Fizbin wrote: 
> I don't know if it has to do with the mastering (maybe sound engineers
> prefer vinyl) but it just does.

Sound engineers might or might not prefer vinyl, but are extremely aware
of the limitations of vinyl as a format. You have to equalize very
differently for vinyl, and avoid extreme compression. The "warm"
distortion and background hiss probably helps too.



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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