Golden Earring wrote: 
> I'm just curious how it is possible to manipulate quite specific parts
> of a recording when you don't have a 48 (or more) digital multi-track
> recording to use. The effect I'm describing is quite marked, to the
> extent that I'm reasonably confident that anyone with access to these
> two versions will hear it too. How many tracks would an analogue studio
> master tape from 1969 actually have?

On another forum I see a mention that this album was recorded at
Advision Studios in London. 

In 1969, Advision had an 8-track Scully recorder:

"In early 1968 Advision became the first studio in the UK to obtain a
professional 8-track recorder, which was built by Scully Recording
Instruments. Among the first artists to use the 8-track machine were T.
Rex, The Who, and Caravan. In 1970 the studio used a custom 24-channel
desk with an 8-track recorder."

https://www.revolvy.com/main/index.php?s=Advision%20Studios


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