So - is this the list so far - of music that is acknowledged in the
text itself as fully re-entrant?
1) Briceño
2) Carré
3) Valdambrini
4) (all/most/some?) Sanz
5)
the manuscripts of Monsieur Dupille, commissaire de guerre in Paris,
from c.1649: F-Pg MS 2344, and two more
And more speculatively,
(I've just remembered Tyler's tutor. His first section is for fully
re-entrant guitar and he includes music from Lady Elizabeth Cromwell's
guitar book, Sanz, Matteis and Murcia (1714) but, apart from the Sanz,
these are probably much more controversial.)
1) Lelio Colista
2) Lady Elizabeth Cromwell's guitar book
3) Matteis (pieces that open "False Consonsances ")
4) Murcia (Resumen)
Of course, players in those times might have ignored these
instructions and the whole situation could have been very
fluid,varying from place to place and time to time.
Stuart
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