Sorry, let’s try a dropbox: 
https://www.dropbox.com/s/oaqfczqgfio4gao/Losy-GuitareEtMandore.pdf?dl=0 
<https://www.dropbox.com/s/oaqfczqgfio4gao/Losy-GuitareEtMandore.pdf?dl=0>


> On Jan 3, 2018, at 1:57 PM, WALSH STUART <s.wa...@ntlworld.com> wrote:
> 
> On 1/3/2018 5:07 PM, DANIEL SHOSKES wrote:
>> I’ve come across the Moravsky manuscript which is an interesting mix 
>> of bandora, baroque guitar, “6 string/course” guitar and other 
>> works in standard notation. Much music of Losy (Logy).
>> 
>> A link is here: http://www.classicalguitardelcamp.com/viewtopic.php?t=67271 
>> <http://www.classicalguitardelcamp.com/viewtopic.php?t=67271>
> 
> I get the following message:
> 
> You do not have the required permissions to view the files attached to this 
> post.
> 
> 
> 
>> 
>> If anyone has info on the Ms, I’d like to ask the following:
>> 
>> 1) On page 48 there is a page of tuning for guitar and mandora. While note 
>> values aren't given for the guitar the sixth course for the mandora is a G 
>> and that seems to work for the guitar pieces. Is there evidence for a 6 
>> course guitar that Losy composed for? I've tried them on my Romantic guitar 
>> just playing the E string stopped at the 3rd fret.
>> 
>> 2) Any sources for the tuning that Losy used? Switching between the Romatic 
>> guitar and my baroque guitar in re-entrant tuning some pieces seem better 
>> suited to one of the other.
>> 
>> 3) How clear are the attributions to Losy? I did find one Rondeau that says 
>> Logi but appears in the Haslemere lute MS attributed to Weiss and in another 
>> attributed to von Bohrenfels.
>> 
>> 4) None of the guitar works have strumming indications. All plucked or would 
>> the performance practice to be strum away?
>> 
>> Thanks
>> 
>> Danny
>> 
>> 
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> 
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