I agree. Work is very strong. Perfect combination of tradition and innovation.
Innovation part is too sophisticated for New York to be recognized fully.
Among my very  favorites are " Bandit", " Plymouth" and "Scout".
Boris Shoshesky

---------- Original Message ----------
From: [email protected]
To: [email protected]
Subject: http://www.royboydgallery.com/Conger/Conger.htm
Date: Sat, 6 Jun 2009 14:39:57 EDT

I've been tapping at a longish posting (occasioned by the encounter with
Frances's disquisitions) and I had reason to go to William Conger's
gallery-site:

http://www.royboydgallery.com/Conger/Conger.htm

I want to interrupt my tapping to recommend a visit there. I found the
works again and again fascinating in ways that William will be happy to hear
I
can't begin to articulate.

(But I will say this much about a pleasure subordinate to the works' main
impact: One of the (many) startling aspects is how often, despite the absence
of specific depiction, the titles feel almost magical apt.)

Don't fear I've gone all mushy. I still say William can be occasionally
grouchy and wrong-headed, but I'm beguiled to see how much more ready we are
to
accept portions of that in someone whose creative production is so worthy.
(That's an observation that many character-creating playwrights would do
well to take on board.)


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