Giving "Folies Bergere" another look, only one pair of receding parallel lines
can be found  (from the two brown bottles to the left of her hand), from which
a vanishing point can be located on an horizon line at the level of Suzon's
eyes.

(a rather obvious place to have it, placing the viewer at eye level with the
subject)


William suggests that if a square box were drawn around the fruit bowl, it's
receding lines  would establish  a lower horizon line, but there are at least
two ways such a box may be drawn since there is some ambivalence concerning
whether you are viewing that box from the left (if you are directly facing
Suzon), or from the right (if you are the man reflected in the mirror)

So that  horizon line is an invention of William.

And what about all those  "implicit vanishing points" that he claims to find?

Since William is so concerned with authoritative literature, where is the
literature on "implicit vanishing points" ?
Who is the recognized expert on this arcane notion and where has it been
defined and explained?

Is it William, himself?

How can an "implicit vanishing point" be distinguished from the convergence of
any other pair of lines that might be found on the canvas?

I'm just wondering where all this technical sounding talk is really  any less
subjective than my observation that Suzon looks bored.







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