StR pdml...@komkon.org wrote:
Christine,
As a few people wrote
I really like #s 4 and 7 especially. Nice series!
Rick
On Nov 1, 2014, at 1:15 AM, Christine Aguila wrote:
Hi Everyone:
We had exceptional winds today, so I thought I’d head to the lake to catch
some waves. The white caps were prominent to be sure, and there was a bit of
splashing
Thanks, Rick! Cheers, Christine
On Nov 1, 2014, at 8:47 PM, Rick Womer rickpic...@gmail.com wrote:
I really like #s 4 and 7 especially. Nice series!
Rick
On Nov 1, 2014, at 1:15 AM, Christine Aguila wrote:
Hi Everyone:
We had exceptional winds today, so I thought I’d head to
Hi Everyone:
We had exceptional winds today, so I thought I’d head to the lake to catch some
waves. The white caps were prominent to be sure, and there was a bit of
splashing waves a tad north of where we were. Higher waves, which flooded bits
of Lake Shore drive, could be found south of
-boun...@pdml.net] On Behalf Of Paul
Stenquist
Sent: Thursday, August 04, 2011 10:46 AM
To: Pentax-Discuss Mail List
Subject: Re: Digital Body and Manual Lens Question
If the manual focus lenses are A series, you'll have all the autoexposure
options that the K10 offers. With M and K series lenses
From: David J Brooks
On Thu, Aug 4, 2011 at 10:57 AM, Norm Baugher
nbaug...@baugherphotography.com wrote:
Ahh, the infamous green button... What about angle of view issues?
Just turn your head a bit more and you will be fine
Ok Dave, I'll try the 360 deg spin.
Norm
--
PDML Pentax-Discuss
I need to buy another digital for snapshots. If I pickup a used body, like a
K10, what kind of limitations am I facing using my manual focus lenses?
Norm
smartass preemptive - other than no AF
--
PDML Pentax-Discuss Mail List
PDML@pdml.net
http://pdml.net/mailman/listinfo/pdml_pdml.net
to
Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Norm
Baugher
Sent: Thursday, August 04, 2011 10:31 AM
To: 'Pentax-Discuss Mail List'
Subject: Digital Body and Manual Lens Question
I need to buy another digital for snapshots. If I pickup a used body, like a
K10, what
If the manual focus lenses are A series, you'll have all the autoexposure
options that the K10 offers. With M and K series lenses, you'll have to use a
workaround for exposure. Basically, you set a stop on the aperture ring, and
press the green button. That causes the camera to set an exposure.
Lens Question
If the manual focus lenses are A series, you'll have all the autoexposure
options that the K10 offers. With M and K series lenses, you'll have to use
a workaround for exposure. Basically, you set a stop on the aperture ring,
and press the green button. That causes the camera to set
The Pentax DSLR will have a 1.5 focal length multiplier effect, making
a 50mm lens have the angle of view of a 75mm lens on your DSLR.
A 35mm will be the equiv. of a 52mm lens on 35mm.
Darren Addy
Kearney, Nebraska
--
PDML Pentax-Discuss Mail List
PDML@pdml.net
On 2011-08-04 08:45 , Paul Stenquist wrote:
If the manual focus lenses are A series, you'll have all the autoexposure
options that the K10 offers. With M and K series lenses, you'll have to use a
workaround for exposure. Basically, you set a stop on the aperture ring, and
press the green
On Aug 4, 2011, at 10:58 AM, steve harley wrote:
On 2011-08-04 08:45 , Paul Stenquist wrote:
If the manual focus lenses are A series, you'll have all the autoexposure
options that the K10 offers. With M and K series lenses, you'll have to use
a workaround for exposure. Basically, you set a
On 2011-08-04 12:15 , Larry Colen wrote:
On Aug 4, 2011, at 10:58 AM, steve harley wrote:
note that with the green button, if you normally use exposure compensation you
have to apply it as a shutter adjustment after using the green button, every
time; this is what keeps me from using my M
A or K? With A lenses of course you lose autofocus, and for AS to work
properly the focal length of the lens when the image is captured, for
best results. Which makes A zoom lenses less than optimal using AS. Of
course that's also true for the original K mount zoom lenses as well,
except
of view issues?
Tks,
Norm
-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Paul
Stenquist
Sent: Thursday, August 04, 2011 10:46 AM
To: Pentax-Discuss Mail List
Subject: Re: Digital Body and Manual Lens Question
If the manual focus lenses are A series
Sir, a pre-owned Pentax 16-50/2.8 or the Tamron 17-50/2.8 should serve
you well. These lenses are tack sharp with excellent contrast and
color. For that occasional tele shot greater than 50 mm get a front
attachment high quality 1.7x Auxiliary Tele Lens. Believe me, I use
one, and you wouldn't be
On Sat, Jul 23, 2011 at 03:20:35PM -0500, Tony Cogan wrote:
I am currently using a Pentax FA28-70 f4 and a Sigma 17-35 F2.8. I
would like to get a single lens that covers this same range;
Is this just for use on a DSLR, or would you also want to use it
on a film body (and if so, on which body
how about the 18-135 WR? I hear it isn't so bad if you don't mind
losing an f-stop or two
cheers
ecke
2011/7/24 John Francis jo...@panix.com:
On Sat, Jul 23, 2011 at 03:20:35PM -0500, Tony Cogan wrote:
I am currently using a Pentax FA28-70 f4 and a Sigma 17-35 F2.8. I
would like to get a
At 01:06 PM 7/24/2011, you wrote:
On Sat, Jul 23, 2011 at 03:20:35PM -0500, Tony Cogan wrote:
I am currently using a Pentax FA28-70 f4 and a Sigma 17-35 F2.8. I
would like to get a single lens that covers this same range;
Is this just for use on a DSLR, or would you also want to use it
on a
Hello
I've re-subscribed here after a couple of years away. I would
appreciate any input from you.
I'm looking to replace 2 lenses with 1, for simplicity. I'm doing a
lot of shooting at construction projects and I don't like to change
lenses with lots of sawdust, dirt, etc. flying around.
There are two that I know of that fit that bill. The Pentax DA 17-70mm
f4.0 (reviewed at photozone
http://www.photozone.de/pentax/408-pentax_1770_4 ), and the Sigma
17-70mm f2.8~4.5, (also reviewed at photozone
(It was suggested to me to re-post this to be sure it gets a fresh
subject line, so I am re-posting the following:)
Hello
I've re-subscribed here after a couple of years away. I would
appreciate any input from you.
I'm looking to replace 2 lenses with 1, for simplicity. I'm doing a
lot of
On 23/07/2011 2:20 PM, Tony Cogan wrote:
I am currently using a Pentax FA28-70 f4 and a Sigma 17-35 F2.8. I would
like to get a single lens that covers this same range; 17-70-ish. I'd
like something a bit better than the consumer-grade and hopefully in the
$300 to $400 range. What suggestions
Tony, beside two lenses Bill Robb mentioned there is also Sigma
17-70/2.8-4.0 DC OS HSM which is a slightly newer version of their
17-70/2.8-4.5.
I am not sure as to your limits price-wise but I am thinking that the
likes of 17-50/2.8 by Tamron or Sigma might serve you better due to
their
Is the DAL 18-55 the same optically as the DA 18-55 or the DA-II 18-55 ?
--
Larry Colen l...@red4est.com sent from i4est
--
PDML Pentax-Discuss Mail List
PDML@pdml.net
http://pdml.net/mailman/listinfo/pdml_pdml.net
to UNSUBSCRIBE from the PDML, please visit the link directly above and follow
I remember reading somewhere that it was optically the same as the DA-II
but I have no actual proof. See
http://www.bdimitrov.de/kmp/lenses/zooms/short/index.html
They all seem to share the same optical formula different from the
original DA 18-55mm
On 1/7/2011 9:48 PM, Larry Colen wrote:
I held out for the 90 because I really liked the field-of-view of the
43mm Limited on the little camera. It fits in well with my kit, too
(45, 90, 165, 300).
You could always look at the newer 75mm f/2.8 :))
On Aug 31, 2007, at 9:46 AM, Mark Roberts wrote:
The 67 I've bought is coming
I found the following comparison on photo net in the Pentax 67 forum.
I hope the author doesn't sue me for breach of copyright
I've used both lenses extensively and must say I prefer the
performance of the 105 mm at middle apertures in landscape
applications. The 90 is quite uniform in contrast
Welcome to Brotherhood :)
You just could not resist, right ?
Getting 67 with kit lens is more easy and cheaper.
(i watched ebay for a while)
But somehow, i think that standart lens is not very usefull for medium
format. I got my 645 with 55mm lens, at first, and i'm still happy about
that
Mark.
I'm very happy with my 90 LS that came with my camera. Bought mine,
used from lister Chris Brogden in 2001 or 2002. Payed $1000 Can for
the body and lens. That was a deal at the time.LOL
Looks like a good brotherhood turn out for next years GFM, eh,.
Dave
On 8/30/07, Mark Roberts [EMAIL
Dave,
I'll bring mine lenses. I didn't this year.
Regards, Bob S.
On 8/31/07, David J Brooks [EMAIL PROTECTED] wrote:
Mark.
I'm very happy with my 90 LS that came with my camera. Bought mine,
used from lister Chris Brogden in 2001 or 2002. Payed $1000 Can for
the body and lens. That was a
I had the 6x7 and 90 and 200,but never used them.I;'ll bring em again next year
Dave
On 8/31/07, Bob Sullivan [EMAIL PROTECTED] wrote:
Dave,
I'll bring mine lenses. I didn't this year.
Regards, Bob S.
On 8/31/07, David J Brooks [EMAIL PROTECTED] wrote:
Mark.
I'm very happy with my 90
Can't comment on the 90 since I've never used it, but the 105 f 2.4 is a
real gem and a winner in the bang for the buck dept.
If you plan to use flash and want a faster shutter speed than the 1/30th
synch the the 67 has, the 90 with the leaf shutter is the obvious choice.
- MCC
Mark Roberts
The 67 I've bought is coming without a lens and I'l looking for
recommendations about a choice of normal lens. I seem to recall that
the 105/2.4 is better regarded than the 90/2.8, but I think I'd still
prefer the shorter focal length, personally. An alternative I'd
consider would be a 75mm
Both the 105 and the 98 have their supporters and detractors. I have
the 105 and have been very happy with it. But if you would like to go
wider, the 75/2.8 appears to be a fabulous lens. That was Aaron's
favorite, and most of the pics he posted here were shot with that
lens. However, it's
IMHO the 105 is a great performer and quite inexpensive.
Norm
Paul Stenquist wrote:
Both the 105 and the 98 have their supporters and detractors. I have
the 105 and have been very happy with it. But if you would like to go
wider, the 75/2.8 appears to be a fabulous lens. That was Aaron's
Paul Stenquist wrote:
Both the 105 and the 98 have their supporters and detractors. I have
the 105 and have been very happy with it. But if you would like to go
wider, the 75/2.8 appears to be a fabulous lens. That was Aaron's
favorite, and most of the pics he posted here were shot with
- Original Message -
From: Mark Roberts
Subject: 67 lens question
The 67 I've bought is coming without a lens and I'l looking for
recommendations about a choice of normal lens. I seem to recall that
the 105/2.4 is better regarded than the 90/2.8, but I think I'd still
prefer
- Original Message -
From: Mark Roberts
Subject: 67 lens question
The 67 I've bought is coming without a lens and
I'l looking for
recommendations about a choice of normal lens. I
seem to recall that
the 105/2.4 is better regarded than the 90/2.8,
but I think I'd still
At one point I had two 67II's and a bunch of lenses. I opted for a
new 90/2.8 at the time. I preferred a slightly wider normal rather
than the 105/2.4 slightly longer normal. I also had the 75/4.5 - just
a little slower than I cared for as a heavily used lens. So I would
recommend the 90/2.8 -
Bruce Dayton [EMAIL PROTECTED] wrote:
I'm wondering if anyone out there has had any opportunity to
compare
the FA 24-90 to the A 35-105 for general imaging quality. I
am
considering getting the FA 24-90 to replace the A 35-105 for
some of
my wedding work. The usage would be basically a
Are you guys talking about usage on 35mm (FF) or APS
digital?
jco
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Gianfranco Irlanda
Sent: Saturday, February 10, 2007 11:22 AM
To: pdml@pdml.net
Subject: Re: Lens question
Bruce Dayton [EMAIL PROTECTED
J. C. O'Connell [EMAIL PROTECTED] wrote:
Are you guys talking about usage on 35mm (FF) or APS
digital?
jco
I am talking about APS digital...
Bruce, after checking more carefully the shots and making a few
more I have something more accurate to say about the sharpness
of the two: the 35-105
Gianfranco Irlanda
JCOC Sent: Saturday, February 10, 2007 11:22 AM
JCOC To: pdml@pdml.net
JCOC Subject: Re: Lens question
JCOC Bruce Dayton [EMAIL PROTECTED] wrote:
I'm wondering if anyone out there has had any opportunity to
JCOC compare
the FA 24-90 to the A 35-105 for general imaging quality
Great information! I really appreciate the time you have taken. I
have owned the Tamron in the past and it is a fine lens - however, I
prefer the rendering of the A 35-105 over it.
There are a few issues that may be solved by the 24-90. One is the
range it covers. I have the DA 16-45 also,
I'm wondering if anyone out there has had any opportunity to compare
the FA 24-90 to the A 35-105 for general imaging quality. I am
considering getting the FA 24-90 to replace the A 35-105 for some of
my wedding work. The usage would be basically a direct replacement -
there is a slight
On 4/2/07, David J Brooks, discombobulated, unleashed:
I;ll compare weight with Cotty at GFM this year.
Later we'll see how much our big body cameras weight.
LOL
Har! I better start pushing down the Yorkshire puddings ;-)
--
Cheers,
Cotty
___/\__
|| (O) | People, Places,
Reviewing those, wide open at longer focal lengths I saw a small and
easily correctable amount of CA when fitted with the teleconverter,
which just about disappeared 1-2 stops down where I'd normally use
the lens. Without the teleconverter, I see no CA of any significance.
Yes, I'm
My 300 F4 works well and feels solid.
My 100-300 is so so.
My 10-20 works well and feels solid.
Dave
On 2/3/07, Mark Roberts [EMAIL PROTECTED] wrote:
Bill Owens wrote:
From what I've heard and also from limited personal experience,
Sigma lenses are very good optically, but suffer in build
My 300 F4 works well and feels solid.
My 100-300 is so so.
My 10-20 works well and feels solid.
Dave
The Sigma 300 f/4 APO Macro is clearly a professional quality lens and it
shows both in build and optical performace, a forerunner of the EX series of
lenses. The early Sigma EX 70-200
On 4/2/07, John Whittingham, discombobulated, unleashed:
The early Sigma EX 70-200 f/2.8 APO is right up there with the best
at that range, even the Canon L series and Pentax FA* lenses.
I don't know about optical quality, but I do know about build quality
between the Sigma and the Canon and I
The early Sigma EX 70-200 f/2.8 APO is right up there with the best
at that range, even the Canon L series and Pentax FA* lenses.
I don't know about optical quality, but I do know about build quality
between the Sigma and the Canon and I can tell you that of the two there
is no contest -
On 4/2/07, John Whittingham, discombobulated, unleashed:
I'll amend that, I was referring to optical quality.
No argument. The Sigma 70-200 2.8 APO is a top performer.
--
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
||=|http://www.cottysnaps.com
Thanks all of you who replied.
Well, there is only one problem with Sigma 70-200 2.8 beside its
price. It is over 1 kg in weight. It would seem to me that I will have
to confine myself to focal lengths no longer than 200 mm and actually
I may even confine myself further making my 77 ltd the
I have read about Tamron 70-300 and looked at sample images. It is
not that much better than FA 80-320 if at all... Several people also
reported that it suffers from CA as well, so the sample variation
seems to be significant.
I've read a few reviews on the Tamron and most seemed quite
I'll amend that, I was referring to optical quality.
No argument. The Sigma 70-200 2.8 APO is a top performer.
I just wish I'd had it with me on Friday walking round the park instead of
the FA 135, I'm still working on some Cormorant shots 8)
John
I have to smile at your comment on the weight. After using an
80-200/2.8 from Tokina, I finally sold it because of weight. That is
what led me to the A 70-210/4. Optically as good, but much lighter
and usable than the 2.8 series of lenses. I had really hoped that
Pentax would have released the
Well, although the DA50-200 goes to f/5.6 at maximum tele, it is IMO
the best zoom available as yet that covers this focal length range
for the digital SLR line, and it is tiny/light weight. The
DA*60-250/4 will likely be a better performer and has more range, but
it will not be anywhere
Well, although the DA50-200 goes to f/5.6 at maximum tele, it is IMO
the best zoom available as yet that covers this focal length range
for the digital SLR line, and it is tiny/light weight. The DA*60-
250/4 will likely be a better performer and has more range, but it
will not be
On Feb 4, 2007, at 3:07 PM, John Whittingham wrote:
Well, although the DA50-200 goes to f/5.6 at maximum tele, it is IMO
the best zoom available as yet that covers this focal length range
for the digital SLR line, and it is tiny/light weight. The DA*60-
250/4 will likely be a better
Phatt, only a Kilo.
I use my Nikon 70-200 Vr f2.8 for weight in my pick up during the
winter to help keep the tires on the road during snow storms.:-)
My neck is extremely bent out of shape after a full day of shooting
horses with that lens and what ever Nikon body i use.
Those are heavy
I have the Pentax FA20-35/4 AL. No experience with the Tokina. I'd be
very interested to know how it performs, comparatively.
The FA20-35/4 is as close to having four prime quality lenses in one
as I have seen in a zoom.
G
On Feb 2, 2007, at 9:01 PM, Boris Liberman wrote:
One of our folks
Hi!
People, could anyone tell if except Sigma APO lenses there exist other
xx-300 zoom lenses that do not exhibit strong purple fringing towards
the 300 mm focal length?
Thanks.
Boris
--
PDML Pentax-Discuss Mail List
PDML@pdml.net
http://pdml.net/mailman/listinfo/pdml_pdml.net
I can't directly answer your question, as I tend to steer clear of Sigma.
But last year when I was at a camera store I only rarely visit I had a
play with the Sigma 100-300 f4 APO (non DG version) that they had in
store. I only took 2 shots with it at the 100 300 FL's. For what
they're worth
From what I've heard and also from limited personal experience, Sigma lenses
are very good optically, but suffer in build quality.
Bill
Hi!
People, could anyone tell if except Sigma APO lenses there exist other
xx-300 zoom lenses that do not exhibit strong purple fringing towards
the 300 mm
Tamron 70-300 LD Macro (aka Nikon 70-300 ED)
-Adam
Boris Liberman wrote:
Hi!
People, could anyone tell if except Sigma APO lenses there exist other
xx-300 zoom lenses that do not exhibit strong purple fringing towards
the 300 mm focal length?
Thanks.
Boris
--
PDML
I've had three Sigmas, and still have one.
-
Oh...PS. I used (but did not own) the Sigma 20 mm F1.8 DG. I considered
getting one because I was dissatisfied with the wide open performance of
the FA* 24 F2. But when I compared the Sigma 20 to the FA 20 F2.8, the
Pentax lens was so superior
From what I've heard and also from limited personal experience, Sigma
lenses
are very good optically, but suffer in build quality.
Bill
-
I've had three Sigmas, and still have one.
APO 70-300 F4.5.6 Macro. Really sucked at 300 mm. Images appeared out of
focus, especially at the edges.
Bill Owens wrote:
From what I've heard and also from limited personal experience,
Sigma lenses are very good optically, but suffer in build quality.
Depends which one you get. The one Sigma I own is built as well as any
of my Pentax lenses.
--
PDML Pentax-Discuss Mail List
PDML@pdml.net
Does anyone have any experience with the Tokina AF 20-35mm f/2.8?
It's a constant aperture wide angle lens. BH has it for $299, which
seems like a good price.
Thanks,
Micah
--
PDML Pentax-Discuss Mail List
PDML@pdml.net
http://pdml.net/mailman/listinfo/pdml_pdml.net
: Friday, February 02, 2007 3:25 PM
To: Pentax-Discuss Mail List
Subject: lens question
Does anyone have any experience with the Tokina AF 20-35mm f/2.8?
It's a constant aperture wide angle lens. BH has it for $299, which
seems like a good price.
Thanks,
Micah
--
PDML Pentax-Discuss Mail
its F3.5-4.5) from about 15 years ago? anyone
ever used it on film or digital?
jco
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Micah B. Kleit
Sent: Friday, February 02, 2007 3:25 PM
To: Pentax-Discuss Mail List
Subject: lens question
Does
Micah,
One of our folks in the local camera club has this lens for Nikon. He
seems to really like it. I realize this is not much, but that's all I
can tell *sigh*.
Boris
Micah B. Kleit wrote:
Does anyone have any experience with the Tokina AF 20-35mm f/2.8?
It's a constant aperture wide
Godfrey posted a question:
So Walter, what did you think of the 45mm? Which one did you have?
I had the 45mm f/2.8 manual focus version. I bought it used and my only
complaint was the focus was a little stiff to me. All the others were bought
new and were like butter.
Another post referred to
On Nov 1, 2006, at 8:05 AM, Walter Hamler wrote:
So Walter, what did you think of the 45mm? Which one did you have?
I had the 45mm f/2.8 manual focus version. I bought it used and my
only
complaint was the focus was a little stiff to me. All the others
were bought
new and were like
On 10/31/06, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
I asked a similar question just the other day. Mark Roberts offered
this:
---
The manual focus 45/2.8 is the lens I have and it's probably my
favorite (though I only have the 45, 75 and 200mm lenses).
I'm not much of a lens tester, so I
On 10/31/06, Mark Roberts [EMAIL PROTECTED] wrote:
Make that: http://www.robertstech.com/temp/7D501705.jpg
Mark, that's a wonderful photograph. I remember when you first shared
it with us. I'm currently leaning toward the 45. Thanks!
--
Scott Loveless
http://www.twosixteen.com
Shoot more
On 10/31/06, Pål Jensen [EMAIL PROTECTED] wrote:
- Original Message -
From: Godfrey DiGiorgi [EMAIL PROTECTED]
Others also complimented the performance of the 45 and 35 mm lenses.
For what its worth I found the FA645 45/2.8 to be a pretty weak performer.
It is no better than the
On Nov 1, 2006, at 3:36 PM, Scott Loveless wrote:
The 35mm
sounds nice, but I've never worked with anything quite that wide. I
have seen some results from the SWC and it seems to be a camera you'd
want to keep close to level if there's anything in the foreground.
That's why all SWCs have a
Howdy gang!
If you don't my my picking the collective brain once again, I have a
question about wide angle lenses for the Pentax 645.
The enablement bug continues to bite pretty hard and I find myself
considering a new (used) medium format system a little earlier than I
anticipated. My current
I asked a similar question just the other day. Mark Roberts offered
this:
---
The manual focus 45/2.8 is the lens I have and it's probably my
favorite (though I only have the 45, 75 and 200mm lenses).
I'm not much of a lens tester, so I can't give you a detailed report -
I just love using this
I used a couple 645 bodies and lenses when I was actively shooting weddings.
I also used them for other types of photography as well.
In addition to the two bodies, I had several inserts, 120 and 220. Having
more than one is almost a necessity. I had at various times the 35mm, 45mm,
55mm, 75mm,
- Original Message -
From: Godfrey DiGiorgi [EMAIL PROTECTED]
Others also complimented the performance of the 45 and 35 mm lenses.
For what its worth I found the FA645 45/2.8 to be a pretty weak performer.
It is no better than the zooms covering this range (the FA645 45-85/4.5 is
1 - 100 of 327 matches
Mail list logo