Other than metaphor, we also tend to use associative, analogous and
comparative  - thus something may indexed to, be like or comparable to the
look of the  inevitable and resolved - as opposed to being said to represent
it


On 6/13/09 1:36 PM, "Chris Miller" <[email protected]> wrote:

If one were trying to paint (or buy) a portrait of Mrs. Wolff, for example,
and the  portrait was considered finished when one could say "aha - that is
Mrs. Wolff, and nothing could make it any more so" ---- that would seem to me
to be an unequivocal example of "metaphorical thinking" as William has
presented it.

Mrs. Wolf is part of the real world - and the artist  is trying to make
something that will stand-in for her.

But what if someone were also trying to determine whether, at last, a
"painting can present the" ?

Where is the metaphorical thinking ?

What are the "as-if imaginings" ---- and for what, in the real world, are
they
stand-ins ?.

Absent some non-tortuous explanation, this is why I believe that something
other than metaphorical thinking can be involved:

Thinking that tries to achieve and identify a quality without reference to
anything else in the world.(i.e. issues of similarity or stand-in-ability
are
irrelevant).



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