Bernard Hill writes:
| In message <[EMAIL PROTECTED]>, I. Oppenheim <[EMAIL PROTECTED]> writes
| >On Tue, 29 Jul 2003, Bernard Hill wrote:
| >
| >> >> 5. No mention of midline
| >> >What do you mean?
| >>
| >> Sorry, I abandoned a comment and forgot to complete
| >> it. I am thinking of the midline field in Clefs.
| >
| >I'm not sure what you mean.
| >
| >[K: clef=bass] or [K: bass] is legal.
|
| Is it? I couldn't find it.
|
| Anyway the midline field attempted to define the middle line of say the
| bass clef as D or "D," to avoid too many leger lines. I never liked it
| anyway so glad it's gone.


Well, I'm not! It's a simple, elegant solution to a problem we've had
from the start: Different people insist on different abc notation for
notes on an alto and bass staff.  Some think that  the  unmarked  abc
letter  notes  should  always map to the staff; others think that abc
notes should have an absolute pitch and  the  bass  staff  should  be
written  with  lots and lots of commas.  Discussions in the past have
shown that there will be no compromise here. And there are reasonable
arguments  for  both,  as well as for other mappings.  But there is a
very simple solution:  "middle=d" or  "middle=D,"  tells  the  reader
(human or software) which mapping the writer thought was the one that
God intended us to use.  And it is  often  abbreviated  to  "m=d"  or
"m=D,", so programs should be prepared to accept those.

(I wonder if God's true name is "Chris"?  If you look at  the  actual
meaning  of  the  Greek  phrase that the name derives from, this does
make a lot of sense.  ;-)

There was also another good suggestion that "clef=bass,," be used for
a bass line notated two octaves low. I liked this, too, and I made my
jcabc2ps clone accept both of them.  This is more compact, but it has
the limitation that it doesn't allow things like
  K: G clef=treble middle=d
This is, of course, French Violin clef, beloved by  Baroque  fiddlers
world  wide.   There are a couple of other conventional uses of clefs
that are positioned on other lines than the usual, and this  notation
can express them, too.

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