Does analog mean : not a true replication of the real ? yep trainwrecks can be beautiful. (although trainwrecks isn''t the right word for it) An old friend of mine always used a little delay when mixing witch means you heard the new record come in with a little delay but with corresponding bpm and after some seconds removed the delay bye speeding the record up by hand to the other record and the he mixed it through. very cool if you do that over and over again (same like scratching or beat-jungeling)
randoms creates nice things Mad'R ----- Original Message ----- From: "Wes" <[EMAIL PROTECTED]> To: <[email protected]> Sent: Tuesday, November 27, 2001 10:54 PM Subject: [313] Trainwrecks/blue notes > A while back on the Global Techno list, Max Duley was talking about the > phenomenal energy Mills brought to the tables & clubs he played at in the > UK in 94-95, & how (like the Liquid Room cd), the mistakes simply > magnified the intensity of an already supercharged atmosphere. > > Isn't a "trainwreck" in the hands of a Mills simply the techno equivalent > of a blue note (in jazz)? The skilled musician's imagination triumphs over > the technician's 'mistake' & converts it into a previously unknown sonic > form. Any slip always has the potential to be so much more in the right > hands. Chance + ingenuity = dynamic tension. > > Wes > > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
