Chrobrego wrote: 
> Not to deviate from the original debate but just to mention the
> complexity of the HiFi sound capture and reproduction, I would avoid the
> expression "bit-perfect" but rather call it "bit-unperfect". Bit is
> digital - not real - world and already translates irremediable sound
> alteration that truncates the signal as the result of the quantification
> applied during PCM conversion.
> 
> I think it is also wrong to oppose the "real" from the "psychological".
> They are both linked tighly together when it comes to music perception -
> we are not machines! An infinitesimal signal difference could result in
> total different perception of the music from an individual to another.
> And it may have nothing to do with the strict ear sensitivity but rather
> with how our brain interpret or react to the signal which leads to
> emotion, etc. It has also something to do with our own experience or
> what some people call ear education.
> 10 years ago I was listening to a lot of mp3 and personnaly could not
> see distinctly the difference with a CD. Now I have my music in flac and
> when I try to listen to mp3 music streamed from Internet radio I find it
> almost unbearable. Yet my ears have probably lost a lot of their -
> scientifically measurable! - sensitivity since that time but that is
> largly compensated by what I know the real music should sound like.
> So I would not underestimate the possible impact caused by any
> difference in the signal process chain inside an electronic equipment.
> After all, why do the amplifiers have a "source direct" which switch off
> the display and apply a shorter path for the signal? is it also "an
> indicator of something wrong"?
> 
> At the end everybody is free to choose its own threshold for optimal
> quality. People will also argue on the differences between cd vs vynil,
> cd vs sacd, spotify 320kbits vs Qobuz, PCM 16 bit vs 24 bits, etc...
> Where is your limit, guys?

Indeed.


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