Phil Taylor wrote:
> Would you then expect a K: field in multivoice to affect all voices
> simultaneously? It's not the case in BarFly, since you can have
> simultaneous voices playing in different keys. (I haven't actually
> found any use for this, but it might come in handy if I ever get
> avant garde.)
Yep -- quite a bit of polytonal music (such as that of Charles Ives) uses this a great
deal. Currently, as far as I know, all the programs out there treat K: as applying to
the current voice only, and I think it would be a good idea to keep it that way. Not
doing so would basically make handling more modern music impossible. Also, even in
Baroque music, you have clarinets notated (albeit not played) in a different key from
C-based instruments. But maybe that's getting into clef transposition -- a kettle of
fish I'd rather not plunge into just at the moment. :)
- Eric
--
---=---=-=-==-===-=====//=======//=========-===-==-=-=--=---- <>< -
"God is real, unless // Name: // Eric Galluzzo // [EMAIL PROTECTED]
declared integer." // WWW: // http://w3.one.net/~eng/
-- Unknown // Work: // Synchrony // Product Engineer
---=-=-==-===-=====//=======//=========-===-==-=-=--=-------- <>< -
To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html
