All claims for art identity are equal, meaning equally propositional.  Some 
claims have more credence but they are still propositional.  All people are 
created equal; some have more advantages than others.  

My logic is air tight, Miller, air tight.  Solid as granite, shining like gold; 
learned, insightful, weighty and sharp as honed steel.  Don't draw your sword 
on me unless you are prepared to carry your head home in a basket. Swoosh!
wc


________________________________
From: Chris Miller <[email protected]>
To: [email protected]
Sent: Wednesday, September 30, 2009 2:25:28 PM
Subject: Re: Facture

>Its a dialogic and synergetic model - it is what allows a work to exceed its
times  ("Art is the material (visual) assemblage that results form a
non-disciplinary
modeling of experience, data, information, and knowledge")


As well as the reverse.  (Just because something is different doesn't mean
it's any better.)

But isn't allowed/not allowed a dead issue by now, anyway?

Hasn't it been beaten to death for at least 100 years?

What's needed is a model for *enabled* -- and that's where some notion of
discipline can be important.

*****************************************************************************
******************************

BTW -- within 24 hours William, our advocate of rigorous logic,  has written:

"in the case of art, all claims are equal"

followed soon after by:

"Some claims can be stronger than others"


Not that logic can always be applied to questions of art and aesthetics,

but if A = B, then A cannot be stronger or weaker than B.


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