ralphpnj;635401 Wrote: 
> Let's avoid the topic of legality since that's a completely different,
> though related, subject. The real question is whether or not any
> recording, be it analog or digital, will benefit from sample rates
> higher than 88.2 or 96 kHz. Case in point, during a recent discussion
> on the Stereophile forum regarding the new Bryston BDP-1 "digital music
> player", a $2000 brick with less functionality than the $300 SB Touch,
> the BDP-1 was praised for it's ability to natively play 176.4 and 192
> kHz files, something the Touch can do natively.
> 
> By the way, I do agree that anything above 88.2 or 96 kHz is simply
> overkill and more of a "because it can" rather an issue of sound
> quality.
There are people out there who say that the improvement from 96 to  192

exceeds that from 44 to 96: It's the final step where veils are lifted,
music takes on an analogue-like ease and flow etc. 
I am not really sure that there is any need to go over 44 kHz (take a
look over on hydrogen audio if you dare). I'm not even sure that there
exists any program material which has information recorded in the
frequency range 96-192. There seem to be frequent exposees of the
shortage of over 44kHz program material     
Why stop at 192kHz- why not 384 (which some DACs can handle).


-- 
adamdea
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