htrd;329672 Wrote: 
> How much tweaking did it take you to be satisfied with your room EQ
> filters?
> 
Do you mean EQ or DRC? If you mean EQ, as I said I use this only in the
bass, preferring to leave the higher frequencies completely untouched.

I would prefer to use DRC for the bass but several factors are holding
me back:
- it seems to me too complex with too many subjective choices in the
process
- impulse recording seems to be more sensitive to data 'noise' due to
microphone positioning and other minor factors. I've lost count of how
many FR plots based on impulses have spiky, 'toothcomb-like' FR
responses. Compare this to the use of warble tones when doing plain FR
measurements. I find warble tones tend to give very consistent response
graphs with smooth shapes. And what I've read indicates that the
characteristics of warble tones correspond nicely to human hearing in
terms of the way we perceive loudnesses of closely-spaced frequencies.
- I have yet to read of a way of performing DRC whilst guaranteeing
only the lower frequencies will be affected.

If you meant EQ... I did play around by making measurements, making the
corrections, re-measuring and then tweaking the corrections further in
order to aim for a flat final measurement. However, I've come to
understand it's best to measure once and apply the corrections once,
by-the-book so to speak. The peaks and troughs cannot be cancelled out
completely no matter how much correction is applied (because they're
due to room modes) and it's best to not push the response where it
doesn't want to go.

Also I have tried EQ on full-spectrum and after long-term listening
decided against it. DRC is a different beast of course, but my thoughts
above still apply.
Darren


-- 
darrenyeats

SB3 / Inguz -> Krell KAV-300i (pre bypass) -> PMC AB-1
Dell laptop -> JVC UX-C30 mini system
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