In response to Chris's remarks below, I list some of the novelists with
pieces in "Afterwords: Novelists on Their Novels". (Realize, I selected them
four
decades ago, and I wanted to represent a variety of genres.)

Louis Auchincloss -- "The Rector of Justin"
Anthony Burgess -- "Nothing Like the Sun"
Robert Crichton -- "The Secret of Santa Vittoria"
Mary Renault -- "The King Must Die"
Reynolds Price -- "A Generous Man"
Truman Capote -- "Other Voices, Other Rooms"
Ross Macdonald -- "The Galton Case"
John Fowles -- "The French Lieutenant's Woman"
Norman Mailer -- "The Deer Park"
Other authors: Wright Morris, Vance Bourjaily, William Gass, George P.
Elliott, Mark Harris.

> Almost as stubborn as the universal bemuddlement concerning the meaning of
> words - is the notion that techniques can be considered independently of
the
> purposes to which they are to be applied.
>
> Why should anyone be concerned with the writer who says his technique is a
> "prolonged lunatic binge" or consists of "character-notes
> and structure charts" -- unless we really care about what he wrote?
>
> And yet -- this bemuddlement continues full-force and unabated -- I suppose
> because the reasons for caring are far more difficult to discuss --
> especially
> for the artists themselves -- who would much rather just take it for
granted
> that their work is important enough to deserve further study of their
> techniques.
>
>




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