The History of art and lives of the artists show that it is more. How about
spiritual experience?
Boris Shoshensky

---------- Original Message ----------
From: Saul Ostrow <[email protected]>
To: "[email protected]" <[email protected]>
Subject: Re: Heidegger and Singularity
Date: Sat, 25 Apr 2009 12:22:50 -0400

And what makes you think art was ever anything other than a carefully crafted
artifice meant to pull in its audience


On 4/25/09 11:54 AM, "Chris Miller" <[email protected]> wrote:

What if art self-reflexively addresses by aesthetic  and rhetorical means
the
conceptions and values most prevalent with in the time of its making within a
recursive framework ?

Then we get a typical Hollywood movie - carefully crafted to pull in a large
audience.

I've just been watching a bunch of recent Westerns that came highly
recommended to me -- and it was just too painful to watch each of them
address
the conceptions and values most prevalent in our time and place. (and  don't
forget about place. The conceptions and values of Americans are quite
different from people who now live in India, Europe, Africa, or even Canada)

Only one film had any value to me, "The Assassination of Jesse James by the
Coward Robert Ford", because it seemed to be addressing universal issues of
trust, betrayal, and maturity - as might be found in the 12th C. Chinese
"Romance of the Three Kingdoms" as well )
While it also tried to re-create a language and dramatic space somewhat
removed from our own (Missouri, 1880)

That was a good movie - perhaps the best Western since "Dead Man".



____________________________________________

Saul Ostrow | Visual Arts & Technologies Environment Chair, Sculpture

Voice: 216-421-7927 | [email protected] | www.cia.edu<http://www.cia.edu/>

The Cleveland Institute of Art | 11141 East Boulevard, Cleveland, OH 44106



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