"the question does arise:  which music is more
important/profound  than others?"

Music that has ability to 'live' longest and most cultures.
Boris Shoshensky
To: [email protected]
Subject: Re: Reading Kivy: Chaper 6 - The Quest for Musical Profundity
Date: Fri, 23 Oct 2009 13:01:30 GMT

>" Sound, music can have significant impact on our thoughts and emotions;
surely we
should be interested in why, how, and whatever of some music affecting us
more profoundly and more stirringly than others?" -- Allan Sutherland


I don't think Kivy would disagree with the above, Allan, but he might assign
those kind of  questions
to sociologists, psychologists, or cultural historians.

Just yesterday, the pounding rhythm and text of a James Brown song  from the
1960's -- with its brazen assertion of  sexual potency - reminded me of the
profound effect that music apparently has had in personal lives and social
interactions.

But when we ask whether that music is more or  less profound than Beethoven's
Violin concerto -- that's a question which would engage philosophy -- not to
provide an answer - so  much as to examine the reasons supporting such
answers.

At least --  that's the kind of philosophy that engages Kivy, though it is
apparently of no interest to the artists who dominate discussion on this
listserv.

And I don't really think that  Kivy's own answer, regarding the profundity of
music, is all that  bad. (even if his approach is profoundly pre-Modern)

He says that no music can be profound unless it has text that addresses
profound issues -- which would eliminate almost everything from the running,
including both the Beethoven concerto and the James Brown song -- but still
allow things from a variety of genres - popular, folk, world, classical,
jazz,
gospel etc.

Is "A day in the Life" (John Lennon) as profound as  Beethoven's Ninth
Symphony?

It could be, so let's hear the argument.

However -- I would also like to  hear arguments regarding the relative
profundity of "Pet Sounds" (Beach Boys) and Mozart's Piano Concerto #21 --
and
Kivy would  not allow that.

Are such questions important to how I decide what to audition?

No.

I play what I like -- or think I might like -- or what somebody I know likes
-- or has become iconic -- or  has gotten good reviews.  (and I play a whole
lot of music - about 6 hours/day. I've got about 30,000 discs)

But in an educational context,  the question does arise:  which music is more
important/profound  than others?

And that's  when philosophers like Kivy can play an important role.








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