jh901 wrote: 
> Ralph, why do you direct cheap shots my way?  I'd like you to refrain
> from doing so in the future.  I haven't asked for it and I don't treat
> anyone here with such disrespect.
> 
> The primary focus of my popular collection is "classic" rock just as the
> foundation of a jazz collection would be 50s/60s bop, hard bop, etc and
> just as the foundation of a classical collection would be the 3 primary
> periods from the distant past.  I enjoy the mastering work of Barry
> Diament, Kevin Gray, Hoffman and others.  I don't even know who mastered
> the first/early pressings in most of my collection, but I know what to
> look for.  Most CD "collections" are worthless, both in terms of sound
> quality and monetary value, but I've put a great deal of time into
> learning how to identify the best mastering work and the CDs which hold
> their value for one reason or another.  Most won't care, but some will.

A little thin skinned, won't you say? Look I respect the work that Mr.
God Jr. aka Steve Hoffman (Mr. God is Steve Jobs, must be something
about that name Steve) does but so what? I only threw out that barb
because anytime someone or something gets elevated to GOD status and
develops a loyal following of little fan boys, and you are most
definitely a Hoffman fan boy, all I can think of is how nice it would be
to expose their feet of clay. Mr. Hoffman's clay feet are a direct
result of the so called "classic rock" that he remasters. So called
because at least of the titles in Hoffman's remastering resume should
have stayed forgotten.

And by the way, a classic jazz collection would include works from every
decade from the 1920s up until the 2010s because unlike rock music jazz
has not sucked since the Beatles broke up. Here's a name for you, since
you are such a name dropper, Jim Anderson.
http://en.wikipedia.org/wiki/Jim_Anderson_%28sound_engineer%29 His
recordings don't get remastered because he masters them right the first
time.


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