Hi Dasun,

What is ur feel abt "Anbe idhu" from Rhythm... I think this is also a
rebelious song itself.... after Thee Thee I count this one.
Also "Desh mere" is rebelious lyrically and musically too (From TLOBS)
What do u think abt "Dacaoit Duel" from WOHAE?
Like an Eagle from Bombay Dreams
Pls Sir (Boys) is also a new genre itself (may not be a rebel but musically
very new to ear)
Girlfreind (Boys) is defe a rebel song to me!!
Dil se ending score ...true rebelious
innisai (GF)...
Kunjum  mainakale (KK) isn't a rebel as a romantic song (I never heard such
romantic rebel before)?
Vellai Pukal... its a rebel song to me with no weapons no noise... rebel can
be done piecefully Rahman roved that
The whole RDB album is rebelious (including awesome BMG)
O humdum (Sathiya) this is another new genre introduced by none other than
Rahman... this is also 1st of its kind
Chotta chotta (Tajmahal)... what a melody and blend of flute... again never
heard this kind of song (if anyone heard anything like this pls let us
know...we will enjoy that too)


Till now I remeber these after Thiruda Thiruda (that is the best by Rahman
in my opinion). Anyway new sound or rebel songs will be growing in my list.

Arijit


On 31/01/2008, Dasun Abeysekera <[EMAIL PROTECTED]> wrote:
>
>   Shah Navas,
>
> Sorry for the delayed reply. From a purely intuitive level, Thamizha
> Thamizha didn't strike me as innovatively original, to qualify my use of the
> term original now. Thee Thee just jumps at you when you listen to it as
> incredibly new...I mean I haven't heard a single song like that since
> then..where the base guitar is used to amazing effect...that was that pure
> daring, rebellious freshness that I was looking for...Dil Se Re perhaps
> comes closest to that kind of in-your-face creativity. I guess there is an
> element of high energy that you look for in things like that, and Thamizha
> Thamizha, though it has energy, is more of a soulful composition than
> energetic. I would love to have another one like Dil Se or Thee Thee where
> you just have to stop everything you do and drop your jaws! :)
>
> You are certainly entitled to your opinion; I hope that clarifies my point
> of view. Good stuff..let's keep expanding. :)
>
> Take care,
> Dasun
>
>  ------------------------------
> To: [email protected]
> From: [EMAIL PROTECTED]
> Date: Mon, 28 Jan 2008 16:05:32 +0530
> Subject: Re: [arr] Re: ARR's Standard Deviation - Part I - Originality
>
>   Dasun says >>Roja, along with the likes of Puthiya Mugham, Uzhavan, and
> Bombay would qualify as some of the most soulful and brilliantly crafted
> albums, but, not the most original.
>
> Dasun,
>
> I request you to elaborate on this. I don't have any music knowledge. But
> I see 'Thee Thee'  from 'Thiruda  Thiruda' and 'Tamizha  Tamizha'  from
> 'Roja'  loosely have the same structure. Both the songs start with a slow
> melody and moves into a contrasting plane with burst of sound and vocals and
> resumes back the melody.
>
> It's like 2 different songs are interwoven into one. Still they convey a
> unified theme. In that sense 'Tamizha  Tamizha' is more original to me as
> it's a patriotic song which expresses many moods - hope, anger, motivation,
> depression and the lyrics similarly matches the music or vice versa.
>
> But if you take 'Thee Thee', the doesn't necessarily depict a theme or a
> situation, rather doesn't even match the picturisation. I feel it was more
> of an experiment by Rahman and Manirathnam included the song (like most  of
> the  times). If you see both these songs in this context   'Tamizha
> Tamizha' is more original.
>
>
>
>
> On Jan 28, 2008 12:28 PM, shanavas.chemmamkuzhi <
> [EMAIL PROTECTED]> wrote:
>
>
> Dasun is talking about 92-96 era. Earth released on 98.
>
> --- In [email protected], Gomzy <[EMAIL PROTECTED]>
>
> wrote:
> >
> > well I feel thats nonsense. You can see his original works in
> earth then
> > onto lagaan and then upto swades atleast. Not to mention water !
> >
>
> > On Jan 28, 2008 12:08 PM, : Avinash : <[EMAIL PROTECTED]> wrote:
> >
> > > Hi Dasun.. That's really well thought, in depth writeup man.
> You
> > > really stole my words! :) I was thinking, how to explain 'chord'
> > > about defining ARR standards and you perfectly reflected my
> > > mind.. :) Keep it flowing..
> > >
> > > Thanks..
> > > -Avinash
> > >
>
> > > -- In [email protected] <arrahmanfans%
> 40yahoogroups.com>, Dasun
>
> > > Abeysekera <dtdja@>
> > >
> > > wrote:
> > > >
> > > >
> > > > Originality
> > > >
> > > > The most original songs of the 92-96 era, in my opinion, are
> Thee
> > > Thee from Thiruda Thiruda (93) and Mettupodu from Duet (94); and
> > > their respective albums too can be called the most original from
> > > ARR's highest creative standpoint. Roja would certainly have to
> be
> > > considered original if we compare ARR's originality to the
> relative
> > > originality of the musical backdrop of that era, but that is not
> what
> > > we are attempting here; I feel that compared with the
> aforementioned
> > > albums, Roja, along with the likes of Puthiya Mugham, Uzhavan,
> and
> > > Bombay would qualify as some of the most soulful and brilliantly
> > > crafted albums, but, not the most original; again, please keep in
> > > mind that my comparisons are confined to ARR's body of work and
> not
> > > extended to any comparison's with the work by any of his composer
> > > peers.
> > > >
> > > > Thiruda Thiruda (93) was a breakthrough album for ARR as he was
> > > able to match, if not exceed, the expectations surrounding his
> second
> > > post-Illayaraja Mani Ratnam production after Roja, which could
> not
> > > have been an easy task for a 25 year old who thought his first
> movie
> > > album would be his last! Thee Thee's stunning energy and
> freshness is
> > > only the icing on the cake after the beautiful vocal tapestry of
> > > Raasathi, the operatic grandeur of Veerapandi Kottayile, and
> barring
> > > its close references to Michael Jackson-like dance beats,
> > > Chandralekha as well. Duet (94), on the other hand, with an
> > > unprecedented use of Kadiri Gopalnath and his saxophone to
> showcase
> > > Carnatic music, was quite a daringly original attempt for a
> movie; to
> > > say both maestros pulled it off with shocking success, would be
> an
> > > understatement.
> > > >
> > > > So, has there been a song/album of that calibre in recent
> times? I
> > > think it will be an accurate statement to say that there has not
> been
> > > a song like Thee Thee or Mettupodu in recent times, certainly
> not a
> > > conceptually original album of Duet's kind, and most surely not
> an
> > > album for an Indian movie. Now why could that be? First of all,
> as
> > > you lose your youthful freshness and become enmeshed in a
> system, you
> > > lose a significant share of that rebellious spirit. Albert
> Einstein
> > > said during his latter years when he went on his quest to
> discover a
> > > Unified Field Theory, how much he wished he had that same
> rebellious
> > > spirit which fuelled his strength of mind and imaginative powers
> to
> > > overthrow the revered Laws of Sir Isaac Newton and his universe
> of
> > > absolute time and space with the new Relativity Theory.
> Similarly, in
> > > United States presidential politics, Sen. Barack Obama is
> touting his
> > > freshness in Washington as one of his biggest strengths for
> bringing
> > > about real change to the country. So, yes, time spent in any
> > > environment can significantly reduce your capacity for daring and
> > > originality, which is what we are seeing with ARR in India.
> However,
> > > let us not forget that we owe much of the advancement of the
> quality
> > > of Indian music to him and let's not be surprised if his most
> > > original work comes from his work abroad because that
> environment is
> > > still new to him and he has many colors to show to the rest of
> the
> > > world where he is not yet legend!
> > > >
> > > >
> > > > __________________________________________________________
> > > > Shed those extra pounds with MSN and The Biggest Loser!
> > > > http://biggestloser.msn.com/
> > > >
> > >
> > >
> > >
> >
>
>
>
>
>
>
>
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