> I think it's the phenomenal/noumenal argument. KAte Sullivan
But can you explain how any such argument applies to your experience with paintings and drawings? For example, while looking a painting, do you use reason and classifications to transcend the phenomenal and approach the noumenal?. Is that how you determine whether a painting is "inevitable and resolved"? (if indeed, you try to make such a determination at all) ____________________________________________________________ Own your own business. Click here to start making money owning your own franchise. http://thirdpartyoffers.netzero.net/TGL2231/fc/BLSrjnxaNpuYIdjyS7bjDSlXInAkuH st9AGcxNnQMUmfRjpDVnJtyG9w6re/
