Perhaps you can elaborate (with slightly better English, punctuation and
spelling please, you are a journalist after all) on the cultural diversity
of the electronic music scene in the US -  which is what I think you're
implying exists.

By the way, if you haven't got any intention of causing deliberate insult
(which I believe you don't - I hope you understand irony too) you might want
to quit swearing and being generally discourteous to (1) the musicians who
you're criticizing (b) to anyone who appears to disagree with you.

Thx,

Ken

>-----Original Message-----
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>Sent: Wednesday, March 06, 2002 3:20 PM
>To: [EMAIL PROTECTED]; [email protected]
>Subject: Re: [313] Regarding Business
>
>
>The point I was trying to make is that not wether Jaun or
>Oakenfold being one
>dj better than the other, it's the fact that Oakenfold speaks to
>more people
>with his music right now, even if there is some historical
>arguement against
>that he's not as pioneering, who gives a fuck?  I don't like the
>anit-black
>references he's putting out there, when it's obvious he can't milk his
>DETROIT stauts much longer, that the hype is dying down, so he has to pull
>the RACE CARD.  I'm tired of people who aren't the supersatr forever
>reverting back to a time that doesn't exist here anymore in the
>US. Maybe you
>can find racism elswhere, but it's certainly not in electronic
>music, unless,
>I suppose you work for UR, which is anti anything  not black.  The racsim
>thing is an attack on the culture on a whole, because people
>aren't trying to
>be part of their inner clique.  If you aren't part of their
>marketing machine
>in Detroit, you are excluded.  That early form of techno is not
>what you hear
>in the clubs, the parties, or anywhere here.  Yet they still try to
>monopolize the spotlight.  What was the DEMF?  It wasn't representative of
>Detroit.  It was a planet e, KMS, metroplex promo package. And if
>you think
>I'm wrong, you aren't in touch enough in the Detroit scene.
>
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