garym wrote: 
> If the 24/x files are from the exact same master as the 16/x files,
> there is no benefit to the high res files (other than to the sellers
> removing cash from your bank account).  Plenty of evidence from
> rigorously done experiments that people can't detect the difference
> between the two files when both from the same master.  This said, there
> *are* high res files that are from *different* masters and they do in
> fact sound different (and perhaps better). 24/x is obviously useful in
> the mixing stage but mostly (entirely?) irrelevant in the final
> listener's seat.
> 
> Personally, I would never replace my CD version of an album with high
> res versions (unless there is a specific mix I'm after).  If I'm buying
> something new, I'm happy to buy 24/96 FLAC downloads, but not if I have
> to pay more for the high-res aspect.

True on all points.


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