Re: A conversation with Noritsu.

2003-11-21 Thread Keith Whaley
Chris Brogden wrote: [. . .] You can't tell me that most ISO 100 films, or a Nikon F5, or a Canon 1Ds, or most f2.8 zooms are mediocre. In my mind a 2.8 zoom is mediocre, even if it makes great photos. It's big, it's slow to use, it's heavy, it's not unobtrusive, it's not as

Re: A conversation with Noritsu.

2003-11-20 Thread Keith Whaley
PROTECTED] Sent: Wednesday, November 19, 2003 10:30 AM Subject: Re: A conversation with Noritsu. Most people LOL Most people lack an appreciation for quality, have neither the patience nor temperament to think, work, or act outside the box, and wouldn't know how to do squat

Re: A conversation with Noritsu.

2003-11-19 Thread Shel Belinkoff
That sucks! Although a quick calc suggests maybe f2.8 ... whoops, no, you're right, f4.0 :- Does the Pentax have a very high shutter speed to compensate for that high minimum ISO? No. Top speed is 1/4000. That means on sunny days it will be hard to use an aperture wider than f4.

Re: A conversation with Noritsu.

2003-11-19 Thread Sylwester Pietrzyk
on 19.11.03 1:22, William Robb at [EMAIL PROTECTED] wrote: IIRC, the compact disc came out in around 1984 or so, and records were pretty much history by the early 1990s. Film's days may be severely numbered. Yes, but at the start CDs offered better quality than longplays. In contrast digital

Re: A conversation with Noritsu.

2003-11-19 Thread Alexandru-Cristian Sarbu
Mine too. Many people asked me why I wanted a film SLR instead of a digital pointshoot? It doesn't matter how nice is the *istD if I can't afford one. And for me, shooting film is much cheaper (but I'd like to have more control over the printing process). Sorry, but at 1400+ USD (yes, I live in

Re: A conversation with Noritsu.

2003-11-19 Thread Boris Liberman
Hi! On Wed, 19 Nov 2003 11:24:54 +0200 Alexandru-Cristian Sarbu [EMAIL PROTECTED] wrote: Mine too. Many people asked me why I wanted a film SLR instead of a digital pointshoot? It doesn't matter how nice is the *istD if I can't afford one. And for me, shooting film is much cheaper (but I'd like

Re: A conversation with Noritsu.

2003-11-19 Thread Herb Chong
Message - From: Boris Liberman [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Wednesday, November 19, 2003 4:46 AM Subject: Re: A conversation with Noritsu. Normally, I think if and when technology wears out, it does not disappear. It takes some niche market and stays there. I think that until

Re: A conversation with Noritsu.

2003-11-19 Thread Boris Liberman
Hi! On Wed, 19 Nov 2003 06:32:32 -0500 Herb Chong [EMAIL PROTECTED] wrote: film won't disappear for a long time, but the wide affordable choices will. if all you can get is ISO 800 print film designed for long shelf life, and any random slide film is $20/roll before processing, only by mail

Re: A conversation with Noritsu.

2003-11-19 Thread Bill Owens
Subject: Re: A conversation with Noritsu. Bill, You're so practical LOL So where's the 25 ISO, and 50 ISO choices? Which actually brings me to a question that's been on my mind since I tried John's istD ... 200 ISO seems like a bit much for bright days. Does the Pentax have a very high

Re: A conversation with Noritsu.

2003-11-19 Thread Steve Larson
, November 19, 2003 3:32 AM Subject: Re: A conversation with Noritsu. film won't disappear for a long time, but the wide affordable choices will. if all you can get is ISO 800 print film designed for long shelf life, and any random slide film is $20/roll before processing, only by mail order, even

Re: A conversation with Noritsu.

2003-11-19 Thread Shel Belinkoff
Well, they have been disappearing ... gone is agfa apx 25, Kodak Subatomic X, Royal Gold 25, Kodachrome 25, and others. It's not just digi that's destroying these fine films, it's crappy zoom lenses with slow apertures ... shel Bill Owens wrote: Top shutter speed is 1/4000. I agree with you

Re: A conversation with Noritsu.

2003-11-19 Thread Eactivist
It could be that you're right, Bill. It is just that my budget league is ZX-L, not MZ-S... Boris I don't doubt film is on its way out. At all. However, NOT THAT quickly. And until they drop prices, seriously drop them, on DSLRs, I won't be getting one. My price league is about the same as

Re: A conversation with Noritsu.

2003-11-19 Thread mike wilson
Hi, Shel Belinkoff wrote: I'm sure most of the list doesn't give a rat's behind about this, Wrong, wrong, wrong, wrong, wrong. And I suspect you know it.8-) mike (pining for KC25, even though they manage to lose most of it during processing these days)

Re: A conversation with Noritsu.

2003-11-19 Thread Rob Studdert
On 18 Nov 2003 at 23:11, Shel Belinkoff wrote: That sucks! Although a quick calc suggests maybe f2.8 ... whoops, no, you're right, f4.0 :- WOW you have a lens faster than f4? LOL Basically you can assume that progress in sensor design will lead to higher sensitivity for a given pixel

Re: A conversation with Noritsu.

2003-11-19 Thread Shel Belinkoff
Thus far, Mike, you're the only person to argue the point, thereby, perhaps to some degree, proving it LOL shel (hoarding APX 25) mike wilson wrote: I'm sure most of the list doesn't give a rat's behind about this, Wrong, wrong, wrong, wrong, wrong. And I suspect you know it.8-)

Re: A conversation with Noritsu.

2003-11-19 Thread Steve Larson
fu ji fu ji fu ji fu ji. Steve Larson Redondo Beach, California - Original Message - From: Keith Whaley [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Wednesday, November 19, 2003 8:25 AM Subject: Re: A conversation with Noritsu. Steve Larson wrote: Just when 800 speed film

Re: A conversation with Noritsu.

2003-11-19 Thread John Dallman
In article [EMAIL PROTECTED], [EMAIL PROTECTED] (Steve Desjardins) wrote: I see an exponential decay for film, i.e., a rapid decline with a long tail. For me the intersting question is will 35 outlive 120, or the reverse, or will they go down together? We all will go together when we go...

Re: A conversation with Noritsu.

2003-11-19 Thread mike wilson
Hi, Shel Belinkoff wrote: Thus far, Mike, you're the only person to argue the point, thereby, perhaps to some degree, proving it LOL shel (hoarding APX 25) mike wilson wrote: I'm sure most of the list doesn't give a rat's behind about this, Wrong, wrong, wrong, wrong, wrong.

Re: A conversation with Noritsu.

2003-11-19 Thread Herb Chong
most people is where most of the money comes from 8-). Herb - Original Message - From: Shel Belinkoff [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Wednesday, November 19, 2003 10:30 AM Subject: Re: A conversation with Noritsu. Most people LOL Most people lack

Re: A conversation with Noritsu.

2003-11-19 Thread Shel Belinkoff
of the money comes from 8-). Herb - Original Message - From: Shel Belinkoff [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Wednesday, November 19, 2003 10:30 AM Subject: Re: A conversation with Noritsu. Most people LOL Most people lack an appreciation for quality, have neither

Re: A conversation with Noritsu.

2003-11-19 Thread Shel Belinkoff
That was no spell checker screw up LOL Butch Black wrote: Kodak Subatomic X is that for a micro miniature camera? (D**m spell check strikes again?) VBG

Re: A conversation with Noritsu.

2003-11-19 Thread Herb Chong
, November 19, 2003 9:20 PM Subject: Re: A conversation with Noritsu. So ... BFD. When it gets to the point that discriminating people can't even buy good equipment because the companies are busy dumbing down to most people, it's a sad state of affairs. Name one, new, high-end, fully manual 35mm

Re: A conversation with Noritsu.

2003-11-19 Thread Shel Belinkoff
LOL Herb Chong wrote: then you never learned the golden rule. those that have the gold make the rules. give them a few hundred million and they will happily set up plant just for Shel's special film.

Re: A conversation with Noritsu.

2003-11-19 Thread Chris Brogden
On Wed, 19 Nov 2003, Shel Belinkoff wrote: So ... BFD. When it gets to the point that discriminating people can't even buy good equipment because the companies are busy dumbing down to most people, it's a sad state of affairs. Name one, new, high-end, fully manual 35mm camera that can be

Re: A conversation with Noritsu.

2003-11-19 Thread Shel Belinkoff
Chris Brogden wrote: The Nikon FM3A offers full manual control, with a hybrid mechanical/electronic shutter. For those who don't know, this camera is fully mechanical in manual mode, and only uses the electronic mechanisms in aperture-priority. I think the big problem here is that you're

Re: A conversation with Noritsu.

2003-11-19 Thread Shel Belinkoff
Well, there are other manual cameras, but I believe we were talking about a certain quality level ... Shel Belinkoff wrote: I thought the FM3A was discontinued. Checking around, I see it's still in stock in several stores on line. OK, that makes two manual cameras. The price of the FM3A is

Re: A conversation with Noritsu.

2003-11-19 Thread graywolf
Funny thing, I notice in the BH catalog that you can still get apx-25 in Minox film. Strange. I think Adox KB-14 and Efke 25 (actually the same film, I think) is still available. Everybody start buying it, maybe they will continue to make it for awhile. -- Herb Chong wrote: then you never

Re: A conversation with Noritsu.

2003-11-19 Thread graywolf
Voigtlander Bessa R and R2 are mechanical. It does not bother me if they quit making mechanical cameras as there are enough good used ones around to fill my needs. If they stop making film though I will be up the creek. Like I mentioned a while back you can no longer get 120 film in this town,

RE: A conversation with Noritsu.

2003-11-19 Thread J. C. O'Connell
:[EMAIL PROTECTED] http://jcoconnell.com -Original Message- From: graywolf [mailto:[EMAIL PROTECTED] Sent: Thursday, November 20, 2003 12:41 AM To: [EMAIL PROTECTED] Subject: Re: A conversation with Noritsu

Re: A conversation with Noritsu.

2003-11-19 Thread William Robb
- Original Message - From: J. C. O'Connell Subject: RE: A conversation with Noritsu. that was one of the reasons I abandoned my P67 and medium format. I liked doing color and both of my local labs that did it closed. I was forced into mail order processing which sucks. I now use

RE: A conversation with Noritsu.

2003-11-19 Thread J. C. O'Connell
-Original Message- From: William Robb [mailto:[EMAIL PROTECTED] Sent: Thursday, November 20, 2003 1:05 AM To: [EMAIL PROTECTED] Subject: Re: A conversation with Noritsu. - Original Message - From: J. C. O'Connell Subject: RE

Re: A conversation with Noritsu.

2003-11-18 Thread Herb Chong
the CD came out just before 1980. it was very expensive at first and just for show. i attended some of the Sony seminars when they were first coming out. you couldn't buy anything at a record store until about 1982 though. i would not be surprised to see ISO 800 color print film be about the only

Re: A conversation with Noritsu.

2003-11-18 Thread Bill Owens
Her opinion is that digital will replace film, in much the same way that the compact disc replaced long play records, and that it will happen at a very fast pace. IIRC, the compact disc came out in around 1984 or so, and records were pretty much history by the early 1990s. Film's days may

Re: A conversation with Noritsu.

2003-11-18 Thread Chris Brogden
On Tue, 18 Nov 2003, William Robb wrote: She doesn't think that her company is putting much by way of resources into improving film scanning, and really doesn't see minilab scanning getting much better, if at all. That's about what I've been hearing as well. From what I understand, digital