For me it is highly entropic proposition. Art has specific structural
qualities. Once art it stays art regardless natural fluctuations of material,
aesthetic and social values - evolving changes of taste and preferences of
styles.
Boris Shoshensky
To: [email protected]
Subject: Re: Facture
Date: Wed, 30 Sep 2009 07:47:31 -0700 (PDT)

Whether or not I say something is  good art does not guarantee it as art.
Maybe everything that was ever decided as art will one day be dismissed as
art.  And visa-versa.  I can offer examples of machine made art as art but
it's only my proposition; I can offer examples that I don't propose as art but
which might be art.

Skill as handiwork is not the necessary condition of art as a global class of
things.  It might be necessary to specific examples of art.
wc




________________________________
From: Chris Miller <[email protected]>
To: [email protected]
Sent: Wednesday, September 30, 2009 8:40:08 AM
Subject: Re: Facture

If , as William says, "A claim is a claim  and in the case of art, all claims
are equal", then no claims are " universally validated by history, art, or
practice", and  the absence of  such  validation is irrelevant.

If you disagree with Mando's claim, all you can do is offer examples of
"machine made art" (as Mando defines it) which you would call good art.

But unfortunately, Mando's definition is "those who do very realistic work
without any skill in the doing of it"

And  how do you determine the  presence or absence of skill, if not by the
appearance of the results?

Which makes the discussion of "machine made" -- or really any other kind of
"facture" --- just another art-talk attempt to make a personal judgment sound
more important.

Mando doesn't like certain paintings and sculptures -- and since he's spent
fifty years designing things, it can be important to know what those are.

But his attempt to generalize those judgments with reference to "machine
made"
has gone nowhere.




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