Ok, I am chastised. But why are you the only one, besides a few Jesuit teachers 
in high school, who says I don't have the intellect and temperment for 
philosophic discussion?  Gee, I was a member of Phi Sigma Tau, the Natonal 
Honor Society in Philosophy in college. And those essays I've published in 
peer-reviewed journals must have been incomprehensible, I suppose.  I'm 
astonished that you've kept a list of my remarks, none of which was 
mean-spirited, and, in fairness, rather visual (a signal of good writing). I 
wish you had kept the comments where I did fault your syllogisms and also (to 
use a newly popular word) and questioned your sources.  By deeply insulting my 
intellect (unleavened by humor or wit) you go to the default position of so 
many others who, mystified by art, assume it springs from irrational, if not 
actually crazy, brains.  In this you imply your adherence the long abandoned 
Cartesian body-mind split.  My own philosophic reasoning has
 been greatly influenced by new research in neurology and by widely admired 
authors in art and aesthetics, both old and new.  Although I've mentioned many 
of those sources often, inviting others to correct my clumsy interpretations, 
you have not engaged me through them, except to be dismissive of me and them as 
well. Is that philosophic? Your own philosophy is centered on linguistic issues 
-- as far as I can tell with my stunted intellect -- and you have yet to 
discuss the "deep language structures" that must underlie your thinking. They 
either contradict your notion regarding the emptiness of words by implicating a 
"meaning" that glues syntatical structures together or will reveal how minds 
construct meaning independent of language.

At any rate my deep apologies to you and all listers for my irascibility and 
love of sardonic wit.

WC    


--- On Fri, 10/24/08, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:

> From: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
> Subject: Re: Envisioning
> To: [email protected]
> Date: Friday, October 24, 2008, 9:17 PM
> William, for the last few weeks I've tried hard to avoid
> any ad hominem
> remarks, either in the form of denigrating anyone's
> faculties, or assuming and
> ascribing to them motives as though I am reading their mean
> minds. I did this
> in
> hopes of reducing those moves in others, particularly in
> you -- but I have to
> conclude you are irremediable.
> 
> Months ago I asserted that I thought you have gifts
> I'll never approach in
> visual art but you don't have the intellect and
> temperament for philosophic
> discussion. I now discern that you repeatedly confirm me in
> that judgment.
> 
> In your latest, you say:
> 
> "people on this list don't want to be current with
> the scientific data and
> prefer their own old-fashioned errors. Read a book or
> two."
> 
> "Cheerskep likes to discount my comments."
> 
> "You fellows can claim to know what creativity
> is." (None of us has done
> that. We certainly have called work "creative",
> but by that we usually mean
> that
> someone is inventing unprecedented stuff -- it doesn't
> follow that we esteem
> it.)
> 
> "Cheerskep says, again, my comments are
> "incomprehensible".   For him, yes, I
> suoose that's the case."
> 
> You don't have to suppose it; I said explicitly
> "to me". This is effectively
> identical to what you did earlier when I talked about
> 'ambiguous'. You said,
> as though educating me, the point is ambiguous to whom. You
> reprinted the
> entire posting -- except the paragraph in which I explain
> that we always have
> to
> ask "ambiguous to whom".
> 
> "You can't begin with a recipe, as Cheerskep
> sought from his authors."
> Geoff has you right here. Read my passage again. I did
> nothing close to asking
> them for a recipe.
> 
> "And that's the point, isn't it?   You
> can't set out to do something that
> ends as creative, or as art."
> 
> But that's exactly what many writers do. Read the
> entries in "Afterwords" by
> Ed Doctorow and Joan Didion. They had no idea what they
> would ultimately be
> "writing about" as they typed their first words.
> But they were determined to
> start. Doctorow ended up finding his way to one of the most
> memorable novels
> of
> that decade, "Ragtime".
> 
> I'm aware that you wrote: "I don't think it is
> of any use at all to explain
> how one creates."
> 
> My invitation to the writers in "Afterwords"
> said:
> 
> "The book could be valuable in several different ways.
> For one thing, it
> seems an apt and allowable way to satisfy readers'
> appetites for details about
> the
> writers and the writing they admire. For another, its
> descriptions of how a
> writer has seen and solved technical problems could be
> helpful to students of
> the craft. For a third, it could be an aid to appreciating
> what a writer has
> done: It's the rare reader who has what the writer
> would feel to be a
> perfectly
> placed focus on a book, and this was the writer's
> chance to adjust the lens"
> 
> A final virtue, said the letter, is that "the making
> of a novel can be a
> dramatic thing, a structured tale altogether worth
> preserving for itself.
> These
> seemed to be four of the reasons why the likes of Henry
> James's prefaces and
> the
> Paris Review interviews are such a delight to read."
> 
> None of this ever pretends to tell writers "how to do
> it", but sometimes
> these stories, with their craft-tips, can tell them how to
> allow it to get
> done.
> 
> 
> In case you feel I'm mistaken in characterizing your
> opposition as being
> frequently a sneering ad hominem, here are a few of your
> recent remarks about
> me.
> I'm sure I could double this list by collecting your
> phrases about Derek Allen
> and Chris Miller, among others:
> 
> Cheerskep drives home his point again.....like those circus
> people who pound
> nails up their noses.
> 
> very narrow, literalist and mechanical
> 
> don't worry, I won't paraphrase you.   I prefer
> good logic.
> 
> Cheerskep's obsession
> 
> annoying smug assumptions
> 
> Cheerskep claims to be the father philosopher
> 
> he lurks like a street mugger eager to pounce on any
> strolling IS that h
> appens by.
> 
> Cheerskep, for all his own achievements, is far, far down
> the hill from
> Kuspit
> 
> If he were to become dictator he's insist on solipsism
> as a constitutional
> ammendment.
> 
> Cheerskep just can't stand being confronted by anyone
> who wants to dig
> intob&
> 
> He is simply rigidly stuck to his idea and it's not
> sufficiently
> demonstrated.
> 
> self serving
> 
> The more Cheerskep toots a one note horn
> 

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