Most domestic camera's don't allow you to switch between I and P, even the
same models/slightly newer can have different settings.

The Interlace 'problem' can be solved in PP, as Gregg suggests, but also
when you render by switching on the upper field first (for PAL) and lower
field first (for NTSC).  (Watched this on a youtube video the other day.)
This monitor is notorious for displaying interlaced video badly, thankfully
the two on the editing rig are fine

I tried a demo of Premiere Elements 9 (PE) the other day for a potential
client, loads of stuff I use missing, looks totally different and only a few
of the shortcuts work from PP.  Suppose I'm used to PP now, probably would
of made sense to start with PE for a newcomer, just seems a more laborious
way to do things than we are used to.  The support for domestic cameras is
much more apparent with plenty of AVCHD settings and not much else really,
but that would suit all the people that ask me: "How do I get the footage
off the camera?"

Anyone else had any experience?  The ~£80 price tag is attractive to many...

Cheers,

Neil.

On 13 June 2011 23:04, Gregg Eshelman <[email protected]> wrote:

>
>
> Google for interlacing artifacts.
>
> Displaying interlaced video on a progressive scan monitor will show the
> interlacing on moving objects.
>
> It's not as noticeable on an interlaced monitor because it's only
> displaying one field at a time. Persistence of vision of the human eye helps
> smooth the field to field transitions. That also exaggerates the blur and
> jagged edges when viewing interlaced video on a progressive scan monitor.
>
> The easiest way to avoid it is by shooting in progressive scan. The
> playback hardware (DVD or Blu-Ray) will take care of converting to
> interlaced mode if required.
>
> For video shot in interlaced mode, you either keep it interlaced and ignore
> the artifacts while editing, most players and TVs will automatically switch
> to interlaced mode when fed interlaced video, or you can process the video
> through a deinterlace filter.
>
> Such filters process every frame, comparing to the frames before and after,
> then smooth out the fringing and jaggedness. How well it works depends both
> on the source video and how good the filter is written. Deinterlacing can
> create its own set of artifacts like blurred edges. In general, the faster
> the motion and/or the higher the detail, the poorer the results will be from
> deinterlacing.
>
> Your wind blown grass has both fast motion and high detail. Try deinterlace
> filters on a clip and see if you're happy with the results, both on
> progressive and interlaced monitors.
>
> --- On Mon, 6/13/11, TCD <[email protected]> wrote:
>
> > From: TCD <[email protected]>
>
> > Subject: Re: [AP] Digest Number 3800
> > To: [email protected]
> > Date: Monday, June 13, 2011, 1:09 PM
>
> >
> > Hello Julian,
> >
> >
> >
> >
> > The wavy blur is in the movement of the grass mostly and in
> > the leaves of the trees.
> >
> > Very noticeable on windy days. The grass seems to blend
> > together in a haze.
> >
> > When I play the camcorder to the TV the picture is fine.
> > Nice test thanks.
> >
> > Although the television is not hd.
> >
> > I have not edited hd as yet, no success.
> >
> > By auto I mean using the auto white balance which makes all
> > other settings auto except focus.
> >
> > My testing today using 1080i with 30p showed more blur in
> > the grass.
> >
> > I switched to 1080i with 30i and the result was a lot
> > better but not good enough.
> >
> > That is downloaded into Pre Pro 3.
> >
> > I tried deinterlacing as suggested, but still a problem.
> >
> > I use a fire wire cable, Pre Pro activates camera well.
> >
> > Not sure what to do, it looks like a mess.
>  
>


[Non-text portions of this message have been removed]



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