Phil Leigh;542199 Wrote: 
> 
> 
> That's your homework... now play nicely.

Very nice post Phil.

I agree with a lot of it except a couple things.

People keep using Brahms and Marching bands simultaneously as an
example.

Well I for one don’t listen to Smashing pumpkins and harp in the same
digital sample.

Music swings from high to low.

So that quiet passage that you say is 7 bits you would not notice 2
bits more missing (4x softer)? I would expect that would go from being
barely heard to not heard at all.

Couldn’t that SAME song with 7bits switch to something much louder
(full scale)? So you would never turn it up and down as the song
progresses, right.

But as others have mentioned I think you can detect a presence or
should I say absence when low bits a toyed with even during busy
moderate volume material. That is certainly arguable. But the impact to
material that swings low can very significant.

People keep thinking of all this as instantaneous and what can happen
in one moment and what the dynamic range is at one moment.

Research how HDCD works. It basically slides the resolution up and down
where it’s needed depending on how loud it is. To effectively get 20bits
bit dynamic range over time. But instantaneously it is actually only
15bits. Why would they even bother? Because the requirements change
over time.


-- 
mswlogo

XP > Cat5 > Transporter/DuetController > SPDIF > Meridian G68 > DSP6000,
DSP5500HC, DSP5000
XP > Cat5 > SB3 > SPDIF > Meridian DSP5000
XP > Cat5 > DuetReceiver > SPDIF > Meridian G91 > DSP5000

'My Transporter Setup'
(http://forums.slimdevices.com/showpost.php?p=350741&postcount=45)
'Hitch Hikers Guide to Meridian' (http://www.meridianunplugged.com)
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