Nuhi,

Despite your cables being technically perfect (i.e. not audibly
degrading the signal) and the marketing working for you subjectively,
at least for a while, in persuading you to perceive whatever you were
after, something still ought to be done about audiophile cables? You no
longer seem to be suggesting laws and the state but that the audiophile
community should do something about it? You disagree with my
distinction between lies and misleading despite there being existing
laws about the former which are occasionally invoked when cable
companies cross the line from misleading to lies. At least in the
places where they are not allowed to tell lies.

One cannot use technical performance to sell expensive home audio
equipment when it has the same technical performance as cheap home
audio equipment. You have to use marketing to distinguish the expensive
from the cheap in a manner that will appeal sufficiently to some
consumers that respond to this kind of thing. Clearly these consumers
cannot be technically literate and, indeed, audiophiles are not
technically literate and do not want a technical education about sound
and audio. You do not believe the latter perhaps because of your
partial conversion to the path of "truth and light" but you are fairly
rare which is what piqued my interest. I suggest you try converting a
few of the posters here that believe in audiophiles cables.

You believe audiophiles are music loving enthusiasts which I would
partly agree with and partly disagree with. They are enthusiastic about
consuming audiophile equipment and the illusions that surround it and so
I have no problem with enthusiasm. It is claims that they are
enthusiastic about music that is harder to support with evidence. The
overwhelming majority listen to electronic pop music which is fine
except it is not the kind of rich and challenging music favoured by
those with a deep and genuine interest in music. Few play musical
instruments which is unusual for those with a deep and genuine interest
in music. Few purchase accurate sounding equipment of the type used by
those involved with music. Indeed many favour audibly deficient sound
produced by valve amplifiers, record players, tailored speakers, etc...
Few seem able to recognise what is causing differences in sound and tend
to go along with those that suggest it is due to audiophile magic. It is
hard to believe that someone with a genuine interest in sound quality
would not acquire this since it is easy enough to do given that
everybody these days has a personal computer. Etc... I would suggest
one could probably make the case that if one discounts the
non-audiophile believing public that has no interest in music then what
is left probably has a deeper interest in music than audiophiles.

Although I am not 100% sure I understand the parallels you are trying
to draw with video equipment the two are quite different kinds of
market. The audiophile sector split from the sound/audio mainstream and
created an isolated world in which "flat earth" beliefs can thrive and
they have indeed grown more extreme over the 30 years life of the
sector. This is not the case with the home digital video sector which
is relatively new and part of the mainstrem. It is much more
constrained by technical performance because technical performance does
distinguish products in a way that it does not for many home audio
products. Finally, there are relatively few videophiles compared to
audiophiles. People buy video equipment more like they buy fridges than
audiophile equipment as reflected in the lack of specialist press for
videophiles (and fridgeophiles).


-- 
honestguv
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