For me this particular work of Mane meets traditional standards of a good
innovative (part of tradition in a masterwork) composition.
I would say as composition it has less experimental flavors than
some of Degas oils. I am personally in love  with this painting. In this case,
I think, it is simply a matter of Mando's taste.
Boris Shoshensky

---------- Original Message ----------
From: Saul Ostrow <[email protected]>
To: "[email protected]" <[email protected]>
Subject: Re: Where do opinions come from
Date: Mon, 16 Nov 2009 11:23:23 -0500

It was fairly conventional he was comparing traditional standards of a good
composition (balanced) with what Manet was doing - in the sense that for
Mando
what manet did in the 1870s was out of the loop", quite outside those
"dominant rules of thought that are necessary to produce a relatively stable
framework which
will enable "good" art  and mando wanted to get it back to a norms of finish
and  composition that still dominates most middle brow views of good art


On 11/16/09 11:00 AM, "Chris Miller" <[email protected]> wrote:

So, Saul,  where do you think Mando's opinion of Manet's last painting came
from?

It was, as you put it, "

And yet, Mando, the artist,  seems to have been at least as productive as
anyone else on this listserv.

And perhaps more so, in  that he is not afraid to share opinions that
disqualify him as a  knowledgeable,  educated  person - which opinions
challenge conventional knowledge and reveal its superficiality.  (ie. no one
has yet been able to counter his opinion with anything other than derision,
scorn, or name-calling)

Believe it, or  not, Saul, but some opinions actually do come from a personal
sense of truth that has developed outside those norms of social  conformity
which you take for granted.

And concerning such attachment to a personal sense of truth,  the word
"integrity" is properly applied.


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