Luc writes: "But then, if that is the case, [i.e. if what people like me have 
been calling an aesthetic experience is "experienced" during what Luc calls 
"perceiving" and I call "processing"] we might have a problem with the 
association of the 2 words: aesthetic + experience, since it is not an 
aesthetic 
experience per se."

This sounds very like it's based on an assumption of what an "aesthetic 
experience" "IS". Or what the proper "name" of my experience is. This I can't 
accept for many reasons that I want to believe I've conveyed, but, again, it's 
largely a disagreement about labeling. 

Largely but not totally, however now I'm not commenting on any confusion in 
Luc, but in me. I know I've had experiences when listening to certain Mozart, 
seeing certain paintings and sculpture, reading certain poems, watching certain 
plays, that I'm inclined call "aesthetic experiences". Why? They're not 
"identical", the way I'll temporarily say that the experiences of red, blue, 
yellow 
etc are "identical" in the sense of all being "color experiences". And, to 
compound my uncertainty, I've also had experiences while contemplating certain 
natural scenes, and even certain moments in sporting events, when I've had to 
concede to myself the feeling was very like ones I wanted to call a.e.'s. Why? 

There is something that is common and unique in these feelings that prompts 
me to suspect there is something sui generis here. What? 

Notice: I'm talking about the feeling. It is irrelevant how the occasion for 
that feeling is produced. I say this because I know there are some who would 
insist that if the occasion is not something man-made and thus, in their view, 
"cannot be art", the experience cannot "be aesthetic" because "aesthetic" 
entails "art". 

And notice also that I'm not asking, "IS my experience before a natural 
scene, or something in a sporting event, an "aesthetic experience"." What I'm 
interested in is the common element in all those experiences that prompts me -- 
in 
silly thrall to language as I am -- to want to call them aesthetic 
experiences?
Luc writes: "But then, if that is the case, [i.e. if what people like me have 
been calling an aesthetic experience is "experienced" during what Luc calls 
"perceiving" and I call "processing"] we might have a problem with the 
association of the 2 words: aesthetic + experience, since it is not an 
aesthetic 
experience per se."

This sounds very like it's based on an assumption of what an "aesthetic 
experience" "IS". Or what the proper "name" of my experience is. This I can't 
accept for many reasons that I want to believe I've conveyed, but, again, it's 
largely a disagreement about labeling. 

Largely but not totally, however now I'm not commenting on any confusion in 
Luc, but in me. I know I've had experiences when listening to certain Mozart, 
seeing certain paintings and sculpture, reading certain poems, watching certain 
plays, that I'm inclined call "aesthetic experiences". Why? They're not 
"identical", the way I'll temporarily say that the experiences of red, blue, 
yellow 
etc are "identical" in the sense of all being "color experiences". And, to 
compound my uncertainty, I've also had experiences while contemplating certain 
natural scenes, and even certain moments in sporting events, when I've had to 
concede to myself the feeling was very like ones I wanted to call a.e.'s. Why? 

There is something that is common and unique in these feelings that prompts 
me to suspect there is something sui generis here. What? 

Notice: I'm talking about the feeling. It is irrelevant how the occasion for 
that feeling is produced. I say this because I know there are some who would 
insist that if the occasion is not something man-made and thus, in their view, 
"cannot be art", the experience cannot "be aesthetic" because "aesthetic" 
entails "art". 

And notice also that I'm not asking, "IS my experience before a natural 
scene, or something in a sporting event, an "aesthetic experience"." What I'm 
interested in is the common element in all those experiences that prompts me -- 
in 
silly thrall to language as I am -- to want to call them aesthetic 
experiences?



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