yes evil digital :)

I'ts adorable when everyone is talking about impulse response and
transients.
Well yes maybe ?

then bring out the microphones with a freq response 0 - 192khz .
Bandwith limitations gives the same effects be it digital or analog .

i do get that a high sample rate AD and helps you avoid filter problems
etc. And keep that fs in the production yep why not.

but if the microphones et al during recording is dead above lets say
30kHz to be generous a consumer format with fs >60kHz will tell the
whole story more samples would simply be reduntant and not carry any
further information of the recorded event.

DAC's that works at high fs , well thats not bad a  high fs helps them
to perform better depending on desig many have internally 128 times
oversampling etc .
good old oversampling is they key here, no need to have it done at the
record company and caried on your file or disc ?

24/88.2 and 24/96 is all that we ever need for a consumer format  more
than 2ch would be nice too imho,
Then disc space is better spent as more channels than redundant
samples, now where talking more music information  again.
I would be really happy if recordings used the sq potential in good old
16/44.1 which they don't in most cases.


-- 
Mnyb

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