Michael, if you, or anyone, will try to prove that their location of "implicit
vanishing points" in "Follie Bergere"  is the correct one, I'm willing to
listen.

Give it a try.

Even if it's way over my head  -- perhaps the  other listers might learn
something.




.............................................................................
..................................................................


>He asks, "how might we prove which are correct." And then, many pixels later,
he also says, "I have no idea how implicit vanishing points can be found."

Let's see. Miller wants to set up a test about art --yet another in a long
list of art tests he has proposed-- but he admits that he cannot judge the
test because he "has no idea" how to do the test.

Well, that's all the convincing I need to be convinced that tests are the most
convincing way to determine facts and aesthetic things about art. Sign me up.

But I could be wrong. That's just my perspective on this.




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